Clarinet Trios B Flat Major Op. 11 and E Flat Major Op. 38 for Piano, Clarinet (or Violin) and Violoncello
Original price
$1,900TWD
-
Original price
$1,900TWD
Original price
$1,900TWD
$1,900TWD
-
$1,900TWD
Current price
$1,900TWD
Composer: Ludwig van Beethoven
Editor: Friedhelm Klugmann
Instrument: Cello; Piano; Violin; Piano Trio
Publisher: Henle Urtext Edition
Description:
Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802-03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl's opera L'amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.
The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then – makes it doubly valuable.
Editor: Friedhelm Klugmann
Instrument: Cello; Piano; Violin; Piano Trio
Publisher: Henle Urtext Edition
Song List:
Beethoven: Clarinet Trio E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello
Beethoven: Clarinet Trio B flat major op. 11 for Piano, Clarinet (or Violin) and Violoncello
Description:
Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802-03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl's opera L'amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.
The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then – makes it doubly valuable.