{"title":"Wiener Urtext Edition 維也納原典","description":"","products":[{"product_id":"suites-for-violoncello-solo-bwv-10071012-edited-from-the-sources-ut50133","title":"Suites for Violoncello solo BWV 1007-1012 Edited from the sources 巴赫約翰‧瑟巴斯提安 組曲大提琴 大提琴獨奏 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eLeisinger, Ulrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ecello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSuite 1 G-Dur BWV 1007 - Suite 2 d-Moll BWV 1008 - Suite 3 C-Dur BWV 1009 - Suite 4 Es-Dur BWV 1010 - Suite 5 c-Moll BWV 1011 - Suite 6 D-Dur BWV 1012 - Separater Kommentarteil\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Six Suites for violoncello solo represent an equal counterpart to his six sonatas and partitas for solo violin - in the 18th century they were even played on the piano. They have come down to us in an earlier and a later version. As the result of a musicological source revaluation this new edition accords considerably greater importance to the later copies than previously. To all appearances they seem to more clearly reflect Johann Sebastian Bach's intentions in particular in respect of the problematic slurring than the sources for the older version. Difficult page turns within movements have been carefully avoided through sensible pagination.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e93\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e340\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571759\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555890\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001185\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043149525168,"sku":"ut50133","price":1850.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50133-Bach_5B648_5D.jpg?v=1625653437"},{"product_id":"suite-i-g-major-bwv-1007-edited-from-the-sources-by-ulrich-leisinger-ut50260","title":"Suite I G Major BWV 1007 Edited from the sources by Ulrich Leisinger. 巴赫約翰‧瑟巴斯提安 組曲 大調 大提琴獨奏 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eLeisinger, Ulrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ecello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eChromatische Fantasie und Fuge mit Frühfassung BWV 903a und der aus dem Umkreis Forkels überlieferten Fassung BWV 903, BWV 903a\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThis new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions, one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e8\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e50\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572893\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556576\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002236\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043149557936,"sku":"ut50260","price":480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50260-Bach_5B648_5D.jpg?v=1625657281"},{"product_id":"sonata-op-38-edited-from-the-original-edition-ut50039","title":"Sonata op. 38 Edited from the original edition 布拉姆斯 奏鳴曲 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e這首奏鳴曲作品 38 是勃拉姆斯在 1862 年和 1865 年夏季創作的，是每位大提琴家的標準曲目之一。這首曲子是對 J.S. 巴赫的問候。在第一樂章中，勃拉姆斯在主動機中複製了賦格藝術中的第四對位，並在終曲中複製了賦格動機中的第十三對位。\"出版商 Breitkopf \u0026amp; Härtel 提供的資料顯示，作曲家認為這首奏鳴曲對於兩件樂器來說都非常容易演奏，因此高級業餘音樂家也可以演奏這首奏鳴曲，這與 F 大調的同類作品形成鮮明對比\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKraus, Detlef\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe sonata, Op. 38, was composed by Brahms during the summer months of 1862 and 1865 and is part of every cellist's standard repertoire. The piece is a greeting to J.S. Bach. In the first movement, Brahms copied the fourth counterpoint from the Art of the Fugue in the main motif, as well as the thirteenth counterpoint in the motif of the fugue in the finale.Offered to publishers Breitkopf \u0026amp; Härtel with the composer's comment that it was quite easy to play for both instruments, it is possible for advanced amateur musicians to perform the sonata - in contrast to its counterpart in F-Major.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570387\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550383\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231805616,"sku":"ut50039","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50039-Brahms_5B648_5D.jpg?v=1625713679"},{"product_id":"sonata-f-major-op-99-edited-from-autograph-and-the-original-edition-ut50040","title":"Sonata F major op. 99 Edited from autograph and the original edition 布拉姆斯 奏鳴曲大調 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是英國皇家音樂學院教學大綱的一分譜（8 級）\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKraus, Detlef\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570394\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550390\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231838384,"sku":"ut50040","price":880.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50040-Brahms_5B648_5D.jpg?v=1625721657"},{"product_id":"complete-sonatas-for-cello-and-basso-continuo-edited-from-the-sources-and-realization-of-the-figured-bass-by-bernhard-moosbauer-provided-with-notes-on-interpretation-by-gerhardt-darmstadt-ut50175","title":"Complete Sonatas for Cello and Basso Continuo Edited from the sources and realization of the figured bass by Bernhard Moosbauer. Provided with Notes on Interpretation by Gerhardt Darmstadt. 韋瓦第 奏鳴曲大提琴 音型 音符詮釋 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e安東尼奧-維瓦爾第的九首大提琴與低音提琴奏鳴曲是巴羅克時代最著名的大提琴作品之一。由於技術要求不高，這些作品成為音樂課和私人音樂創作不可或缺的一部分。但即使在專業的早期音樂領域，它們也是大提琴曲目的重點。Wiener Urtext Edition 的新版本同樣滿足了這三個目標群體的需要和要求，提供了可靠的音樂文本，不再以 Le Clerc \u0026amp; Boivin 未經授權的巴黎初版為基礎，而是以維瓦爾第本人修訂的那不勒斯版本以及巴黎國家圖書館和維森特海德舍恩伯恩伯爵音樂圖書館中與作曲家有關的其他兩份手稿為基礎。除獨奏部分外，該版本還包括鋼琴（大鍵琴）樂譜和實現的低音連奏部分，學生和業餘愛好者應該會非常喜歡。此外，該版本還為專業連奏樂器演奏者添加了未實現的低音連奏部分，其中包含巴黎第一版的數字。儘管這些數字並不能追溯到維瓦爾第本人，但它們見證了當代低音連奏的實踐，可作為演奏維瓦爾第未譜低音部分的 \"指南\"。格哈特-達姆施塔特（Gerhart Darmstadt）根據當代資料編寫的詮釋說明中提供了有關演奏實踐的更多詳細資訊\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%8B%E7%93%A6%E7%AC%AC\"\u003eVivaldi, Antonio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello solo, harpsichord (piano); cello continuo ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpretation - Examples for Vivaldi's Ornamentation - Facsimilia - Sonata I (RV 47) - Sonata II (RV 41 - Sonata III (RV 43) - Sonata IV (RV 45) - Sonata V (RV 40) - Sonata VI (RV 46) - Sonata VII (RV 44 - Sonata VIII (RV 39) - Sonata IX (RV 42) - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe nine sonatas for cello and basso continuo by Antonio Vivaldi are among the most famous cello works of the Baroque era. Thanks to their moderate technical demands, the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene, they form a focus of the cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike, providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc \u0026amp; Boivin but on a copy from Naples revised by Vivaldi himself as well as on two other manuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part, the edition comprises a piano (harpsichord) score with realized basso continuo which should be very welcome to pupils and amateurs. An unrealized basso continuo part has been added for the professional continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself, they bear witness to the contemporary basso continuo practice and can serve as a ‘guide’ for the execution of Vivaldi’s unfigured bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e152\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e680\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572909\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556583\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002243\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231969456,"sku":"ut50175","price":2080.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50175-Vivaldi_5B648_5D.jpg?v=1626186421"},{"product_id":"works-for-cello-and-piano-edited-by-the-sources-ut50244","title":"Works for Cello and Piano Edited by the sources 德弗札克 大提琴鋼琴 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e除了著名的 B 小調協奏曲作品 104 之外，德沃夏克的作品還包括四首較小的大提琴與鋼琴室內樂作品：A 大調波羅乃茲舞曲、G 小調迴旋曲作品 94、作品 46 中著名的 G 小調斯拉夫舞曲的改編曲以及情緒小品《林地田園詩》（Klid）。為了編寫這一版本，德沃夏克專家克勞斯-多格（Klaus Döge）研究了原稿、校訂本和初版本，並參考了管弦樂和鋼琴樂譜。作曲家本人有據可查的評論為詮釋提供了更多真實的建議\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%89%8E%E5%85%8B\"\u003eDvorák, Antonín\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eDoege, Klaus\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePolonaise, op. posth. - Rondo, op. 94 - Slawischer Tanz, op. 46\/8 - Waldesruhe–Klid, op. 68\/5\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBesides the famous Concerto in B minor Op. 104, Dvorák's œuvre includes four smaller, chamber music compositions for cello and piano: the Polonaise in A major, the Rondo in G minor Op. 94, an arrangement of the well-known Slavonic Dance in G minor from Opus 46 and the mood piece Woodland Idyll (Klid). For the preparation of this edition the Dvorák expert Klaus Döge has studied original manuscripts alongside corrected proofs and first editions, supported by reference to the orchestral and piano scores. Documented comments by the composer himself have provided an additional source of authentic suggestions for interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e72\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572657\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556217\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232002224,"sku":"ut50244","price":1680.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50244-Dvorak_5B648_5D.jpg?v=1625546995"},{"product_id":"sonatas-for-cello-and-piano-incl-cello-version-of-the-horn-sonata-op-17-ut50247","title":"Sonatas for cello and piano Incl. Cello Version of the Horn Sonata op. 17 貝多芬 奏鳴曲大提琴鋼琴大提琴 法國號奏鳴曲 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e貝多芬的大提琴與鋼琴奏鳴曲為全新的室內樂流派奠定了基礎，並激勵了約翰內斯-勃拉姆斯（Johannes Brahms）和理查-施特勞斯（Richard Strauss）等後來的作曲家。