Selected Works for Piano Edited from the autographs, manuscript copies and original editions and their revisions
Original price
$2,330TWD
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Original price
$2,330TWD
Original price
$2,330TWD
$2,330TWD
-
$2,330TWD
Current price
$2,330TWD
Composer: Schoenberg, Arnold
Arranger: Brinkmann, Reinhold
Editor: Roggenkamp, Peter
Instrument: piano
Publisher: Wiener Urtext Edition
In the last few decades, Arnold Schönberg's piano works have found their place in the classical concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works – Opp. 11, 19, 23, 25 and 33a/b – as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art.
Arranger: Brinkmann, Reinhold
Editor: Roggenkamp, Peter
Instrument: piano
Publisher: Wiener Urtext Edition
Song List:
Vorwort - Drei Klavierstücke op. 11, revidiert 1924 - Sechs kleine Klavierstücke op. 19 - Suite für Klavier op. 25 - Klavierstück op. 33a - Klavierstück op. 33b - Anhang: Drei Klavierstücke (1894) - Kritische Anmerkungen - Zur Interpretation von Schönbergs Klavierwerk - Interpretationshinweise zu den einzelnen Klavierstücken
In the last few decades, Arnold Schönberg's piano works have found their place in the classical concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works – Opp. 11, 19, 23, 25 and 33a/b – as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art.