Violin Pieces Band I
by Schott Music
Original price
$1,730TWD
-
Original price
$1,730TWD
Original price
$1,730TWD
$1,730TWD
-
$1,730TWD
Current price
$1,730TWD
Composer: Roslavets, Nikolai Andreyevich
Arranger: Lobanova, Marina
Instrument: violin and piano
Publisher: Schott Music
Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favourite instrument: two violin concertos, six sonatas, cycles such as Three Dances (1923) and 24 Preludes (1941/1942) as well as many individual pieces. The two volumes published here for the first time complete the publication of his works for this Description.The different and varied character pieces date from the years 1907 to 1910 and 1930 and show the development of his personal style. Whereas the early pieces are rather traditional, Roslawez' later pieces show his way toward his individual tonal system; the closeness to Skriabin's music is conspicuous. The repertoire for this style is particularly sparse, and this is why both volumes are real treasure chests of character pieces and can be recommended to every violinist.
Arranger: Lobanova, Marina
Instrument: violin and piano
Publisher: Schott Music
Song List:
Morgenstimmung (1907) - Romance (1907) - Sérénade (1908) - Élégie (1908) - Rêverie (1908) - Gavotte (ca. 1930)
Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favourite instrument: two violin concertos, six sonatas, cycles such as Three Dances (1923) and 24 Preludes (1941/1942) as well as many individual pieces. The two volumes published here for the first time complete the publication of his works for this Description.The different and varied character pieces date from the years 1907 to 1910 and 1930 and show the development of his personal style. Whereas the early pieces are rather traditional, Roslawez' later pieces show his way toward his individual tonal system; the closeness to Skriabin's music is conspicuous. The repertoire for this style is particularly sparse, and this is why both volumes are real treasure chests of character pieces and can be recommended to every violinist.