To These Dark Steps / The Fathers are Watching op. 90 for tenor, children's choir and ensemble ．
by Schott Music
Original price
$1,500TWD
-
Original price
$1,500TWD
Original price
$1,500TWD
$1,500TWD
-
$1,500TWD
Current price
$1,500TWD
Composer: Goehr, Alexander
Instrument: tenor, children's choir, alto flute, guitar, string quintet and percussion
Publisher: Schott Music
Description:
We met first, poet and I, in a little group of people in Jerusalem reading Greek tragedy, and then later at a demonstration in the Sheik Jarrah neighborhood protesting against the expulsion of Palestinian residents from their houses by Israeli settlers. Levin’s son had just been arrested. I mention both meetings because they tell us about the atmosphere among at least a minority of people in Israel and I believe, something about the poems, ‘To These Dark Steps’ and the prose pieces, ‘The Fathers are Watching’ which accompany them.Levin later explained that at the time of the bombing of Gaza (in 2008), he had found himself able to listen only to twentieth century pieces by Webern, Bartok, Ligeti, Messiaen and Morton Feldman. The poems he brought have as their subject the listening to these composers’ works at such a time. They are not ‘political’ poems, he told me. It seems to me that they are poems written in a landscape, albeit one inseparable from quotidian political events.Alexander Goehr.
Instrument: tenor, children's choir, alto flute, guitar, string quintet and percussion
Publisher: Schott Music
Description:
We met first, poet and I, in a little group of people in Jerusalem reading Greek tragedy, and then later at a demonstration in the Sheik Jarrah neighborhood protesting against the expulsion of Palestinian residents from their houses by Israeli settlers. Levin’s son had just been arrested. I mention both meetings because they tell us about the atmosphere among at least a minority of people in Israel and I believe, something about the poems, ‘To These Dark Steps’ and the prose pieces, ‘The Fathers are Watching’ which accompany them.Levin later explained that at the time of the bombing of Gaza (in 2008), he had found himself able to listen only to twentieth century pieces by Webern, Bartok, Ligeti, Messiaen and Morton Feldman. The poems he brought have as their subject the listening to these composers’ works at such a time. They are not ‘political’ poems, he told me. It seems to me that they are poems written in a landscape, albeit one inseparable from quotidian political events.Alexander Goehr.