{"title":"G. Henle Verlag","description":"","products":[{"product_id":"schumann-fantasy-pieces-op-12-includes-woo-28","title":"Schumann: Fantasy Pieces, Op. 12","description":"\u003cp\u003e\u003cb\u003e作者:\u003c\/b\u003e SCHUMANN R\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e出版社:\u003c\/b\u003e G. Henle Verlag\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e裝訂:\u003c\/b\u003e Sheet music\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e頁數:\u003c\/b\u003e 51\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e商品描述:\u003c\/b\u003e \"With humor\", \"slow and tender\", \"extremely brisk\": the very expression marks of the, Op. 12 \"Fantasy Pieces\" illuminate their musical universe, a kaleidoscope of ideas and moods. Henle's revised new edition presents not only the eight original pieces, but also an appendix containing a ninth piece that Schumann excised during the final stages of publication. Several of the composer's friends, including the work's dedicatee Robena Ann Laidlaw, played some of, Op. 12 in public before it appeared in print. Later the work achieved rapid and widespread popularity. Perhaps the greatest compliment came from Franz Liszt, who excitedly wrote to the composer, \"Your ‘Fantasy Pieces' have captured my interest in an extraordinary way. I play them truly with delight, and Lord knows there are not many things of which I can say the same.\" Contains the following pieces: Des Abends, Op. 12 ; Aufschwung, Op. 12 ; Warum?, Op. 12 ; Grillen, Op. 12 ; In der Nacht, Op. 12 ; Fabel, Op. 12 ; Traumes Wirren, Op. 12, No. 7 ; Ende vom Lied, Op. 12 ; Posthumous Piece, WoO 28 Publisher ID: HN91 Instrumentation: Piano Instrumentation: Piano Urtext \/ Critical Edition\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e尺寸:\u003c\/b\u003e 12.0 x 9.1 x 0.2 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e語言:\u003c\/b\u003e German, English, French\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":39882796335280,"sku":"HN91","price":700.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/41fDhFEMqDL.jpg?v=1625796440"},{"product_id":"24-caprices-for-violin-solo-english-french-and-german-edition","title":"24 Caprices for Violin Solo (English, French and German Edition)","description":"\u003cp\u003e\u003cb\u003e作者:\u003c\/b\u003e Pierre Rode\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e裝訂:\u003c\/b\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e商品描述:\u003c\/b\u003e Together with Pierre Baillot and Rodolphe Kreutzer, Pierre Rode founded the important Franco-Belgian violin school at the end of the eighteenth century. Celebrated throughout Europe, this violinist gives impressive testament to his technique with his 24 Caprices en Forme d Études in all keys. While concentrating completely on studying technical phenomena, he created valuable compositions that recall Paganini's pieces of the same name. To this day, the Caprices are a milestone in every violinist's education conservatory level). For the first time, G. Henle Publishers' Urtext edition clarifies in detail the matter of the source situation (first edition and revised edition) and offers the musical text in the \"definitive version\" with all historical notations. As a Rode specialist of the first order, violinist Friedemann Eichhorn assisted with the preparation of this edition and contributed fingering and bowing suggestions ideal for contemporary violin instruction.\u003c\/p\u003e\n\u003cp\u003eHN1186\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e尺寸:\u003c\/b\u003e 12.0 x 9.1 x 0.2 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e語言:\u003c\/b\u003e English, French, German\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":39884429492400,"sku":"hn1186","price":1050.