貝多芬的五部作品的存世量截然不同。早期兩首奏鳴曲作品 5 的原始手稿已全部遺失，而晚期作品 102 的原始資料卻異常齊全，但仍有許多問題懸而未決。新版《維納烏爾文版》通過對資料的批判性比較，提供了一個音樂文本，但避免對有問題的段落提出絕對的肯定。在此，編者建議將最合理的解決方案作為主文本，但在註腳和注釋中為音樂家提供了備選方案--在存在重大分歧的情況下，甚至在單獨的大提琴部分中也提供了備選方案，這樣大提琴演奏家無需查閱批判性報告即可瞭解這些資訊。本冊還收錄了《圓號奏鳴曲作品 17》的大提琴版本，根據最新研究，其替代樂器的演奏可被視為絕對真實。海因裡希-希夫（Heinrich Schiff）對中提琴部分的編排不僅考慮到了音樂家們各自的演奏技巧，也考慮到了不同樂器之間的差異\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eSchiff, Heinrich \/ Ubber, Christian\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate in F-Dur op. 5\/1 (1796) - Sonate in g-Moll op. 5\/2 (1796) - Sonate in A-Dur op. 69 (1807–08) - Sonate in C-Dur op. 102\/1 (1815) - Sonate in D-Dur op. 102\/ (1815) - Sonate in F-Dur op. 17 (originale Violoncellofassung der Hornsonate, 1800)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWith his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Brahms and Richard Strauss among others. The extent of what has survived of the five works by Beethoven is quite different. Whereas all original manuscripts of the two early sonatas Op. 5 are missing, unusually comprehensive source material is extant of the late opus 102 which, however, leaves no less serious questions unsettled. The new edition of the Wiener Urtext Edition provides a musical text obtained from the critical comparison of the sources which, however, avoids suggesting absolute certainty at problematic passages. Here, the editor rather suggests the most plausible solution as main text, but alternatives are made available to the musician in footnotes and remarks - and, in the case of major divergences, even in the separate cello part so that the cellist can see such information without having to look in the Critical Report. This volume also contains the cello version of the Horn Sonata Op. 17 the alternative instrumentation of which can be regarded as absolutely authentic according to recent research.Thanks to fold-out pages and optimized page-turns, the performance material is extremely practical. The arrangement of the violoncello part by Heinrich Schiff takes into account not only the musicians' individual playing techniques but also the differences between the individual instruments.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e258\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1060\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572787\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556415\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002021\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232067760,"sku":"ut50247","price":2040.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50247-Beethoven_5B648_5D.jpg?v=1625696180"},{"product_id":"the-complete-sonatas-edited-from-the-sources-by-christiane-wiesenfeld-fingerings-and-notes-on-interpretation-by-manuel-fischerdieskau-and-peter-roggenkamp-ut50272","title":"The Complete Sonatas Edited from the sources by Christiane Wiesenfeld. Fingerings and Notes on Interpretation by Manuel Fischer-Dieskau and Peter Roggenkamp. 萊內克 奏鳴曲 音符詮釋 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e卡爾-萊內克曾擔任萊比錫格萬特豪斯管弦樂團指揮多年，是 19 世紀下半葉音樂家中最重要的人物之一。他的三首大提琴與鋼琴奏鳴曲具有令人驚歎的音樂品質，可與約翰內斯-勃拉姆斯的奏鳴曲相媲美。然而，更令人驚訝的是，這些作品直到現在都沒有一個值得一提的文本版本；大提琴演奏家通常只能依靠現存不多的初版本。現在，維納烏文版填補了這一空白--恰逢作曲家逝世 100 周年。它將所有三首奏鳴曲收錄在一冊中，從而為 19 世紀不甚全面的大提琴與鋼琴室內樂曲目增添了三首浪漫主義室內樂傑作\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFischer-Dieskau, Manuel \/ Roggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpreation - Sonat, op. 42 - Sonata, op. 89 - Sonata, op. 238 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eHaving been the conductor of the Leipzig Gewandhaus Orchestra for many years, Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for violoncello and piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising, however, that a noteworthy urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. It encompasses all three sonatas in one volume, thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for violoncello and piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e114\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e510\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573210\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556958\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002557\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232231600,"sku":"ut50272","price":2020.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50272-Reinecke_5B648_5D.jpg?v=1625616735"},{"product_id":"fantasy-pieces-for-violoncello-and-piano-op-73-based-on-the-sources-ut50285","title":"Fantasy Pieces for Violoncello and Piano op. 73 Based on the sources 舒曼．羅伯特 幻想小品大提琴鋼琴 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e羅伯特-舒曼的幻想曲作品 73 最初是為單簧管和鋼琴而作。1849 年 7 月出版的舒曼幻想曲作品 73 的第一版不僅包含單簧管部分，還包含小提琴和大提琴部分。從那時起，這些作品就成為浪漫主義大提琴與鋼琴曲目的重要組成部分。本版本以第一版文本、舒曼的個人副本及其作曲手稿為基礎。詮釋注釋提供了關於節拍器指示、弓法、指法等方面的資訊。 對音樂文本進行了批判性審查，並與資料進行了比較，為實際演奏編輯了大提琴部分 詮釋注釋提供了關於節拍器指示、弓法、指法等方面的資訊\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eKube, Michael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eRobert Schumann wrote his Fantasy pieces Op. 73 originally for clarinet and piano. The first edition of Schumann’s Fantasy Pieces Op. 73 published in July 1849 contained not only a clarinet part but also a violin and a cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition, Schumann’s personal copy and his composition manuscript. The notes on interpretation provide information on metronome indications, bowings, fingerings and more.• Musical text critically reviewed and compared with the sources • Cello part edited for practical performance • Notes on interpretation with comments on metronome indications, bowings, fingerings and more\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573470\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557269\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002861\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232428208,"sku":"ut50285","price":700.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50285-Schumann_5B648_5D.jpg?v=1626005626"},{"product_id":"sonata-op-17-ut50400","title":"Sonata op. 17 貝多芬 奏鳴曲 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e貝多芬最初為圓號和鋼琴創作了作品 17 奏鳴曲。這首曲子是為著名的圓號演奏家約翰-文澤爾-施蒂希（Johann Wenzel Stich）而作，他自稱喬瓦尼-蓬托（Giovanni Punto）。蓬托極大地拓展了自然號的演奏技巧。因此，貝多芬根據這位元音樂大師的獨特演奏技巧，為他量身打造了獨奏部分。蓬托曾多次演奏這部作品，但由於其難度之大，當時其他圓號演奏家仍無法演奏。這可能也是這部作品在世界首演一年後才出版圓號或大提琴版本的原因。據認為，可以相當肯定的是，這種改編可以追溯到貝多芬本人。卡爾-切爾尼（Carl Czerny）已將這首奏鳴曲列為貝多芬最初的大提琴奏鳴曲之一，並按時間順序列為第 3 號。與維也納出版商 Tranquillo Mollo 的 1801 年版一樣，Wiener Urtext 版也為圓號或大提琴和鋼琴出版了這首奏鳴曲。這首圓號奏鳴曲在創作之初非常難演奏，但奇怪的是，這首大提琴奏鳴曲卻是貝多芬大提琴奏鳴曲中最簡單的一首。正因如此，這首作品越來越受到大提琴演奏家的青睞，被認為是貝多芬作品中最容易演奏的大提琴和鋼琴曲。因此，這部作品現在也作為單獨版本收錄在 Wiener Urtext Edition 系列中\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eUbber, Christian\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ehorn or cello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eOriginally, Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly, Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists, however, it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for horn or violoncello one year after the world premiere already. It is deemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo, the Wiener Urtext Edition publishes the sonata for horn or violoncello and piano. Whereas the horn sonata was very difficult to play at the time of creation, the arrangement for violoncello, curiously enough, is one of the easiest among Beethoven's cello sonatas. For this reason, the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently, the work is now available in the Wiener Urtext Edition series as separate edition as well.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e180\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573777\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557566\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003141\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232657584,"sku":"ut50400","price":960.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50400-Beethoven_5B648_5D.jpg?v=1625701305"},{"product_id":"sonata-d-821-for-arpeggione-and-klavier-ut50402","title":"Sonata D 821 for Arpeggione and Klavier 舒伯特 奏鳴曲 琶音 大提琴加鋼琴 維也納原典版","description":"\u003cp\u003e弗朗茨-舒伯特為鋼琴和琶音樂器創作了《琶音奏鳴曲》，琶音樂器是一種混合樂器，一部分是吉他，一部分是大提琴，在當時很時髦。如今，這首曲子已成為中提琴和鋼琴的標準作品，本版本也選用了這種樂器。對於少數使用琶音琴的演奏者，www.wiener-urtext.com [1] 上提供了獨奏部分。該版本大部分採用舒伯特現存親筆簽名的文本。連結：------[1] http:\/\/www.wiener-urtext.com\/\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eDarmstadt, Gerhart \/ Jost, Christa\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eJost, Christa\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFranz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. Today, the piece has become a standard work for violoncello and piano, an instrumentation chosen for the present edition as well. For the few players of an arpeggione, a solo part is available at www.wiener-urtext.com [1]. The edition follows, for the most part, the text of Schubert's extant autograph.Links:------[1] http:\/\/www.wiener-urtext.com\/\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e70\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e260\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574002\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557795\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003370\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232690352,"sku":"ut50402","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50402-Schubert_5B648_5D.jpg?v=1625745472"},{"product_id":"sonatas-and-partitas-bwv-10011006-for-violin-ut50255","title":"Sonatas and Partitas BWV 1001-1006 for violin 巴赫約翰‧瑟巴斯提安 奏鳴曲組曲 小提琴 小提琴獨奏 維也納原典版","description":"\u003cp\u003e約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的小提琴獨奏奏鳴曲和帕蒂塔是同類作品中最著名的傑作。