Fantasy Pieces for Clarinet and Piano op. 73 Edited by Michael Kube, based on the sources ． 1
Original price
$650TWD
-
Original price
$650TWD
Original price
$650TWD
$650TWD
-
$650TWD
Current price
$650TWD
Composer: Schumann, Robert
Editor: Roggenkamp, Peter
Instrument: clarinet and piano
Publisher: Wiener Urtext Edition
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.
Editor: Roggenkamp, Peter
Instrument: clarinet and piano
Publisher: Wiener Urtext Edition
Song List:
Fantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.