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/41ZnQpWCSjL.jpg?v=1622575847"},{"product_id":"piatti-12-caprices-op-25","title":"Piatti: 12 Caprices, Op. 25","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: '新細明體',serif; mso-ascii-font-family: Aptos; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Aptos; mso-hansi-theme-font: minor-latin;\"\u003e皮亞蒂的《十二首隨想曲》，作品\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e 25\u003c\/span\u003e\u003cspan style=\"font-family: '新細明體',serif; mso-ascii-font-family: Aptos; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Aptos; mso-hansi-theme-font: minor-latin;\"\u003e，是所有高級大提琴演奏者的日常練習曲目：耶胡迪·梅紐因爵士曾將它們與巴赫的《組曲》相提並論。本版本包括來源資訊、替代讀法和折頁，以解決以前棘手的翻頁問題。\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e作者:\u003c\/b\u003e Carlo Alfredo Piatti\u003cbr\u003e\u003cb\u003e\u003cbr\u003e出版社:\u003c\/b\u003e G. Henle Verlag\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e裝訂:\u003c\/b\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e頁數:\u003c\/b\u003e 44\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e商品描述:\u003c\/b\u003e Piatti's Twelve Caprices, Op. 25, are the daily bread of all advanced players of the cello: Sir Yehudi Menuhin mentioned them in the same breath with the Bach Suites. This edition includes information on sources, alternative readings and fold-out pages to solve the previously knotty problem of page turns. Publisher ID: HN746 Instrumentation: Cello Format: Playing Score Instrumentation: Cello Urtext \/ Critical Edition\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e尺寸:\u003c\/b\u003e 12.0 x 9.5 x 0.0 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e語言:\u003c\/b\u003e German\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":39885003063472,"sku":"hn746","price":1150.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/41t5dMrNZpL.jpg?v=1625839908"},{"product_id":"mikrokosmos-v-vi-piano-urtext-sheet-music-hn-1410-english-and-german-edition","title":"Mikrokosmos V-VI - Piano - Urtext - Sheet Music (HN 1410) (English and German Edition)","description":"\u003cp\u003e\u003cb\u003e作者:\u003c\/b\u003e Béla Bartók\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e出版社:\u003c\/b\u003e G. Henle Verlag\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e裝訂:\u003c\/b\u003e Sheet music\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e頁數:\u003c\/b\u003e 100\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e商品描述:\u003c\/b\u003e Bartók’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty, engage not only with technical aspects of piano playing, but also with the fundamentals of composition – from “Ostinato”, “Free variations” and “Imitation and inversion” concerning compositional technique, to programmatic ideas as in “From the diary of a fly” or the famous “Six dances in Bulgarian rhythm” that form the passionate close of this unique work. This Henle Urtext Edition is based on the corresponding volume of the Bartók Complete Edition that is currently in preparation, and also includes specific practical comments and tips concerning Bartók’s own performances. Furthermore, the six volumes of the first edition, which first appeared in 1940, are gathered here together in three practical double volumes that offer both beginners and advanced pianists a perfect introduction to this work.    \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e尺寸:\u003c\/b\u003e 12.0 x 9.2 x 0.5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e語言:\u003c\/b\u003e English, German, French\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":39895768137904,"sku":"B07B14J2HF","price":1350.0,"currency_code":"TWD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/41l3uEMDpHL.jpg?v=1625915875"},{"product_id":"piano-sonatas-volume-i-0151480001","title":"Piano Sonatas - Volume I Piano Solo 莫札特 鋼琴 奏鳴曲 亨乐版","description":"\u003cp\u003e1948年，岡特-亨勒成立了Urtext出版社，第一部作品就是莫札特所有鋼琴奏鳴曲的兩卷本。時至今日，這兩卷的編號仍然是 HN 1 和 HN 2。多年來，這兩卷都經過多次修訂，使音樂文本始終反映最新的學術研究成果。莫札特的許多奏鳴曲的手稿都保存了下來，他的一些作品在印刷前還對文本做了細微的改動。因此，在這種情況下，我們提供兩種版本。