與密切相關的《大提琴獨奏組曲》不同的是，小提琴獨奏曲是以作曲家的親筆手稿形式保存下來的，僅憑這份手稿就能獲得基本可靠的音樂文本。不過，這份手稿是作曲家以前的草稿副本或甚至更多的公正副本的複製品。Wiener Urtext Edition 使用了一份來自 Köthen 的早期抄寫員的副本作為第二手資料，而這份副本作為資料來源直到現在都沒有得到很高的評價。儘管該抄本與現存的親筆手稿十分接近，但我們仍不能排除該抄本可能源自巴赫的另一份原稿的可能性。無論如何，現存清樣中的一些明顯錯誤可以根據其文本得到澄清；此外，它還提供了許多其他地方沒有注明的銜接方式（有些甚至有替代方案），這些都是如何根據作品的起源時間來演奏這些作品的範例。在《詮釋說明》中，達格瑪-格呂克薩姆解釋了巴赫音樂文本的音樂修辭內容與適當演奏之間的關係，從而說明了許多既定詮釋版本的演奏說明是多麼荒謬\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eGluexam, Dagmar\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F\"\u003eviolin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata II a-Moll BWV 1003 - Sonata III C-Dur BWV 1005 - Partita II d-Moll BWV 1004 - Sonata I g-Moll BWV 1001 - Partita I h-Moll BWV 1002 - Partita III E-Dur BWV 1006\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo, the violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However, this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph, one cannot rule out the possibility that this copy might be traced back to another original manuscript by Bach. At any rate, some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition, it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation, Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance, thus showing how absurd many a performance instruction of established interpretive editions is.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e102\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e410\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572800\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556446\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002137\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043348590768,"sku":"ut50255","price":1620.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50255-Bach_5B648_5D.jpg?v=1625696986"},{"product_id":"12-fantasies-twv-401425-edited-from-the-souce-by-bernhard-moosbauer-notes-on-interpretation-by-bernhard-moosbauer-ut50415","title":"12 Fantasies TWV 40:14-25 Edited from the souce by Bernhard Moosbauer. Notes on interpretation by Bernhard Moosbauer 泰勒曼 幻想曲 音符詮釋 小提琴獨奏 維也納原典版","description":"\u003cp\u003e勒曼的《小提琴獨奏幻想曲》和《長笛獨奏幻想曲》由十二首作品組成，其中一半遵循 \"教堂奏鳴曲 \"的模式，另一半遵循 \"卡馬拉奏鳴曲 \"的模式。在這些作品中，泰勒曼展現了大量不同風格的元素和他所處時代的特徵，使這一作品集成為巴羅克晚期小提琴音樂的廣泛彙編\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F\"\u003eviolin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasia I in B (TWV 40:14) - Fantasia II in G (TWV 40:15) - Fantasia III in f (TWV 40:16) - Fantasia IV in D (TWV 40:17) - Fantasia V in A (TWV 40:18) - Fantasia VI in e (TWV 40:19) - Fantasia VII in Es (TWV 40:20) - Fantasia VIII in E (TWV 40:21) - Fantasia IX in h (TWV 40:22) - Fantasia X in D (TWV 40:23) - Fantasia XI in F (TWV 40:24) - Fantasia XII in a (TWV 40:25)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eTelemann's Fantasias for Solo Violon and his Fantasias for Solo Flute constitute a varied collection of twelve pieces, half of which follow the model of the 'sonata da chiesa' and the other half the model of the 'sonata da camara'. In these pieces Telemann presents an abundance of different stylistic elements and features of his time which make this collection an extensive compendium of late Baroque violin music.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574026\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557818\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043348623536,"sku":"ut50415","price":660.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50415-Telemann_5B648_5D.jpg?v=1624938932"},{"product_id":"two-sonatas-g-majore-minor-bwv-1021-1023-edited-from-the-manuscript-ut50002","title":"Two Sonatas G Major\/E Minor BWV 1021, 1023 Edited from the manuscript 巴赫約翰‧瑟巴斯提安 奏鳴曲大調小調 手稿 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eKehr, Guenter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and basso continuo\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate G-Dur, BWV 1021 - Sonate e-Moll, BWV 1023\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e44\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570011\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550024\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509612720,"sku":"ut50002","price":1060.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50002-Bach_5B648_5D.jpg?v=1625542434"},{"product_id":"sonatas-edited-from-autograph-first-edition-and-manuscript-ut50004","title":"Sonatas Edited from autograph, first edition and manuscript 舒伯特 奏鳴曲 手稿 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是英國皇家音樂學院 7 年級教學大綱的一分譜。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eHoll, Monika\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata (Sonatina) for Piano and Violin D-major op.137\/1 D384 - Sonata (Sonatina) for Piano and Violin A-minor op.137\/2 D385 - Sonata G-minor op.137\/3 D408 - Sonata A-major op. post. 162 D574\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus for Grade 7.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e154\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e540\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570035\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550048\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509645488,"sku":"ut50004","price":1320.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50004-Schubert_5B648_5D.jpg?v=1625696358"},{"product_id":"sonata-g-major-op-78-edited-from-the-autograph-and-the-original-edition-ut50011","title":"Sonata G Major op. 78 Edited from the autograph and the original edition 布拉姆斯 奏鳴曲大調 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eStockmann, Bernhard\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eDemus, Joerg \/ Kehr, Guenter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570103\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550109\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509678256,"sku":"ut50011","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50011-Brahms_5B648_5D.jpg?v=1625716802"},{"product_id":"sonata-a-major-op-100-edited-from-the-original-edition-ut50012","title":"Sonata A Major op. 100 Edited from the original edition 布拉姆斯 奏鳴曲大調 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是 2007 年聖三一教學大綱（八級）的一分譜\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eStockmann, Bernhard\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eDemus, Joerg \/ Kehr, Guenter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the Trinity syllabus 2007 (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e48\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570110\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550116\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default 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--\u003e\u003cb\u003e頁數: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570127\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550123\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509776560,"sku":"ut50013","price":960.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50013-Brahms_5B648_5D.jpg?v=1625743552"},{"product_id":"six-sonatas-bwv-1014-1016-band-1-edited-from-the-manuscript-copies-ut50018","title":"Six Sonatas BWV 1014 - 1016 Band 1 Edited from the manuscript copies 巴赫約翰‧瑟巴斯提安 奏鳴曲 手稿 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian \/ Stockmann, 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Title","offer_id":40043509842096,"sku":"ut50018","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50018-Bach_5B648_5D.jpg?v=1625769728"},{"product_id":"six-sonatas-bwv-1017-1019-band-2-edited-from-the-manuscript-copies-ut50019","title":"Six Sonatas BWV 1017 -  1019 Band 2 Edited from the manuscript copies 巴赫約翰‧瑟巴斯提安 奏鳴曲 手稿 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian \/ Stockmann, Bernhard\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eNeumeyer, Fritz\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Sonata IV c-Moll (BWV 1017) - Sonata V f-Moll (BWV 1018) - Sonata VI G-Dur (BWV 1019) - Spielanweisungen - Kritische Anmerkungen - Anhang: Sonata VI, Frühfassung (1019a)\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e134\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e490\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570189\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550185\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510005936,"sku":"ut50019","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50019-Bach_5B648_5D.jpg?v=1625769424"},{"product_id":"sonatas-band-1-edited-from-the-autographs-and-first-editions-ut50032","title":"Sonatas Band 1 Edited from the autographs and first editions 莫札特 奏鳴曲 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e在釋義注釋中，編者解釋了莫札特的釋義符號，從而將原本需要從零散文章中費力收集的內容集中在一起：弧線、圓點和破折號等銜接符號、Appoggiaturen，但最重要的是莫札特對動態的指代，在這裡，出版者首次設法發現了一種系統，莫札特顯然是根據該系統設置符號的，而且除了要澄清的意義（馬蓋爾區分了僅僅改變音區的符號和表示細微差別的符號），還發現了意在說明的agogic細微差別\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata I G-Dur KV 293a (301) - Sonata II Es-Dur KV 293b (302) - Sonata III C-Dur KV 293c (303) - Sonata IV e-Moll KV 300c (304) - Sonata V A-Dur KV 293d (305) - Sonata VI D-Dur KV 300l (306) - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the notes on the interpretation, the editor explains the Mozart interpretation signs and thus unites in a central place, what would otherwise be painstakingly collected from scattered articles: articulation signs such as arc, dot and dash, Appoggiaturen, but above all Mozart's designations for dynamics, where the publisher manages to discover for the first time a kind of system according to which Mozart has evidently set the signs and which, beyond the meaning to be clarified (Marguerre distinguishes between signs that merely change registers and those that indicate nuances) agogic nuances intended.