Concerto for Violin and Orchestra in G Major Hob. VIIa:4 Violin and Piano
Original price
$800TWD
-
Original price
$800TWD
Original price
$800TWD
$800TWD
-
$800TWD
Current price
$800TWD
Composer: Joseph Haydn
Editor: Günter Thomas
Instrument: Piano; Violin
Publisher: Henle Urtext Edition
Description:
Three violin concertos by Joseph Hadyn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. VII:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity. For (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verla. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.
Editor: Günter Thomas
Instrument: Piano; Violin
Publisher: Henle Urtext Edition
Song List:
Haydn: Concerto for Violin and Orchestra G major Hob. VIIa:4
Description:
Three violin concertos by Joseph Hadyn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. VII:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity. For (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verla. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.