編者的序言和評論提供了有關所有資料來源和文本問題的詳細資訊\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Sonata F major KV 280 (189e)\u003cbr\u003e Mozart: Sonata G major KV 283 (189h)\u003cbr\u003e Mozart: Sonata a minor KV 310 (300d)\u003cbr\u003e Mozart: Sonata D major KV 311 (284c)\u003cbr\u003e Mozart: Sonata C major KV 279 (189d)\u003cbr\u003e Mozart: Sonata B flat major KV 281 (189f)\u003cbr\u003e Mozart: Sonata E flat major KV 282 (189g)\u003cbr\u003e Mozart: Sonata D major KV 284 (205b)\u003cbr\u003e Mozart: Sonata C major KV 309 (284b)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWhen Günter Henle founded his Urtext publishing house in 1948, the first work in the catalogue was the two volume edition of all of Mozart's piano sonatas. Even today they still bear our numbers HN 1 and HN 2. Over the years both of the volumes have been revised several times so that the musical text always reflects the latest in scholarly research. The manuscripts have survived for many of Mozart's sonatas, and for some of his works he made slight changes to the text before printing. For this reason we provide both version in such cases. The editor's preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e152\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e618.03\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172138\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204885852336,"sku":"hn1","price":1450.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480001.jpg?v=1654235370"},{"product_id":"piano-sonatas-volume-ii-0151480002","title":"Piano Sonatas - Volume II Piano Solo 莫札特 鋼琴 奏鳴曲 亨乐版","description":"\u003cp\u003e1948 年，當 Günther Henle 創立他的 Urtext 出版社時，目錄中的第一部作品就是莫札特鋼琴奏鳴曲的兩卷本。時至今日，這兩部作品的編號仍然是 HN1 和 HN2。多年來，這兩卷都經過多次修訂，使音樂文本始終反映最新的學術研究成果。莫札特的許多奏鳴曲的手稿都保存了下來，他的一些作品在印刷前還對文本做了細微的改動。因此，在這種情況下，我們提供兩個版本。編者的序言和評論提供了有關文本的所有來源和問題的詳細資訊\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Sonata [Facile] C major KV 545\u003cbr\u003e Mozart: Sonata B flat major KV 570\u003cbr\u003e Mozart: Sonata F major KV 533\/494\u003cbr\u003e Mozart: Sonata D major KV 576\u003cbr\u003e Mozart: Sonata F major KV 332 (300k)\u003cbr\u003e Mozart: Sonata C major KV 330 (300h)\u003cbr\u003e Mozart: Sonata (with a Turkish March [Alla Turca]) A major KV 331 (300i)\u003cbr\u003e Mozart: Fantasy and Sonata c minor KV 475\/457\u003cbr\u003e Mozart: Sonata B flat major KV 333 (315c)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWhen Günther Henle founded his Urtext publishing house in 1948, the first work in the catalog was the two-volume edition of Mozart's piano sonatas. Even today they still bear our numbers HN1 and HN2. Over the years both of the volumes have been revised several times so that the musical text always reflects the latest in scholarly research. The manuscripts have survived for many of Mozart's sonatas, and for some of his works he made slight changes to the text before printing. For this reason we provide both versions in such cases. The editor's preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text.\u003cbr\u003e\u003cbr\u003eContents: Sonata in C Major, KV 330 (300h) • Sonata with a Turkish March, KV 331 (300i) • Sonata in F Major, KV 332 (300k) • Sonata in B-flat Major, KV 333 (315c) • Fantasy and Sonata in C minor, KV 475\/457 • Sonata in F Major, KV 533\/494 • Sonata in C Major, KV 545 • Sonata in B-flat Major, KV 570 • Sonata in D Major, KV 576\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e174\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e671.895\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172145\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204886081712,"sku":"hn2","price":1450.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480002.jpg?v=1654235969"},{"product_id":"impromptus-and-moments-musicaux-0151480004","title":"Impromptus and Moments Musicaux Piano Solo 舒伯特 鋼琴 樂興之時 即興曲 亨乐版","description":"\u003cp\u003e弗朗茨-舒伯特的鋼琴作品屬於鋼琴家的核心曲目，當然也屬於亨勒的核心曲目。我們的目錄收錄了舒伯特幾乎所有的鋼琴作品。本卷收錄了演奏次數最多的鋼琴作品：兩部四首即興曲集（D 899 和 D 935）以及六首音樂瞬間（D 780）。我們的版本初版於 1948 年出版社成立之年。編輯和提供指法的人是一位至今仍備受推崇的鋼琴家： Walter Gieseking。在這裡，您可以聆聽他親自演奏舒伯特。