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e162\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570318\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550314\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510071472,"sku":"ut50032","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50032-Mozart_5B648_5D.jpg?v=1625696601"},{"product_id":"sonatas-band-2-edited-from-autograph-and-first-edition-ut50033","title":"Sonatas Band 2 Edited from autograph and first edition 莫札特 奏鳴曲 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是 2007 年聖三一教學大綱（7 年級）的一分譜。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata I F-Dur KV 374d (376) - Sonata II C-Dur KV 296 - Sonata III F-Dur KV 374e (377) - Sonata IV B-Dur KV 317d (378) - Sonata V G-Dur KV 373a (379) - Sonata VI Es-Dur KV 374f (380) - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the Trinity syllabus 2007 (grade 7)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e206\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e770\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570325\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550321\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510104240,"sku":"ut50033","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50033-Mozart_5B648_5D.jpg?v=1625696602"},{"product_id":"sonatas-band-3-edited-from-autographs-and-first-editions-ut50034","title":"Sonatas Band 3 Edited from autographs and first editions 莫札特 奏鳴曲 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata B-Dur KV 454 - Sonata Es-Dur KV 481 - Sonata A-Dur KV 526 - Sonata F-Dur KV 547 - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e168\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e640\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570332\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550338\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default 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\u003c\/b\u003e\u003cbr\u003eSechs Variationen g-Moll über das französische Lied Hélas, j´ai perdu mon amant, KV 374 b (360) - Zwölf Variationen G-Dur über das französische Lied La Bergère Célimène, KV 374 a (359)\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e34\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e180\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570691\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550680\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510202544,"sku":"ut50069","price":840.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50069-Mozart_5B648_5D.jpg?v=1625535125"},{"product_id":"sonata-sonatina-d-major-op-1371-d-384-edited-from-autograph-and-first-edition-ut50089","title":"Sonata (Sonatina) D Major op. 137\/1 D 384 Edited from autograph and first edition 舒伯特 奏鳴曲 大調 小提琴加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eHoll, Monika\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e32\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e140\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570882\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550864\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522000867\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510399152,"sku":"ut50089","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50089-Schubert_5B648_5D.jpg?v=1625725452"},{"product_id":"sonatina-g-major-op-100-edited-from-sketches-autograph-and-first-edition-ut50162","title":"Sonatina G Major op. 100 Edited from sketches, autograph and first edition 德弗札克 小奏鳴曲大調 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e奏鳴曲作品 100 是德沃夏克 1893 年在美國逗留期間創作的，獻給他的六個孩子。1894 年 1 月 2 日，作曲家寫信給他的出版商 Simrock： 感謝上帝，我身體健康，剛剛完成了我的第 100 部作品--小提琴與鋼琴奏鳴曲。這首奏鳴曲是為年輕人創作的（獻給我的孩子們），但大人和成年人也可以隨意欣賞。這首奏鳴曲的靈感來自美洲北部迷人的風景，以及與印第安原住民的會面。因此，它不僅是教學典範的一部分，而且非常有吸引力\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%89%8E%E5%85%8B\"\u003eDvorák, Antonín\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eKenitar-Pinder, Brigitte\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe sonatina op. 100, written during Dvorák's stay in the USA in 1893, is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: Thank God, I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit. Inspired by the fascinating landscape of Northern America and by meetings with the native Indian inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e68\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e250\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571339\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555708\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510464688,"sku":"ut50162","price":820.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50162-Dvorak_5B648_5D.jpg?v=1625690395"},{"product_id":"sonata-for-violin-and-piano-a-major-edited-from-the-autographs-and-the-first-edition-ut50174","title":"Sonata for Violin and Piano A major Edited from the autographs and the first edition 法朗克．賽札爾 奏鳴曲小提琴鋼琴大調 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e弗蘭克的奏鳴曲是室內樂曲目中最著名的作品之一。這一新的 Wiener Urtext 版以第一版為基礎，並經過弗蘭克的最後修改。鋼琴譜和獨奏部分之間的不一致是由於小提琴家尤金-伊薩耶（Eugène Ysaÿe）的注釋造成的，伊薩耶是這部作品的獻禮人，他將這部作品作為結婚禮物贈送給他。半滑舌鰨-路德維希（Günther Ludwig）在其序言中建議用一種經過深思熟慮的方法來演奏這首曲目中的重頭戲\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFranck, César\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eHerttrich, Ernst\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGawriloff, Saschko\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFranck's Sonata is one of the most famous works in the chamber music repertoire. This new Wiener Urtext Edition is based on the first edition with Franck's final corrections. Inconsistencies between the piano score and the solo part are due to annotations by the violinist Eugène Ysaÿe, the dedicatee who was given the work as a wedding present.This version, likely to have been authorized by Franck, is published for the first time in an Urtext edition. Günther Ludwig, in his preface, suggests a carefully considered, cerebral approach to this highlight of the repertoire.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e76\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571964\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555746\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001345\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510497456,"sku":"ut50174","price":1260.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50174-Franck_5B648_5D.jpg?v=1625719021"},{"product_id":"sonatas-for-violin-and-basso-continuo-op-2-edited-from-the-sources-and-provided-with-notes-on-interpretation-by-bernhard-moosbauer-ut50176","title":"Sonatas for Violin and Basso Continuo op. 2 Edited from the sources and provided with Notes on Interpretation by Bernhard Moosbauer. 韋瓦第 奏鳴曲小提琴 音符詮釋 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e安東尼奧-維瓦爾第（Antonio Vivaldi）的小提琴與低音提琴奏鳴曲是在阿爾坎傑羅-科雷利（Arcangelo Corelli）的小提琴奏鳴曲和約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的小提琴奏鳴曲之間最有價值的作品之一。維瓦爾第的 12 首奏鳴曲作品（作品 2）展現了多種多樣的形式，以及演奏和表達的可能性。Wiener Urtext Edition 的新版本以威尼斯第一版和阿姆斯特丹出版商羅傑稍後出版的版本為基礎。在此基礎上，新版的音樂文本更加合理。這一版本不僅包含小提琴獨奏部分和連奏樂譜中的低音連奏部分，還包含一個低音部分，讓有經驗的連奏樂手有機會在低音連奏部分上即興演奏，也可供大提琴手使用\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%8B%E7%93%A6%E7%AC%AC\"\u003eVivaldi, Antonio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin, harpsichord (piano) and cello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata VI C-Dur op. 2\/6 RV 1 - Sonata VII c-Moll op. 2\/7 - Sonata XI D-Dur op. 2\/11 RV 9 - Sonata III d-Moll op. 2\/3 RV 14 - Sonata IX e-Moll op. 2\/9 RV 16 - Sonata IV F-Dur op. 2\/4 RV 20 - Sonata X f-Moll op. 2\/10 RV 21 - Sonata VIII G-Dur op. 2\/8 RV 23 - Sonata I g-Moll op. 2\/1 RV 27 - Sonata II A-Dur op. 2\/2 RV 31 - Sonata XII a-Moll op. 2\/12 RV 32 - Sonata V h-Moll op. 2\/5 RV 36\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eAntonio Vivaldi's sonatas for violin and basso continuo are among the most valuable works written between the violin sonatas by Arcangelo Corelli and those by Johann Sebastian Bach. With his 12 Sonatas Op. 2, Vivaldi presents a multi-faceted spectrum of forms and possibilities of performance and expression. The new edition of the Wiener Urtext Edition is based on both the first Venetian edition and the edition of the publisher Roger from Amsterdam which was published only a little later. On this basis we have got a much more logical musical text in the new edition. This edition not only contains the solo violin part and a continuo score with realized basso continuo, but also a figured bass part which gives experienced continuo players the opportunity to improvise on the basso continuo part and can also be used by a continuo cellist.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e174\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e640\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573395\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557184\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002786\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510694064,"sku":"ut50176","price":1980.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50176-Vivaldi_5B648_5D.jpg?v=1625695995"},{"product_id":"violin-sonatas-op-5-band-1-edited-from-the-sources-ut50235","title":"Violin Sonatas op. 5 Band 1 Edited from the sources 柯雷里阿爾坎傑羅 小提琴奏鳴曲 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e阿卡吉羅-科雷利斯小提琴奏鳴曲作品 5 是小提琴文學中標誌著新時代的作品之一，直到今天它們仍是每位小提琴家的標準曲目之一。因此，這些重要作品長期以來一直沒有烏爾文版，這就更加令人吃驚了。新出版的兩卷本維納烏爾文版填補了這一空白。