6 Sonatas for Violin and Piano (Harpsichord) BWV 1014-1019 Violin and Piano ・
Original price
$2,750TWD
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Original price
$2,750TWD
Original price
$2,750TWD
$2,750TWD
-
$2,750TWD
Current price
$2,750TWD
Composer: Johann Sebastian Bach
Editor: Hans Eppstein
Instrument: Violin; Piano Accompaniment
Publisher: Henle Urtext Edition
Description:
Bach probably composed his six violin sonatas between 1717 and 1723, during his tenure as court Kapellmeister in Köthen. Apparently he was no longer content with adding the solo part to a bass-line, so wrote the harpsichord part out in full instead. As for compositional technique, his model here was the Baroque trio sonata; but the path to the duo sonata in the modern sense, however, is already traced out. The sonatas were not published until 50 years after Bach's demise. The transmission of the individual sonatas is sometimes problematic, especially since little autograph material has survived. In the Appendix to this Urtext volume, we have reproduced various versions of different pieces.
Editor: Hans Eppstein
Instrument: Violin; Piano Accompaniment
Publisher: Henle Urtext Edition
Song List:
Bach: Sonata A major BWV 1015
Bach: Sonata f minor BWV 1018
Bach: Appendix B: The probably second oldest version of the Sonata 6 BWV 1019 G major BWV 1019a
Bach: Sonata G major BWV 1019
Bach: Sonata c minor BWV 1017
Bach: Sonata b minor BWV 1014
Bach: Sonata E major BWV 1016
Bach: Appendix A: The probably oldest version of the Sonata 6 BWV 1019 G major without BWV
Description:
Bach probably composed his six violin sonatas between 1717 and 1723, during his tenure as court Kapellmeister in Köthen. Apparently he was no longer content with adding the solo part to a bass-line, so wrote the harpsichord part out in full instead. As for compositional technique, his model here was the Baroque trio sonata; but the path to the duo sonata in the modern sense, however, is already traced out. The sonatas were not published until 50 years after Bach's demise. The transmission of the individual sonatas is sometimes problematic, especially since little autograph material has survived. In the Appendix to this Urtext volume, we have reproduced various versions of different pieces.