我們從這一主要 \"工廠 \"中 \"扡插 \"了許多作品；單行本中的序曲作品 90 第 1、第 2、第 3 和第 4 號以及音樂瞬間的音樂文本完全相同\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWalter Gieseking\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchubert: 4 Impromptus op. 90 D 899\u003cbr\u003e Schubert: 6 Moments Musicaux op. 94 D 780\u003cbr\u003e Schubert: 4 Impromptus op. post. 142 D 935\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFranz Schubert's piano works belong to pianists' core repertoire and of course, to Henle's, too. Our catalogue contains almost all of Schubert's piano compositions. This volume contains the piano works that are played the most: the two collections of four Impromptus (D 899 and D 935) as well as the six Moments Musicaux (D 780). Our edition was first printed in the year that the publishing house was founded, in 1948. The editor and person who provided the fingerings was a pianist who is still greatly admired: Walter Gieseking. Here you can listen to him play Schubert himself. We have made numerous “cuttings” from this main “plant”; single editions with the identical musical text of the Impromptus op. 90, No. 1, No. 2, No. 3 and No. 4 as well as the Moments musicaux.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e106\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e430.92\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172169\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204886278320,"sku":"hn4","price":1050.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480004.jpg?v=1654236442"},{"product_id":"sonatinas-for-piano-and-violin-op-post-137-0151480006","title":"Sonatinas for Piano and Violin Op. Post. 137 舒伯特 小奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e每個年輕的小提琴家都熟悉舒伯特的小提琴和鋼琴奏鳴曲。這裡使用的 \"奏鳴曲 \"這一稱謂來自 1836 年的遺作；舒伯特本人稱它們為 \"奏鳴曲\"。之所以選擇這種小巧的形式，無疑是因為這些樂曲非常容易演奏；市場行銷方面的考慮或許也是原因之一。這兩首曲子旋律生動活潑，具有典型的舒伯特風格，是有史以來最受歡迎的鋼琴和小提琴曲之一，在亨勒公司的產品目錄中一直保持著 \"暢銷曲目 \"的地位（在 \"早期 \"出版商中編號為 6！）。舒伯特於 1816 年創作這兩首曲子，時年 19 歲。初版本有時與親筆簽名有很大出入；幸運的是，初版本幾乎完整地保存了下來（缺少了第二奏鳴曲的終曲）。對於這最後一個樂章，必須以初版本為參考\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGünter Henle\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ePiano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eEvery young violinist is familiar with Schubert's sonatinas for violin and piano. The title “sonatinas” used here is derived from the posthumous print of 1836; Schubert himself called them “sonatas.” The diminutive form was no doubt selected because the pieces are fairly easy to play; marketing considerations perhaps also played a role here. With their typically lively, Schubertian melodies, they are among the most popular pieces ever written for piano and violin, and have continuously maintained their position as “bestsellers” in the Henle catalog (having the “early” publisher's number 6!). Schubert wrote them in 1816, thus at the age of 19. The first edition sometimes diverges considerably from the autograph; fortunately it has survived almost in its entirety (missing is the finale of the 2nd sonatina). For this final movement, the first edition had to be consulted as a source.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e72\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e368.55\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172183\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204888113328,"sku":"51480006-hn6","price":1200.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480006.jpg?v=1654236451"},{"product_id":"sonatas-for-piano-and-violin-volume-i-0151480007","title":"Sonatas for Piano and Violin - Volume I 貝多芬 小提琴奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e路德維希-凡-貝多芬在 1797 年至 1812 年的短短十五年間創作了十首小提琴奏鳴曲。使用我們精心修訂的兩卷本奏鳴曲全集，演奏者可以欣賞到貝多芬如何在每首作品中重新演繹和改變奏鳴曲形式的原則。這個烏爾文版的特別之處在於，所有奏鳴曲都是根據貝多芬的手稿以及親自監督的原始印刷版本編輯的。在編排文本時，我們的編輯試圖盡可能準確地保留這些資料的編排方式。因此，貝多芬的原始記譜法嚴格按照這些模式再現，生動地闡明了作曲家所希望的音樂關係。除了附有注釋的部分外，還收錄了一個不帶指法的額外部分，供希望以自己的方式演奏貝多芬的小提琴奏鳴曲的小提琴家使用\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eSieghard Brandenburg\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eViolin; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Sonata a minor op. 23\u003cbr\u003e Beethoven: Sonata A major op. 12,2\u003cbr\u003e Beethoven: Sonata D major op. 12,1\u003cbr\u003e Beethoven: Sonata for violin F major op. 24 [Spring Sonata]\u003cbr\u003e Beethoven: Sonata E flat major op. 12,3\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLudwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven's original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven's violin sonatas.