文本以科雷利親自監製的第一版為基礎。該版本收錄了1710年羅傑在阿姆斯特丹出版的第1-6號奏鳴曲的裝飾曲目，以及第9號奏鳴曲的傑米尼安裝飾曲目。9. 來自科隆的巴羅克專家萊因哈特-戈貝爾（Reinhard Goebel）對演奏實踐的注釋是對適當詮釋的有益建議\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eCorelli, Arcangelo\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eCorelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eArcangelo Corelli’s Violin Sonatas Op. 5 are among those works in violin literature that mark a new epoch, and until this day they have been part of the standard repertory of every violinist. Therefore it is all the more astonishing that there had not been any Urtext edition of these important works for a long time. This gap is filled by a new two-volume edition of the Wiener Urtext edition. The text is based on the first edition which Corelli himself supervised. This edition includes the ornaments for sonatas nos. 1-6, published by Roger in Amsterdam in 1710 as well as Geminiani’s ornaments for Sonata no. 9. The notes on performance practice by Baroque specialist Reinhard Goebel from Cologne are useful suggestions for an appropriate interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e173\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572497\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555586\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001499\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510759600,"sku":"ut50235","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50235-UT_5B648_5D.jpg?v=1625524261"},{"product_id":"violin-sonatas-op-5-band-2-edited-from-the-sources-ut50236","title":"Violin Sonatas op. 5 Band 2 Edited from the sources 柯雷里阿爾坎傑羅 小提琴奏鳴曲 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e阿卡吉羅-科雷利斯小提琴奏鳴曲作品 5 是小提琴文學中標誌著新時代的作品之一，直到今天它們仍是每位小提琴家的標準曲目之一。因此，這些重要作品長期以來一直沒有烏爾文版，這就更加令人吃驚了。新出版的兩卷本維納烏爾文版填補了這一空白。文本以科雷利親自監製的第一版為基礎。該版本收錄了1710年羅傑在阿姆斯特丹出版的第1-6號奏鳴曲的裝飾曲目，以及第9號奏鳴曲的傑米尼安裝飾曲目。9. 來自科隆的巴羅克專家萊因哈特-戈貝爾（Reinhard Goebel）對演奏實踐的注釋是對適當詮釋的有益建議\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eCorelli, Arcangelo\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eCorelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eArcangelo Corelli’s Violin Sonatas Op. 5 are among those works in violin literature that mark a new epoch, and until this day they have been part of the standard repertory of every violinist. Therefore it is all the more astonishing that there had not been any Urtext edition of these important works for a long time. This gap is filled by a new two-volume edition of the Wiener Urtext edition. The text is based on the first edition which Corelli himself supervised. This edition includes the ornaments for sonatas nos. 1-6, published by Roger in Amsterdam in 1710 as well as Geminiani’s ornaments for Sonata no. 9. The notes on performance practice by Baroque specialist Reinhard Goebel from Cologne are useful suggestions for an appropriate interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e117\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e510\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572640\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556026\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001659\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510792368,"sku":"ut50236","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50236-UT_5B648_5D.jpg?v=1625524262"},{"product_id":"sonatas-for-violin-and-piano-op-105-op-121-band-1-edited-by-the-sources-ut50237","title":"Sonatas for violin and piano op. 105 \u0026 op. 121 Band 1 Edited by the sources 舒曼．羅伯特 奏鳴曲小提琴鋼琴 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e舒曼的小提琴奏鳴曲在首次演奏後不久便受到熱烈追捧。第二奏鳴曲在當時被譽為僅次於貝多芬的 A 調奏鳴曲。作品 105 和作品 121 現收錄在這本 Wiener Urtext 版本的第一卷中。它以舒曼新版全集中的樂譜為基礎，不僅參考了這兩部作品的授權初版，還參考了舒曼的工作手稿，以及第二奏鳴曲中雕刻師使用的樂譜和作曲家與原出版商之間的大量通信。通過對這些原始檔進行細緻的比較，可以確定有關動態和銜接的許多細節。舒曼的親筆手稿在這方面起到了重要作用。該版本是英國皇家音樂學院教學大綱（8 級）的一部分\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eBaer, Ute\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: Sonate für Klavier und Violine a-Moll op. 105 (1851) - \u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: Sonate für Klavier und Violine d-Moll op. 121 (1851)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eSchumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as Second only to Beethoven's Sonata in A. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition, which draws not only upon the authorised first editions of both works, but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the original publishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect.The edition is part of the ABRSM syllabus (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e160\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e570\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572572\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555982\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001611\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510825136,"sku":"ut50237","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50237-UT_5B648_5D.jpg?v=1625695747"},{"product_id":"sonatas-for-violin-and-piano-band-2-based-on-the-sources-edited-by-ute-br-arrangement-of-the-violin-part-by-christiane-edinger-fingerings-of-the-piano-part-by-peter-roggenkamp-ut50238","title":"Sonatas for Violin and Piano Band 2 Based on the sources edited by Ute Bär. Arrangement of the violin part by Christiane Edinger. Fingerings of the piano part by Peter Roggenkamp 舒曼．羅伯特 奏鳴曲小提琴鋼琴 編曲 小提琴 鋼琴 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e在《羅伯特-舒曼小提琴奏鳴曲》第二卷中，Wiener Urtext 版介紹了舒曼、勃拉姆斯和阿爾伯特-迪特裡希共同創作的《F.A.E.奏鳴曲》，以及經過編輯的版本，其中勃拉姆斯和迪特裡希的樂章被替換為羅伯特-舒曼的第三首小提琴奏鳴曲。本版本以 2002 年出版的《新舒曼全集》中的版本為基礎，因此採用了最新的音樂學研究成果。就《F.A.E.》奏鳴曲而言，主要是在動態和銜接方面略有改動。至於舒曼的第三小提琴奏鳴曲，本版與 1956 年出版的初版和 1988 年略作修訂的新版有較大差異。由於新發現的文獻，迄今為止尚無法明確確定的中間樂章的順序與早期版本相比有所改變。此外，第一版中在最後 13 小節之前的中間部分第一段的重複被省略了，但這並非舒曼的本意。然而，作曲家要求的尾聲開始前前八小節的重複，在迄今為止的出版物中卻沒有出現，因此被添加了進去。此外，與第一版不同的是，新版包含了第一樂章第 100 小節的變奏，舒曼並未將其完整寫出\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eBaer, Ute\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: F-A-E-Sonate a-Moll (Schumann, Brahms, Dietrich) - \u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: 3. Sonate a-Moll (Schumann) WoO 2\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn Vol. 2 of the Violin Sonatas by Robert Schumann, the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann, Brahms and Albert Dietrich, as well as the edited version, with the movements of Brahms and Dietrich being replaced, as third violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and thus on the latest musicological findings. In the case of the F.A.E. sonata, this is mainly a matter of slight changes in the fields of dynamics and articulation. In the case of Schumann's third violin sonata, the present edition differs more significantly from the first edition published in 1956 and the slightly revised new edition of 1988. The order of the middle movements the accuracy of which could not be clearly determined up to now has been changed, compared to the earlier editions, because of newly found documents. In addition, the repetition of the first section of the middle part notated in the first edition before the last 13 bars, yet not intended by Schumann has been omitted. The repetition demanded by the composer, however, of the first eight bars before the beginning of the coda which is missing in hitherto publications has been added. Moreover, in contrast to the first edition, the new edition contains a variant for bar 100 in the first movement which was not written out in full by Schumann.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e152\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e540\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572589\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555999\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001628\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511054512,"sku":"ut50238","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50238-Schumann_5B648_5D.jpg?v=1625695747"},{"product_id":"sonatas-for-violin-and-basso-continuo-edited-from-the-sources-and-realization-of-the-figured-bass-by-bernhard-moosbauer-notes-on-ornamentation-by-reinhard-goebel-ut50264","title":"Sonatas for Violin and Basso continuo Edited from the sources and realization of the figured bass by Bernhard Moosbauer. Notes on ornamentation by Reinhard Goebel 韓德爾 奏鳴曲小提琴 音型 音符 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e喬治-弗裡德里希-亨德爾的小提琴與低音提琴奏鳴曲屬於巴羅克小提琴音樂的核心曲目，其中一些甚至是當時最著名的曲目之一。Wiener Urtext Edition 系列的新版本以亨德爾的親筆簽名、當代副本和首次印刷本為基礎。除了亨德爾的九首小提琴奏鳴曲外，它還收錄了兩首小提琴和低音連奏小步舞曲，這兩首小步舞曲是在奏鳴曲的環境中流傳下來的。除了小提琴獨奏部分和帶有易於演奏的低音連奏部分的連奏樂譜外，該版本還包括一個低音部分，讓有經驗的連奏樂手有機會在低音連奏部分即興演奏。著名巴羅克專家萊因哈特-戈貝爾（Reinhard Goebel）的詮釋說明讓我們瞭解了亨德爾時代常見的奏鳴曲演奏方式\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%93%E5%BE%B7%E7%88%BE\"\u003eHandel, George Frideric\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on ornamentation - Facsimila - Sonate in G HWV 358 - Sonate in g HWV 364a - Sonate in d HWV 359a - Sonate in A HWV 361 - Sonate in D HWV 371 - Sonate in A HWV 372 - Sonate in E HWV 373 - Sonate in g HWV 368 - Sonate in F HWV 370 - Allegro in c HWV 308 - Andante in a HWV 412 - Menuet in D HWV 420 - Menuet in D HWV 421 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eGeorg Friedrich Handel's Sonatas for Violin and Basso continuo belong to the core repertoire of Baroque violin music, some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs, contemporary copies and first prints. In addition to Handel's nine violin sonatas, it contains two minuets for violin and basso continuo which have been handed down in the environment of the sonatas. Apart from the solo violin part and a continuo score with a realised, easily playable basso continuo, the edition also includes a figured bass part which gives experienced continuo players the opportunity to improvise on the basso continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e142\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572954\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556705\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002304\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511087280,"sku":"ut50264","price":1720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50264-Haendel_5B648_5D.jpg?v=1625695995"},{"product_id":"works-for-violin-and-harpsichord-band-1-sonatas-wq-7174-bwv-1036-violinsonaten-nach-den-trios-wq-143147-ut50288","title":"Works for violin and harpsichord Band 1 Sonatas Wq 71–74, BWV 1036, Violinsonaten nach den Trios Wq 143–147 巴赫卡爾‧菲利普‧艾曼紐 小提琴大鍵琴 奏鳴曲 小提琴 三重奏 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e卡爾-菲力浦-伊曼紐爾-巴赫（Carl Philipp Emanuel Bach）的小提琴與大鍵琴伴奏作品貫穿了他的全部創作。