6 Sonatas for 2 flutes (or violins) op. 2 TWV 40:101-106 Edited from the sources by Jochen Reutter. Notes on Interpretation by Susanne Schrage.
Original price
$1,150TWD
-
Original price
$1,150TWD
Original price
$1,150TWD
$1,150TWD
-
$1,150TWD
Current price
$1,150TWD
Composer: Telemann, Georg Philipp
Arranger: Reutter, Jochen
Instrument: 2 flutes (violins)
Publisher: Wiener Urtext Edition
Georg Philipp Telemann's Six Sonatas for two flutes of 1726, also known as Flute Duets Op. 2, are dedicated to two young music lovers and, thus, appeal explicitly to a circle of pupils and music lovers. The pieces foster the ability of musical interpretation as well as a playful love of music-making and are thus ideal for music lessons. The sonatas can alternatively be performed on the violin. The new edition of the Wiener Urtext Edition is based on Telemann's original print as well as on two earlier editions which grant insight into the contemporary ornamentation practice. Further suggestions for the performance are given in the notes on interpretation by Susanne Schrage. The layout of the new edition is clearly designed, page-turns within individual movements have been avoided thanks to fold-out pages. Thus, the proper foundation has been laid both for a historically informed performance and for relaxed music-making.
Arranger: Reutter, Jochen
Instrument: 2 flutes (violins)
Publisher: Wiener Urtext Edition
Song List:
Sonata II G-Dur op. 2/2 TWV 40:101 - Sonata I D-Dur op. 2/1 TWV 40:102 - Sonata III A-Dur op. 2/3 TWV 40:103 - Sonata IV e-Moll op. 2/4 TWV 40:104 - Sonata V h-Moll op. 2/5 TWV 40:105 - Sonata VI E-Dur op. 2/6 TWV 40:106
Georg Philipp Telemann's Six Sonatas for two flutes of 1726, also known as Flute Duets Op. 2, are dedicated to two young music lovers and, thus, appeal explicitly to a circle of pupils and music lovers. The pieces foster the ability of musical interpretation as well as a playful love of music-making and are thus ideal for music lessons. The sonatas can alternatively be performed on the violin. The new edition of the Wiener Urtext Edition is based on Telemann's original print as well as on two earlier editions which grant insight into the contemporary ornamentation practice. Further suggestions for the performance are given in the notes on interpretation by Susanne Schrage. The layout of the new edition is clearly designed, page-turns within individual movements have been avoided thanks to fold-out pages. Thus, the proper foundation has been laid both for a historically informed performance and for relaxed music-making.