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e132\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e887.355\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172190\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204888506544,"sku":"hn7","price":2150.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480007.jpg?v=1654237433"},{"product_id":"sonatas-for-piano-and-violin-volume-ii-0151480008","title":"Sonatas for Piano and Violin - Volume II 貝多芬 小提琴奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e路德維希-凡-貝多芬在 1797 年至 1812 年的短短十五年間創作了十首小提琴奏鳴曲。使用我們精心修訂的兩卷本奏鳴曲全集，演奏者可以欣賞到貝多芬如何在每首作品中重新演繹和改變奏鳴曲形式的原則。這個烏爾文版的特別之處在於，所有奏鳴曲都是根據貝多芬的手稿以及親自監督的原始印刷版本編輯的。在編排文本時，我們的編輯試圖盡可能準確地保留這些資料的編排方式。因此，貝多芬的原始記譜法嚴格按照這些模式再現，生動地闡明了作曲家所希望的音樂關係。除了附有注釋的部分外，還收錄了一個不帶指法的額外部分，供希望以自己的方式演奏貝多芬的小提琴奏鳴曲的小提琴家使用\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eSieghard Brandenburg\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eViolin; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Sonata c minor op. 30,2\u003cbr\u003e Beethoven: Sonata for violin A major op. 47 [Kreutzer Sonata]\u003cbr\u003e Beethoven: Sonata G major op. 96\u003cbr\u003e Beethoven: Sonata G major op. 30,3\u003cbr\u003e Beethoven: Sonata A major op. 30,1\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLudwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven's original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven's violin sonatas.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e174\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1085.805\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172206\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204889358512,"sku":"hn8","price":2280.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480008.jpg?v=1654238616"},{"product_id":"piano-pieces-klavierstucke-0151480012","title":"Piano Pieces [Klavierstücke] 貝多芬 鋼琴 小品 鋼琴 亨乐版","description":"\u003cp\u003e這套貝多芬鋼琴作品集取之不盡、用之不竭，強烈推薦給希望深入瞭解貝多芬音樂發展歷程的演奏者。它收錄了貝多芬除 32 首奏鳴曲、變奏曲和舞曲之外的所有鋼琴作品，從而展現了這位偉大作曲家一生中各個階段的作品。其中包括貝多芬可愛的巴加泰勒舞曲 op. 33、《Für Elise》、《The Rage over a Lost Penny》和三首 \"Kurfürsten \"奏鳴曲 WoO 47。我們的Urtext版本在編排上嚴格遵循貝多芬的記譜法。通過這種方式使文本在光學上相匹配，非常清晰地揭示了樂曲中的音調和空間聯繫，使鋼琴家更接近貝多芬\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eOtto von Irmer\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Bagatelle C major WoO 56\u003cbr\u003e Beethoven: 'For Elise' Piano Piece a minor WoO 59\u003cbr\u003e Beethoven: Minuet E flat major WoO 82\u003cbr\u003e Beethoven: 11 new Bagatelles op. 119\u003cbr\u003e Beethoven: Polonaise C major op. 89\u003cbr\u003e Beethoven: Piano Piece [For Piringer] b minor WoO 61\u003cbr\u003e Beethoven: Piano Piece B flat major WoO 60\u003cbr\u003e Beethoven: Piano Piece 'Lustig und Traurig' WoO 54\u003cbr\u003e Beethoven: Piano Piece g minor WoO 61a\u003cbr\u003e Beethoven: 6 Bagatelles op. 126\u003cbr\u003e Beethoven: Rondo C major WoO 48\u003cbr\u003e Beethoven: Bagatelle c minor WoO 52\u003cbr\u003e Beethoven: Andante F major WoO 57\u003cbr\u003e Beethoven: Allegretto c minor WoO 53\u003cbr\u003e Beethoven: Alla Ingharese quasi un Capriccio [The Rage over the Lost Penny] G major op. 129\u003cbr\u003e Beethoven: 2 Sonatina movements WoO 50\u003cbr\u003e Beethoven: Appendix: Andante C major, Menuet F major\u003cbr\u003e Beethoven: Fantasy op. 77\u003cbr\u003e Beethoven: Easy Sonata C major WoO 51\u003cbr\u003e Beethoven: Bagatelle F major op. 33,3\u003cbr\u003e Beethoven: 2 Preludes op. 39\u003cbr\u003e Beethoven: 2 Sonatinas (F and G major) Anh. 5\u003cbr\u003e Beethoven: Prelude f minor WoO 55\u003cbr\u003e Beethoven: 3 Sonatas [Kurf¾rsten-Sonatas] WoO 47\u003cbr\u003e Beethoven: Rondo B flat major Anh. 6\u003cbr\u003e Beethoven: Rondo G major op. 51,2\u003cbr\u003e Beethoven: Rondo C major op. 51,1\u003cbr\u003e Beethoven: Rondo A major WoO 49\u003cbr\u003e Beethoven: 7 Bagatellas op. 33\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThis inexhaustible collection of Beethoven's piano works