最早的作品，如編號仍為 BWV 1036 的《D 小調奏鳴曲》，可以追溯到他跟隨父親學習的年代，但已經顯示出他自己非凡的創作意願。最新的作品是幻想曲《C. P. E. Bachs Empfindungen\"（降 F 小調，1787 年）是作曲家晚期風格的代表作。Wiener Urtext Edition 的新版兩卷本收錄了 C. P. E. 巴赫為大鍵琴（鋼琴）和小提琴所作的全部作品。第 1 卷不僅收錄了奏鳴曲 Wq 7174 和 BWV 1036，還收錄了為小提琴和大鍵琴改編的三重奏 Wq 143145（其中大部分收錄在 C. P. E. 巴赫的親筆簽名中），以及之前被忽視的早期版本 Wq 71，該版本與 BWV 1036 一樣，讓人對作曲家的早期作品有了難得的瞭解。第 2 卷收錄了約翰內斯-勃拉姆斯（Johannes Brahms）已經著迷的 1763 年的四首主要奏鳴曲。勃拉姆斯不僅在音樂會上與約瑟夫-赫爾梅斯貝格（Joseph Hellmesberger）共同演奏了這四首奏鳴曲，還在 1864 年出版了其中的兩首。本卷最後收錄了兩首分別創作於 1781 年和 1787 年的晚期作品《詠歎調》和《幻想曲》。通過這些作品，C.P.E.-巴赫在其父的巴羅克晚期奏鳴曲與早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏鋼琴奏鳴曲]之間架起了一座橋樑\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpretation - Ornaments and Cadenzas - Facsimilia - Sonate in D Wq 71 - Sonate in d Wq 72 - Sonae in C Wq 73 - Sonate in D Wq 74 - Sonate in D BWV 1036 - Sonate in D Wq 145 - Sonate in h Wq 143 - Sonate in G Wq 144 - Sonate in A Wq 146 - Sonate in C Wq 147 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but also the arrangements of the trios Wq 143–145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a – previously ignored – early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e860\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573500\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557290\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002892\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511152816,"sku":"ut50288","price":2400.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50288-Bach_5B648_5D.jpg?v=1625546511"},{"product_id":"sonatas-band-2-sonatas-wq-7578-arioso-wq-79-fantasie-wq-80-ut50289","title":"Sonatas Band 2 Sonatas Wq 75–78, Arioso Wq 79, Fantasie Wq 80 巴赫卡爾‧菲利普‧艾曼紐 奏鳴曲 奏鳴曲 幻想曲 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e卡爾-菲力浦-伊曼紐爾-巴赫（Carl Philipp Emanuel Bach）的小提琴與大鍵琴伴奏作品貫穿了他的全部創作。最早的作品，如編號仍為 BWV 1036 的《D 小調奏鳴曲》，可以追溯到他跟隨父親學習的年代，但已經顯示出他自己非凡的創作意願。最新的作品是幻想曲《C. P. E. Bachs Empfindungen\"（降 F 小調，1787 年）是作曲家晚期風格的代表作。Wiener Urtext Edition 的新版兩卷本收錄了 C. P. E. 巴赫為大鍵琴（鋼琴）和小提琴所作的全部作品。第 1 卷不僅收錄了奏鳴曲 Wq 7174 和 BWV 1036，還收錄了為小提琴和大鍵琴改編的三重奏 Wq 143145（其中大部分收錄在 C. P. E. 巴赫的親筆簽名中），以及之前被忽視的早期版本 Wq 71，該版本與 BWV 1036 一樣，讓人對作曲家的早期作品有了難得的瞭解。第 2 卷收錄了約翰內斯-勃拉姆斯（Johannes Brahms）已經著迷的 1763 年的四首主要奏鳴曲。勃拉姆斯不僅在音樂會上與約瑟夫-赫爾梅斯貝格（Joseph Hellmesberger）共同演奏了這四首奏鳴曲，還在 1864 年出版了其中的兩首。本卷最後收錄了兩首分別創作於 1781 年和 1787 年的晚期作品《詠歎調》和《幻想曲》。通過這些作品，C.P.E.-巴赫在其父的巴羅克晚期奏鳴曲與早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏鋼琴奏鳴曲]之間架起了一座橋樑\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpreation - Ornaments and Cadenzas - Facsimlia - Sonate in F Wq 75 - Sonate in h Wq 76 - Sonate in B Wq 77 - Sonate in c Wq 78 - Arioso in A Wq 79 - C.P.E. Bachs Empfindungen-Fantasie in fis Wq 80 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but also the arrangements of the trios Wq 143–145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a – previously ignored – early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e216\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e770\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573517\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557306\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002908\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511185584,"sku":"ut50289","price":2400.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50289-Bach_5B648_5D.jpg?v=1625696601"},{"product_id":"sonata-d-821-for-arpeggione-and-piano-version-for-violin-and-piano-by-anton-diabelli-ut50420","title":"Sonata D 821 for Arpeggione and Piano. Version for Violin and Piano by Anton Diabelli 舒伯特 奏鳴曲 琶音 鋼琴 小提琴鋼琴 小提琴加鋼琴 維也納原典版","description":"\u003cp\u003e弗朗茨-舒伯特的琶音奏鳴曲是為鋼琴和琶音樂器創作的，琶音樂器是一種混合樂器，既是吉他的一部分，也是大提琴的一部分，在當時非常流行。小提琴與鋼琴的版本現存於一份舒伯特時期的樂曲部分手稿中，直到最近才得以面世，在 19 世紀早期的小提琴曲目中頗為轟動。該版本在很大程度上沿用了舒伯特現存的親筆簽名文本和當代小提琴部分\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eDarmstadt, Gerhart \/ Jost, Christa\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eJost, Christa\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFranz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. The version for violin and piano has survived in a manuscript of parts from the days of Schubert which has become accessible only recently and is quite a sensation in the early 19th-century violin repertoire. The edition follows, for the most part, the text of Schubert's extant autograph and the contemporary violin part.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e70\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e260\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574033\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557825\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003400\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511218352,"sku":"ut50420","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50420-Schubert_5B648_5D.jpg?v=1625745359"},{"product_id":"6-sonatas-for-2-flutes-or-violins-op-2-twv-40101106-edited-from-the-sources-by-jochen-reutter-notes-on-interpretation-by-susanne-schrage-ut50281","title":"6 Sonatas for 2 flutes (or violins) op. 2 TWV 40:101-106 Edited from the sources by Jochen Reutter. Notes on Interpretation by Susanne Schrage. 泰勒曼 奏鳴曲 長笛小提琴 音符詮釋 雙小提琴 維也納原典版","description":"\u003cp\u003e喬治-菲力浦-塔勒曼（Georg Philipp Telemann）於 1726 年創作的六首雙笛奏鳴曲（又稱長笛二重奏作品 2）是獻給兩位年輕音樂愛好者的，因此非常適合學生和音樂愛好者。這些樂曲培養了學生對音樂的理解能力以及對音樂創作的喜愛，因此非常適合音樂課。奏鳴曲也可以用小提琴演奏。Wiener Urtext 版的新版本基於泰勒曼的原版和兩個早期版本，這兩個版本讓人瞭解到當代的裝飾手法。蘇珊娜-施拉格 (Susanne Schrage) 在詮釋說明中對演奏提出了更多建議。新版的版面設計清晰明瞭，由於採用了折頁設計，避免了在各個樂章中翻頁。因此，新版為歷史性的演奏和輕鬆的音樂創作奠定了適當的基礎\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9B%99%E5%B0%8F%E6%8F%90%E7%90%B4\"\u003e2 flutes (violins)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata II G-Dur op. 2\/2 TWV 40:101 - Sonata I D-Dur op. 2\/1 TWV 40:102 - Sonata III A-Dur op. 2\/3 TWV 40:103 - Sonata IV e-Moll op. 2\/4 TWV 40:104 - Sonata V h-Moll op. 2\/5 TWV 40:105 - Sonata VI E-Dur op. 2\/6 TWV 40:106\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eGeorg Philipp Telemann's Six Sonatas for two flutes of 1726, also known as Flute Duets Op. 2, are dedicated to two young music lovers and, thus, appeal explicitly to a circle of pupils and music lovers. The pieces foster the ability of musical interpretation as well as a playful love of music-making and are thus ideal for music lessons. The sonatas can alternatively be performed on the violin. The new edition of the Wiener Urtext Edition is based on Telemann's original print as well as on two earlier editions which grant insight into the contemporary ornamentation practice. Further suggestions for the performance are given in the notes on interpretation by Susanne Schrage. The layout of the new edition is clearly designed, page-turns within individual movements have been avoided thanks to fold-out pages. Thus, the proper foundation has been laid both for a historically informed performance and for relaxed music-making.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e86\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e370\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573319\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557054\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002656\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043556012208,"sku":"ut50281","price":1380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50281-Telemann_5B648_5D.jpg?v=1624941431"},{"product_id":"sonata-f-minor-op-1201-edited-from-the-engravers-copy-and-original-edition-ut50015","title":"Sonata F minor op. 120\/1 Edited from the engraver's copy and original edition 布拉姆斯 奏鳴曲小調 中提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是英國皇家音樂學院教學大綱的一部分（5、7 年級）該版本是 2007 年三位一體教學大綱的一部分（6、7 年級）\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E4%B8%AD%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eclarinet (viola) and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edtion is part of the ABRSM syllabus (grade 5,7)The edition is part of the Trinity syllabus 2007 (grades 6,7)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e64\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570141\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550147\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043804491952,"sku":"ut50015","price":720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50015-Brahms_5B648_5D.jpg?v=1625721422"},{"product_id":"sonata-eb-major-op-1202-edited-from-the-engravers-copy-and-original-edition-ut50016","title":"Sonata Eb major op. 120\/2 Edited from the engraver's copy and original edition 布拉姆斯 奏鳴曲大調 中提琴加鋼琴 維也納原典版","description":"\u003cp\u003e該版本是英國皇家音樂學院教學大綱（6、8 級）的一部分 該版本是 2007 年聖三一教學大綱（8 級）的一部分\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E4%B8%AD%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eclarinet (viola) and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus (grade 6,8) The edition is part of the Trinity syllabus 2007 (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570158\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550154\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043804590256,"sku":"ut50016","price":720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50016-Brahms_5B648_5D.jpg?v=1625723096"},{"product_id":"syrinx-la-flte-de-pan-edited-from-a-period-manuscript-ut50173","title":"Syrinx (La Flûte de Pan) Edited from a period manuscript 德布西 水妖 樂段手稿 長笛獨奏 維也納原典版","description":"\u003cp\u003e長期以來，遺作版一直被視為唯一的已知資料。