{"product_id":"songs-and-dances-op-84-bel213","title":"Songs and Dances op. 84  齊爾品．亞力山大 歌 舞曲 大提琴加鋼琴","description":"\u003cb\u003e作曲家: \u003c\/b\u003eTcherepnin, Alexander\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eM.P. Belaieff Musikverlag\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e1. Georgian Song - 2. Tartar Dance - 3. Russian Song - 4. Kazakh Dance\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eOne of Tcherepnin’s favourite instruments was the cello, for which he wrote about ten works (for example, the Georgian Rhapsody, other works for violoncello and orchestra, and several ensemble and solo pieces). He worked together with cellists such as Paul Grümmer, Paul Tortelier, Pierre Fournier, and Gregor Piatigorsky, and for this reason his cello works seem to be especially well suited to the instrument. Although Tcherepnin liked to point out the similarity between the cello and a baritone voice, he always did justice to the whole range of the instrument, even in the highest thumb positions. Georgian, Tatar, Russian and Kazakh folk music provided the inspiration for Songs and Dances op. 84.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e28\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e150\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790203000815\u003cbr\u003e","brand":"M.P. Belaieff Musikverlag","offers":[{"title":"Default Title","offer_id":40043158012080,"sku":"bel213","price":1140.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/BEL_213-Tcherepnin_5B648_5D.jpg?v=1625677310","url":"https:\/\/hsiaoya.com\/zh-hk\/products\/songs-and-dances-op-84-bel213","provider":"小雅音樂","version":"1.0","type":"link"}