is highly recommended to players who wish to gain deepr insight into Beethoven's musical development. It contains all of Beethoven's piano compositions except for the 32 sonatas, the variations and the dances, and thus presents works from all stages of this great composer's life. Included are his endearing Bagatelles op. 33, the album leaf “Für Elise,” “The Rage over a Lost Penny,” and the three “Kurfürsten” Sonatas WoO 47. In its layout our Urtext edition closely follows Beethoven's notational practice. Making the texts match optically in this way unlocks the tonal-spatial connections within the pieces very clearly, leading the pianist closer to Beethoven.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e226\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e870.345\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172220\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204889489584,"sku":"51480012-hn12","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480012.jpg?v=1654239113"},{"product_id":"the-well-tempered-clavier-revised-edition-0151480014","title":"The Well-Tempered Clavier - Revised Edition Part I, BWV 846-869 巴赫‧約翰瑟巴斯提安 平均律 I 鋼琴 亨乐版","description":"\u003cp\u003e世界著名鋼琴家安德拉什-希夫（András Schiff）是巴赫迷們最熟悉的名字，他錄製了巴赫鋼琴作品的全集。他在詳細的序言中討論了演奏實踐的各個方面。音樂文本的基礎是亨勒 1997 年出版的第一部分修訂版和富田洋 2007 年春出版的第二部分修訂版。詳細的評注為這兩個版本畫上了圓滿的句號。此外，《全音階鋼琴協奏曲》的兩個部分都有 Henle Urtext 版本（不含指法）和研究版本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst-Günter Heinemann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano; Piano\/Keyboard\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBach: Prelude and Fugue BWV 864\u003cbr\u003e Bach: Prelude and Fugue BWV 858\u003cbr\u003e Bach: Prelude and Fugue BWV 846\u003cbr\u003e Bach: Prelude and Fugue BWV 847\u003cbr\u003e Bach: Prelude and Fugue BWV 848\u003cbr\u003e Bach: Prelude and Fugue BWV 849\u003cbr\u003e Bach: Prelude and Fugue BWV 850\u003cbr\u003e Bach: Prelude and Fugue BWV 852\u003cbr\u003e Bach: Prelude and Fugue BWV 853\u003cbr\u003e Bach: Prelude and Fugue BWV 854\u003cbr\u003e Bach: Prelude and Fugue BWV 855\u003cbr\u003e Bach: Prelude and Fugue BWV 851\u003cbr\u003e Bach: Prelude and Fugue BWV 857\u003cbr\u003e Bach: Prelude and Fugue BWV 865\u003cbr\u003e Bach: Prelude and Fugue BWV 859\u003cbr\u003e Bach: Prelude and Fugue BWV 860\u003cbr\u003e Bach: Prelude and Fugue BWV 861\u003cbr\u003e Bach: Prelude and Fugue BWV 862\u003cbr\u003e Bach: Prelude and Fugue BWV 863\u003cbr\u003e Bach: Prelude and Fugue BWV 868\u003cbr\u003e Bach: Prelude and Fugue BWV 869\u003cbr\u003e Bach: Prelude and Fugue BWV 866\u003cbr\u003e Bach: Prelude and Fugue BWV 867\u003cbr\u003e Bach: Prelude and Fugue BWV 856\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach's piano works, has provided fingerings for both parts of the \u003ci\u003eWell-Tempered Clavier\u003c\/i\u003e. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (spring 2007). A detailed commentary rounds off the editions. Both parts of the \u003ci\u003eWell-Tempered Clavier\u003c\/i\u003e are also available as Henle Urtext editions without fingerings and as study editions.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e142\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e564.165\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172244\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204889587888,"sku":"hn14","price":1350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480014.jpg?v=1654239324"},{"product_id":"the-well-tempered-clavier-part-ii-bwv-870-893-0151480016","title":"The Well-Tempered Clavier - Part II, BWV 870-893 巴赫‧約翰瑟巴斯提安 平均律 II 亨乐版","description":"\u003cp\u003e世界著名鋼琴家安德拉什-希夫（András Schiff）是巴赫迷們最熟悉的名字，他錄製了巴赫鋼琴作品的全集。他在詳細的序言中討論了演奏實踐的各個方面。音樂文本的基礎是亨勒 1997 年出版的第一部分修訂版和富田洋 2007 年春季出版的第二部分修訂版。著名巴赫學者富田在一篇詳盡的序言中討論了第二部分複雜的來源情況。該版本還附有詳細的評注。