![I sentimenti di Carl Philipp Emanuel Bach Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787) 長笛豎琴弦樂器 幻想曲 小提琴伴奏 總譜 朔特版 | 小雅音樂 Hsiaoya Music](http://hsiaoya.com/cdn/shop/products/ED_9130-Henze_5B648_5D_458x648.jpg?v=1625968907)
I sentimenti di Carl Philipp Emanuel Bach Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787) Instrument
by Schott Music
Original price
$1,080TWD
-
Original price
$1,080TWD
Original price
$1,080TWD
$1,080TWD
-
$1,080TWD
Current price
$1,080TWD
Composer: Bach, Carl Philipp Emanuel / Henze, Hans Werner
Editor: Henze, Hans Werner
Instrument: flute, harp and string orchestra
Publisher: Schott Music
Description:
I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings.Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music.- Hans Werner Henze
Editor: Henze, Hans Werner
Instrument: flute, harp and string orchestra
Publisher: Schott Music
Description:
I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings.Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music.- Hans Werner Henze