Concert Arias for Bass
by Bärenreiter
Original price
$1,250TWD
-
Original price
$1,250TWD
Original price
$1,250TWD
$1,250TWD
-
$1,250TWD
Current price
$1,250TWD
Composer: Mozart, Wolfgang Amadeus
Arranger: Beyer, Christian
Editor: Seedorf, Thomas
Instrument: for Bass
Publisher: Bärenreiter
Description:
This vocal score of Mozart’s concert and insert arias is based on the New Mozart Edition (NMA).
The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only
• All aria texts translated into German and English and printed separately
• Idiomatic piano reduction to the individual arias
• Clear and legible layout of the musical text
• Additional notes and suggestions on performance practice in the accompanying booklet
• Performance material on hire to each aria
(Please refer to the relevant volume for further information)
Contents
Recitativo “Così dunque tradisci” – Aria “Aspri rimorsi atroci” K. 432 (421a)
Recitativo “Alcandro, lo confesso” – Aria “Non sò d’onde viene” K. 512
Aria “Mentre ti lascio, oh figlia” K. 513
Kriegslied “Ich möchte wohl der Kaiser sein” K. 539
Aria “Un bacio di mano” K. 541
Aria “Per questa bella mano” K. 612
Aria “Io ti lascio, oh cara, addio” K. Anh. 245 (621a)
Arranger: Beyer, Christian
Editor: Seedorf, Thomas
Instrument: for Bass
Publisher: Bärenreiter
Description:
This vocal score of Mozart’s concert and insert arias is based on the New Mozart Edition (NMA).
The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only
• All aria texts translated into German and English and printed separately
• Idiomatic piano reduction to the individual arias
• Clear and legible layout of the musical text
• Additional notes and suggestions on performance practice in the accompanying booklet
• Performance material on hire to each aria
(Please refer to the relevant volume for further information)
Contents
Recitativo “Così dunque tradisci” – Aria “Aspri rimorsi atroci” K. 432 (421a)
Recitativo “Alcandro, lo confesso” – Aria “Non sò d’onde viene” K. 512
Aria “Mentre ti lascio, oh figlia” K. 513
Kriegslied “Ich möchte wohl der Kaiser sein” K. 539
Aria “Un bacio di mano” K. 541
Aria “Per questa bella mano” K. 612
Aria “Io ti lascio, oh cara, addio” K. Anh. 245 (621a)