然而，Wiener Urtext Edition 的新版本是基於幾年前發現的一份手稿。潘的長笛》由路易-弗勒裡（Louis Fleury）於 1913 年首演，作為加布裡埃爾-穆雷（Gabriel Mourey）戲劇《心理》的伴奏。這份手稿是在德彪西和路易-弗勒裡當時居住的地方發現的。通過這一資料來源，我們可以將作品的兩個部分與戲劇中的相應文本精確對應。出版物中大量使用的圖片和文字對此進行了記錄\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eDebussy, Claude\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eLjungar-Chapelon, Anders \/ Stegemann, Michael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe posthumous edition has for a long time been regarded as the only known source. However, the new edition by Wiener Urtext Edition is based on a manuscript discovered some years ago. La Flute de Pan was first performed in 1913 by Louis Fleury as anaccompaniment to the play ‘Psyché’ by Gabriel Mourey. The manuscript was discovered in the area where Debussy and Louis Fleury were at the time. This source has made it possible to assign both parts of the work precisely to the corresponding text in the drama. This has been documented through extensive use of pictures and text in the publication.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e90\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571957\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555739\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899453616,"sku":"ut50173","price":350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50173-Debussy_5B648_5D.jpg?v=1625630219"},{"product_id":"12-fantasies-edited-from-the-first-edition-ut50187","title":"12 Fantasies Edited from the First Edition 泰勒曼 幻想曲 長笛獨奏 維也納原典版","description":"\u003cp\u003eWiener Urtext 版《泰勒曼幻想曲》以作曲家本人出版的第一版為基礎。樂曲中少數明顯的錯誤已得到糾正。在評論性注釋中，編者提供了有關來源、作者和真實性的資訊。詮釋注釋為有歷史依據的演奏實踐提供了有啟發性的建議。根據 18 世紀的資料來源（Quantz、Hotteterre 等人）對相關作品以及巴羅克長笛演奏的基本方面進行了討論，這些對於每一位長笛演奏家來說都是不可或缺的\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eHirschmann, Wolfgang\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasie 9 E-Dur TWV 40,10 - Fantasie 10 fis-Moll TWV 40,11 - Fantasie 11 G-Dur TWV 40,12 Fantasie 12 g-Moll TWV 40,13 - Fantasie 1 A-Dur TWV 40,2 - Fantasie 2 a-Moll TWV 40,3 - Fantasie 3 h-Moll TWV 40,4 - Fantasie 4 B-Dur TWV 40,5 - Fantasie 5 C-Dur TWV 40,6 - Fantasie 6 d-Moll TWV 40,7 - Fantasie 7 D-Dur TWV 40,8 - Fantasie 8 e-Moll TWV 40,9\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe Wiener Urtext edition of Telemann's Fantasies is based on the first print published by the composer himself. The few obvious mistakes in the music have been corrected. In the critical notes the editor provides information about the source the authorship and authenticity. The notes on interpretation provide instructive suggestions for the historically informed performance practice. Discussion based on sources from the 18th century (Quantz, Hotteterre and others) about related works is included as well as about the basic aspects of baroque flute playing which, for every flautist, are indispensable.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e46\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572039\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555760\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899650224,"sku":"ut50187","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50187-Telemann_5B648_5D.jpg?v=1624944500"},{"product_id":"partita-a-minor-for-flute-solo-bwv-1013-urtext-ut50283","title":"Partita A minor for flute solo BWV 1013 Urtext 巴赫約翰‧瑟巴斯提安 古組曲小調長笛 歌詞 長笛獨奏 維也納原典版","description":"\u003cp\u003e翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）為長笛獨奏創作的《A 小調帕蒂塔》（Partita in A minor for solo flute）實際上名為 \"Solo pour la flûte traversière\"，是長笛曲目中無可爭議的瑰寶之一。由於作曲家的親筆簽名材料沒有流傳下來，該作品僅存一份。這就提出了許多問題，而本版本不僅在序言和釋義注釋中，而且在音樂文本本身中都再次面對了這些問題。由於對所有文本細節進行了細緻入微的檢查和評估，例如，阿勒曼德第二部分重複的過渡結構與大多數已有版本不同。實用的演奏注釋根據巴赫同時代人的實際資料以及音樂修辭學原則對音樂文本進行了研究\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eGluexam, Dagmar\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Partita in A minor for solo flute, actually entitled 'Solo pour la flûte traversière', is one of the undisputed gems of the flute repertoire. The work is extant in only one copy as autograph material of the composer has not survived. This raises a number of questions and problems which the present edition faces again not only in the preface and notes on interpretation, but also in the musical text itself. Due to the meticulous examination and assessment of all text details, the transition to the repetition of the second part in the Allemande, for example, is structured differently than in most established editions. The practical performance notes examine the musical text on the basis of practical sources of contemporaries of Bach as well as in accordance with the principles of musical rhetoric.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e90\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573456\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557245\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002847\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899781296,"sku":"ut50283","price":480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50283-Bach_5B648_5D.jpg?v=1625856227"},{"product_id":"sonata-a-minor-for-flute-solo-wq-132h-562-for-flute-solo-ut50284","title":"Sonata A minor for flute solo Wq 132\/H 562 for Flute solo 巴赫卡爾‧菲利普‧艾曼紐 奏鳴曲小調長笛 長笛 長笛獨奏 維也納原典版","description":"\u003cp\u003e卡爾-菲力浦-伊曼紐爾-巴赫（Carl Philipp Emanuel Bach）的《A 小調長笛獨奏奏鳴曲》（Sonata in A minor for solo flute quasi）與其父親約翰-塞巴斯蒂安（Johann Sebastian）的同調部分奏鳴曲相對應。這首奏鳴曲創作於 1747 年，但直到 1763 年才出版，與他父親長達 30 年的作品相比，它預示著一個新時代的感傷風格。相比，他父親的作品要早 30 年。該版本以第一版為基礎，第一版藏於 C. Ph. E. Bach 和其他作曲家的鋼琴作品中。E. 巴赫和其他作曲家的鋼琴作品中。1763 年出版的另一個版本被證明是第一版的後代，其音樂文本與第一版完全相同，因此可以排除該版本的來源。但該版本也是基於哥本哈根吉德收藏館收藏的 18 世紀晚期的副本，該副本對長笛文獻具有重要意義。雖然它似乎也可追溯到初版，但它在某些段落對初版的不足之處進行了當代糾正。庫伊肯的學生蘇珊娜-施拉格（Susanne Schrage）的實用演奏注釋不僅通過巴赫柏林同鄉作曲家約翰-約阿希姆-昆茨（Johann Joachim Quantz）的長笛演奏法貼近音樂文本，而且還分析了 C. Ph. E. 巴赫本人的《Versuch über die wahre Art, das Clavier zu spielen》中的相關章節，從而提供了對巴赫作品的詮釋。E.巴赫本人的《Vuchüber die wahre Art, das Clavier zu spielen》中的相關章節進行了分析，從而從作曲家的角度提供了正確的詮釋幫助\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's Sonata in A minor for solo flute quasi constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747, but unpublished until 1763, it heralds the sentimental style of a new era, compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition, also published in 1763, proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition was also based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the flute literature. Although it also seems to go back to the first edition, it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the flute method of Bach's Berlin fellow composer Johann Joachim Quantz, but also analyse relevant chapters of 'Versuch über die wahre Art, das Clavier zu spielen' by C. Ph. E. Bach himself, thus providing interpretational aids right from the composer's perspective.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e26\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e110\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573463\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557252\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002854\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043900043440,"sku":"ut50284","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50284-Bach_5B648_5D.jpg?v=1625751545"},{"product_id":"variations-on-folk-songs-op-105-107-edited-from-the-autographs-and-original-editions-ut50017","title":"Variations on Folk Songs op. 105 + 107 Edited from the autographs and original editions 貝多芬 變奏曲民謠歌 長笛加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eJarecki, Gerschon\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eJarecki, Gerschon\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003epiano or with accompaniment flute ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e6 variierte Themen: The Cottage maid, Von edlem Geschlecht, A Schüsserl und a Reindl, The last rose of summer, Chiling O'Guirg, Paddy whack op. 105 - 10 Variierte Themen: I bin a Tiroler Bua, Bonnie laddie, Volkslied aus Kleinrußland, St. Patricks day, A Madel, ja a Madel, Peggys daughter, Schöne Minka, O Mary, at the window be, Oh, thou are the lad of my heart, The highland watch op. 107\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e110\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e480\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570165\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550161\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016009392,"sku":"ut50017","price":2160.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50017-Beethoven_5B648_5D.jpg?v=1625533076"},{"product_id":"trockne-blumen-op-posth-160-d-802-from-die-schne-mllerin-introduction-and-variations-ut50087","title":"Trockne Blumen Op. posth. 160 D 802 from Die schöne Müllerin Introduction and Variations 舒伯特 美麗的磨坊少女導奏變奏曲 長笛加鋼琴 維也納原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eKindermann, Juergen \/ Zoeller, Karlheinz\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRichter, Konrad\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570868\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550840\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016140464,"sku":"ut50087","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50087-Schubert_5B648_5D.jpg?v=1625566082"},{"product_id":"sonatas-3-sonatas-d-a-g-ut50189","title":"Sonatas 3 Sonatas ( D ,A, g ) 李希特．