Practising Etudes The Basics of Cello Technique in Selected Etudes
by Schott Music
Original price
$1,280TWD
-
Original price
$1,280TWD
Original price
$1,280TWD
$1,280TWD
-
$1,280TWD
Current price
$1,280TWD
Composer: Mantel, Gerhard
Instrument: cello
Publisher: Schott Music
Studies play an important role in musical instrument training. Gerhard Mantel's new edition 'Etüden üben' [Practising studies] (3 volumes) complements his previous successful book 'Cello üben' (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.
Instrument: cello
Publisher: Schott Music
Song List:
Introduction: Practice and Training - Fingerboard Orientation - Fluency - Shifts - Vibrato - Trills - Thumb Position: Distance Thumb 3rd Finger - String Crossings in the Left Had - Double Stops - Octaves - Fingerings - Whole Bow Stroke, Force Progression - Dynamics - Articulation - Bowing Patterns - Legato - String Crossing - Arpeggios - Chords - Martellato - Staccato - Spiccato - Change of Rhythm - Summary
Studies play an important role in musical instrument training. Gerhard Mantel's new edition 'Etüden üben' [Practising studies] (3 volumes) complements his previous successful book 'Cello üben' (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.