The Miller and the Brook from “Die schöne Müllerin” D 795 (Franz Schubert)

作曲家:Franz Liszt
校訂:Andrea Lindmayr-Brandl/Evgeny Kissin (Fingering)
樂器: Piano
出版社: G. Henle Verlag

中文簡介:
身為公認的舒伯特愛好者，李斯特喜歡在鋼琴演奏會上演奏舒伯特歌曲的改編版本——效果如此出色，以致出版商開始注意到這一點。 自1838年起，大量改編作品相繼問世，經多次再版迅速風靡全歐。1846年出版的六首《磨坊主之歌》，據維也納首版標題所示，係「改編為較輕快的風格」，因而成為領略李斯特此類藝術造詣的絕佳入門。 然而在〈磨坊主與小溪〉中，這位演奏大師終究難以完全壓抑其才華，於中段以附加段落（Ossia）呈現更精緻的潺潺溪流音效，此段落專為技藝更精湛的鋼琴家保留。 葉夫根尼·基辛的指法為成功演繹安德烈亞·林德邁爾-布蘭德爾根據所有來源製作的樂譜奠定了最佳基礎。
原文簡介:
As an avowed Schubert fan, Franz Liszt liked to perform transcriptions of Schubert’s songs in his piano recitals – and indeed to such great effect that publishers began to take notice. Starting in 1838, numerous such arrangements appeared in print. They quickly spread throughout Europe in numerous editions and reprints. The six “Miller Songs” published in 1846 are, according to the title of the Viennese first edition, “transcribed into a lighter style” and thus offer a good introduction to this area of Liszt’s artistry. However, in “The Miller and the Brook”, the virtuoso cannot quite deny himself and in the middle section provides an even more refined rippling of the aforementioned “little brook” as an Ossia, reserved for more advanced pianists. With his fingerings, Evgeny Kissin offers an optimal foundation for the successful rendition of the musical text produced by Andrea Lindmayr-Brandl based on all the sources.