此外，《全音調鋼琴協奏曲》的兩個部分都有不帶指法的 Henle Urtext 版本和研究版本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst-Günter Heinemann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano; Piano\/Keyboard\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBach: Prelude and Fugue BWV 875\u003cbr\u003e Bach: Prelude and Fugue BWV 879\u003cbr\u003e Bach: Prelude and Fugue BWV 878\u003cbr\u003e Bach: Prelude and Fugue BWV 877\u003cbr\u003e Bach: Prelude and Fugue BWV 876\u003cbr\u003e Bach: Prelude and Fugue BWV 874\u003cbr\u003e Bach: Prelude and Fugue BWV 873\u003cbr\u003e Bach: Prelude and Fugue BWV 872\u003cbr\u003e Bach: Prelude and Fugue BWV 871\u003cbr\u003e Bach: Prelude and Fugue BWV 880\u003cbr\u003e Bach: Prelude and Fugue BWV 870\u003cbr\u003e Bach: Prelude and Fugue BWV 883\u003cbr\u003e Bach: Prelude and Fugue BWV 886\u003cbr\u003e Bach: Prelude and Fugue BWV 888\u003cbr\u003e Bach: Prelude and Fugue BWV 893\u003cbr\u003e Bach: Prelude and Fugue BWV 892\u003cbr\u003e Bach: Prelude and Fugue BWV 887\u003cbr\u003e Bach: Prelude and Fugue BWV 891\u003cbr\u003e Bach: Prelude and Fugue BWV 882\u003cbr\u003e Bach: Prelude and Fugue BWV 890\u003cbr\u003e Bach: Prelude and Fugue BWV 889\u003cbr\u003e Bach: Prelude and Fugue BWV 884\u003cbr\u003e Bach: Prelude and Fugue BWV 885\u003cbr\u003e Bach: Prelude and Fugue BWV 881\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach's piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e180\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e691.74\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172268\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204890046640,"sku":"hn16","price":1350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480016.jpg?v=1654239354"},{"product_id":"7-bagatelles-op-33-0151480020","title":"7 Bagatelles Op. 33 Piano Solo 貝多芬 鋼琴作品33 有指法 亨乐版","description":"\u003cp\u003e貝多芬《巴加泰倫》作品 33 的親筆簽名中提到 1782 年。33 作品的親筆簽名在標題中提到了 1782 年。這個日期以及貝多芬對其進行修改的事實，引起了人們對其創作時間的多種猜測。可以肯定的是，這七首曲子直到 1802 年底才完成。貝多芬似乎對之前的幾首作品進行了彙編，最後一次修改，然後交給了出版商。第一版於 1803 年 5 月發行--今天的鋼琴家們仍然對這些小品充滿熱情，就像他們對貝多芬的許多其他大小名作一樣\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eOtto von Irmer\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe autograph of Beethoven's Bagatellen op. 33 mentions the year 1782 in its title. The date, and the fact that Beethoven amended it, have led to a number of speculations concerning the time of its genesis. What is certain is that the seven pieces were not completed until about the end of 1802. Beethoven seems to have compiled several earlier pieces, revised them one last time, then gave them to the publishers. The first edition was issued in May 1803 – and today's pianists are still just as enthusiastic about these little gems as they are about many of Beethoven's other major or minor masterpieces.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e24\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e110.565\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172305\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204890144944,"sku":"hn20","price":550.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480020.jpg?v=1654239468"},{"product_id":"andante-f-major-woo-57-0151480021","title":"Andante F Major WoO 57 Piano Solo 貝多芬 行板 鋼琴 亨乐版","description":"\u003cp\u003e首曲子的開頭旋律動人，以 \"Andante favori \"的標題廣為人知，深受喜愛。它是著名的《瓦爾斯坦》C 大調鋼琴奏鳴曲作品 53 的慢板。據貝多芬的學生、後來的傳記作者斐迪南-雷斯（Ferdinand Ries）說，他的一位朋友曾提出 \"奏鳴曲太長 \"的意見，結果被貝多芬狠狠地批評了一頓。但是，\"......我的老師（即貝多芬）有時間進行更冷靜的思考，很快就確信了這一評論的正確性\"。對於今天的鋼琴家來說，幸運的是貝多芬並沒有完全拋棄這首曲子，而是在 1805 年將其作為一個樂章出版。Andante favori這個標題首次出現在一年後發行的印刷品中\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eOtto von Irmer\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWith its appealing opening melody, this piece is widely known and beloved under the title Andante favori. It was written as the slow movement of the famous “Waldstein” Piano Sonata in C Major, op. 53. Beethoven's student and later biographer Ferdinand Ries reported that a friend had voiced his view about “the sonata being too long,” whereupon the friend was given a terrible talking-to (by Beetthoven). But “...Having had time for more placid reflection, my teacher [i.e. Beethoven] soon became convinced of the correctness of the comment.” Luckily for today's pianists, Beethoven did not discard the piece completely, but had it published as a single movement in 1805. The title Andante favori made its first appearance in a print that was released one year later.