弗朗茲 奏鳴曲 奏鳴曲 長笛加鋼琴 維也納原典版","description":"\u003cp\u003e弗朗茨-哈威爾-裡希特（Franz Xaver Richter，1709-1789 年）是曼海姆學派最重要的代表人物之一，曼海姆學派不僅影響了莫札特，還影響了年輕的貝多芬，甚至影響了一些早期浪漫主義作曲家。裡希特的室內樂在維也納古典主義主要流派的演變過程中具有舉足輕重的地位，從巴羅克三重奏奏鳴曲到古典絃樂四重奏的前身，裡希特的室內樂都為我們指明了方向。裡希特的長笛、大鍵琴伴奏和大提琴奏鳴曲是這條道路上的里程碑。這些作品繼承了巴赫大鍵琴奏鳴曲的傳統，可與巴赫之子卡爾-菲力浦-伊曼紐爾（Carl Philipp Emanuel）的優秀作品相媲美。在這本 Wiener Urtext 版本中，我們精選了三首奏鳴曲，它們也可以用小提琴代替長笛演奏。如有必要，也可以不用大提琴演奏。蘇珊娜-施拉格（Susanne Schrage）的詮釋建議包括大量關於適當演奏風格和裝飾音的建議，除了長笛演奏家之外，其他人可能也會感興趣\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eRichter, Franz Xaver\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute (violin), obligatory harpsichord (piano); cello ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate D-Dur - Sonate A-Dur - Sonate g-Moll\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFranz Xaver Richter (1709-1789) is one of the most important representatives of what is known as the Mannheim School, a style that influenced not only Mozart, but also the young Beethoven and even some of the early Romantic composers. The significance of Richter’s chamber music in the evolution of the major genres of Viennese classicism deserves to be recognised, showing the way as it does from the Baroque trio sonata to the immediate forerunners of the classical string quartet. Richter’s sonatas for flute, harpsichord obbligato and cello are milestones on that road. These pieces were written in the tradition of J. S. Bach’s sonatas with harpsichord obbligato and can bear comparison with the best works of Bach’s son Carl Philipp Emanuel. In this Wiener Urtext edition we present a selection of three sonatas that can also be played with a violin in the place of the flute. The piece may also be performed without the cello if necessary. Susanne Schrage’s advice on interpretation includes plenty of suggestions for an appropriate style of performance and ornamentation, which may be of interest to others besides flautists.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e460\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572367\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555777\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016238768,"sku":"ut50189","price":1800.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50189-Richter_5B648_5D.jpg?v=1625697447"},{"product_id":"undine-sonata-op-167-sonata-for-flute-and-piano-ut50242","title":"Undine Sonata op. 167 Sonata for Flute and Piano 萊內克 水妖奏鳴曲 奏鳴曲長笛鋼琴 長笛加鋼琴 維也納原典版","description":"\u003cp\u003e為長笛和鋼琴而作的《恩丁奏鳴曲》是作曲家卡爾-萊內克為數不多的作品之一，至今仍被經常演奏，同時也是為數不多的橫笛浪漫主義曲目之一。乍一看，這首作品並不明顯屬於程式音樂，有時甚至會被同時代的人質疑為程式音樂，但它的主題卻與 19 世紀流行的歌劇主題 \"Undine \"如出一轍。現在，Wiener Urtext Edition 出版了這部作品的新版本，該版本緊扣原版文本（遺憾的是，手稿資料已不復存在）。詮釋注釋沿用了音樂之外的曲目，試圖將作品及其詮釋理解與 Undine 主題緊密聯繫起來\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eCapelle, Irmlind\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eAllegro - Allegretto vivace - Più lento, quasi Andante - Allegretto vivace - Andante tranquillo - Molto vivace - Allegro molto agitato ed appassionato, quasi Presto - Un poco più tranquillo - Più lento\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe Undine Sonata for flute and piano is one of the few works by the composer Carl Reinecke which is regularly performed even today, and is at the same time one of the few Romantic repertoire pieces for transverse flute. Although not obviously programme music at first glance, and sometimes even questioned as such by contemporaries, the work nevertheless falls back on the Undine subject which was a popular opera theme in the 19th century. The Wiener Urtext Edition now presents a new publication of the work which closely follows the text of the original edition (unfortunately, manuscript sources are not extant). The notes on interpretation follow the tracks of the extra-musical programme, trying to bring the work and its interpretative understanding into close connection with the Undine subject.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572626\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556040\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001673\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016369840,"sku":"ut50242","price":1020.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50242-Reinecke_5B648_5D.jpg?v=1625539794"},{"product_id":"sonate-solo-twv-41h4-edited-from-the-sources-by-jochen-reutter-notes-on-interpretation-by-susanne-schrage-ut50416","title":"Sonate (Solo) TWV 41:h4 Edited from the sources by Jochen Reutter. Notes on interpretation by Susanne Schrage 泰勒曼 音符詮釋 長笛加鋼琴 維也納原典版","description":"\u003cp\u003e泰勒曼的橫笛與低音連奏奏鳴曲（獨奏）選自 1733 年出版的《塔菲爾穆西克》，這是巴羅克晚期最重要的器樂曲之一。這首奏鳴曲的突出主題，尤其是第一樂章和最後一個樂章的主題，似乎給亨德爾留下了深刻印象，以至於他在 D 小調第 15 號管風琴協奏曲中採用了這些主題。該版本嚴格遵循泰勒曼本人出版的第一版，從而得以糾正 20 世紀版本中的若干錯誤\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and basso continuo (harpsichord\/piano, cello ad libitum)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eTelemann's Sonata (solo) for traverse flute and basso continuo comes from his 'Tafelmusik' published in 1733, one of the most important instrumental cycles of the late Baroque period. The prominent themes of the Sonata, especially of the first and last movements, seem to have impressed G. Fr. Handel so much that he took them up in his Organ Concerto No. 15 in D minor. The edition strictly follows the first edition published by Telemann himself, which made it possible to correct several errors in 20th-century editions.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e150\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574019\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557801\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003387\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016533680,"sku":"ut50416","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50416-Telemann_5B648_5D.jpg?v=1625695132"},{"product_id":"undine-sonata-op-167-sonata-for-clarinet-and-piano-ut50263","title":"Undine Sonata op. 167 Sonata for Clarinet and Piano 萊內克 水妖奏鳴曲 奏鳴曲 鋼琴 豎笛 1把以上加鋼琴 維也納原典版","description":"\u003cp\u003e卡爾-萊奈克的《恩丁》作為長笛與鋼琴奏鳴曲於 1882 年出版，至今仍是他最常演奏的作品之一。1885 年，萊奈克又出版了單簧管與鋼琴的版本，其中鋼琴部分保持不變，而長笛部分則根據單簧管的技術和音調特質進行了調整。因此，萊奈克為單簧管與鋼琴的小曲目增添了一部引人注目的作品。目前的版本是根據 Wiener Urtext Edition 系列出版的長笛和鋼琴版本製作的，該版本以德文和英文初版為基礎，將長笛部分換成了 1885 年出版的單簧管編曲。專為單簧管版本編寫的詮釋說明既考慮到了歷史上適當的演奏技巧，也考慮到了音樂文本、音樂外節目和演奏實踐方面的問題。可靠的音樂文本、優化的翻頁和舒適的概覽是當前版本在形式和排版方面的基本特徵\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e編者: \u003c\/b\u003eCapelle, Irmlind\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B1%8E%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eclarinet and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCarl Reinecke's 'Undine' was published in 1882 as a sonata for flute and piano and to this day is one of his most frequently played works. In 1885 Reinecke also published a version for clarinet and piano in which the piano part remained unchanged whereas the flute part was adjusted to the technical and tonal qualities of the clarinet. Thus, Reinecke was able to add a striking work to the small clarinet-piano repertoire. The current edition is based on the version for flute and piano, published in the Wiener Urtext Edition series, which, is based on the German and English first edition, exchanging the flute part for the clarinet arrangement published in 1885. Notes on interpretation specially written for the clarinet version take into account both historically adequate playing techniques and questions regarding the musical text, extra-musical programme and performance practice. A reliable musical text, optimised page turns and a comfortable overview are essential features of the current edition with regard to form and layout.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e80\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e420\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572947\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556699\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002298\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044396740784,"sku":"ut50263","price":1080.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50263-Reinecke_5B648_5D.jpg?v=1625539795"},{"product_id":"fantasy-pieces-for-clarinet-and-piano-op-73-edited-by-michael-kube-based-on-the-sources-ut50286","title":"Fantasy Pieces for Clarinet and Piano op. 73 Edited by Michael Kube, based on the sources 舒曼．羅伯特 幻想小品 鋼琴 豎笛 1把以上加鋼琴 維也納原典版","description":"\u003cp\u003e羅伯特-舒曼在 1849 年 2 月的兩天時間裡創作了單簧管與鋼琴幻想曲。幾天後，克拉拉-舒曼和德累斯頓單簧管演奏家約翰-戈特利布-科特（Johann Gottlieb Kotte）首演了這些作品。舒曼最初為自己的作品取名為 \"Soirée Pieces\"，最後決定以 \"Fantasy Pieces\"（幻想曲）的名義出版，以此強調作品的詩意。 單簧管演奏家伊莉莎白-艾興伯格（Elisabeth Eichenberg）的詮釋說明也以這些內涵為中心，並特別提到了單簧管音色的當代美學。該版本以 1849 年出版的第一版為基礎，並加入了舒曼個人副本中的後續更正。流傳下來的作曲手稿起到了重要的校正作用。除了原始的 A 調單簧管聲部外，該版本還收錄了 B 調單簧管的轉調聲部，以便讓更多的單簧管愛好者能夠欣賞到這些浪漫主義單簧管曲目中的標準作品\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B1%8E%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eclarinet and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eRobert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e250\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573487\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557276\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002878\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044396904624,"sku":"ut50286","price":780.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50286-Schumann_5B648_5D.jpg?v=1626005626"}],"url":"https:\/\/hsiaoya.com\/zh-hk\/collections\/wiener-urtext-edition.oembed?page=7","provider":"小雅音樂","version":"1.0","type":"link"}