Six Piano Pieces op. 32 includes 'Rustle of Spring' op. 32/3. Edited from the sources by Michael Kube. Fingerings and Notes on Interpretation by Peter Roggenkamp.
Original price
$750TWD
-
Original price
$750TWD
Original price
$750TWD
$750TWD
-
$750TWD
Current price
$750TWD
Composer: Sinding, Christian
Arranger: Kube, Michael
Editor: Roggenkamp, Peter
Instrument: piano
Publisher: Wiener Urtext Edition
Christian Sinding's six Piano Pieces Op. 32 have become world famous due to third piece Rustle of Spring. Sinding's music combines late-Romantic tonal charm with mysterious Nordic cadences, also typical of Edvard Grieg or Niels W. Gade. The sometimes virtuosic character does not rival the complexity of Franz Liszt, meaning some pieces remain within the grasp of the advanced pupil. The whole opus, available in the original version for the first time, is based on a critical comparison of the first edition with the composer's autograph. The six pieces are each of a different character and level of difficulty. For both music lessons and concert performances, they are a welcome addition to the late 19th century piano repertoire.
Arranger: Kube, Michael
Editor: Roggenkamp, Peter
Instrument: piano
Publisher: Wiener Urtext Edition
Song List:
Preface - Notes on interpretation - Facsimilia - Marche grotesque - Melodie - Frühlingsrauschen - Im Volkston - Rondoletto giocoso - Gobelin - Critical Notes
Christian Sinding's six Piano Pieces Op. 32 have become world famous due to third piece Rustle of Spring. Sinding's music combines late-Romantic tonal charm with mysterious Nordic cadences, also typical of Edvard Grieg or Niels W. Gade. The sometimes virtuosic character does not rival the complexity of Franz Liszt, meaning some pieces remain within the grasp of the advanced pupil. The whole opus, available in the original version for the first time, is based on a critical comparison of the first edition with the composer's autograph. The six pieces are each of a different character and level of difficulty. For both music lessons and concert performances, they are a welcome addition to the late 19th century piano repertoire.