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e12\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e65.205\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172312\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204890210480,"sku":"51480021-hn21","price":480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480021.jpg?v=1654239570"},{"product_id":"piano-pieces-0151480022","title":"Piano Pieces Piano Solo 莫札特 鋼琴 小品 亨乐版","description":"\u003cp\u003e莫札特一生都在創作鍵盤樂曲。這些豐富的資料讓我們對他的音樂發展有了非凡的洞察力。現在，我們首次將所有這些作品合併成一個版本。我們的版本根據莫札特學術研究的最新成果進行了全面修訂。在許多情況下，最近才出現的資料來源或新的詮釋構成了修訂的基石。這也使得上一版 Henle 版本中沒有的作品被收錄進來\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eUllrich Scheideler\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Andantino E flat major KV 236 (588b)\u003cbr\u003e Mozart: Minuet D major KV 355 (576b)\u003cbr\u003e Mozart: March C major KV 408\/1 (383e)\u003cbr\u003e Mozart: Fragment (Sarabande) from the Suite KV 399 (385i)\u003cbr\u003e Mozart: Mozarts pieces from the Nannerl Notenbuch KV 1aûf, 2û5, 9a (5a),6û8\u003cbr\u003e Mozart: Appendix:\u003cbr\u003e Mozart: Ballettmusic from 'Ascanio in Alba' KV 111\u003cbr\u003e Mozart: Fragment from the Nannerl Music Book KV 9b (5b)\u003cbr\u003e Mozart: 2 Piano pieces B flat, E flat KV Anh. 20 a (626b\/25)\u003cbr\u003e Mozart: Fragments from the London Sketchbook KV 15 nn, rr, ss\u003cbr\u003e Mozart: Fantasies c, d KV 396 (385f), 397 (385g)\u003cbr\u003e Mozart: Adagio b minor KV 540\u003cbr\u003e Mozart: 6 German Dances KV 509\u003cbr\u003e Mozart: Gigue G major KV 574\u003cbr\u003e Mozart: Piano Piece F major KV 33 B\u003cbr\u003e Mozart: Funeral March c minor KV 453a\u003cbr\u003e Mozart: Minuets C, D C major KV 61g II, 94 (73h)\u003cbr\u003e Mozart: 8 Minuets KV 315a (315g)\u003cbr\u003e Mozart: Prelude (Fantasy) and Fugue C major KV 394 (383a)\u003cbr\u003e Mozart: Sonata movements g, B flat B flat major KV 312 (590d), 400 (372a)\u003cbr\u003e Mozart: Suite C major KV 399 (385i)\u003cbr\u003e Mozart: Pr¯ludium C major KV 284a (395\/300g)\u003cbr\u003e Mozart: London sketchbook KV 15a-qq\u003cbr\u003e Mozart: Adagio for Glass Harmonica C major KV 356 (617a)\u003cbr\u003e Mozart: Andante for a Musical Clock F major KV 616\u003cbr\u003e Mozart: Sonata [allegro and allegretto] F major KV Anh. 135 (547a)\u003cbr\u003e Mozart: Fugue for an organ g minor KV 401 (375e)\u003cbr\u003e Mozart: Fuges G, D KV Anh. A 61\/62 (154a)\u003cbr\u003e Mozart: Kontretanz D 'Das Donnerwetter' KV 534\u003cbr\u003e Mozart: Kontret¯nze KV deest (269b)\u003cbr\u003e Mozart: 12 Minuets KV 103 (61d)\u003cbr\u003e Mozart: Modulierendes Pr¯ludium KV deest\u003cbr\u003e Mozart: Rondos D, a KV 485, 511\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThroughout his life Mozart composed individual pieces for the keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever, we are now offering all of these works in a single edition. Our edition has been completely revised, taking into account the latest findings in Mozart scholarship. In many instances, sources which have only recently been made available or which have been newly interpreted have formed the cornerstone of the revision. This has also led to the inclusion of works which were not in the previous Henle edition.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e263\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1168.02\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172329\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204890276016,"sku":"51480022-hn22","price":2480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480022.jpg?v=1654240302"},{"product_id":"piano-trios-volume-i-0151480024","title":"Piano Trios - Volume I National Federation of Music Clubs 2014-2016 Selection 貝多芬 鋼琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時代，一直到 19 世紀，鋼琴三重奏都是我們所謂的 \"時尚配件\"。因此，貝多芬追隨海頓和莫札特的腳步，創作了這一體裁的 13 首鋼琴三重奏，絕非偶然。第二卷收錄了兩首鋼琴三重奏作品 70 和三重奏作品 97，以及變奏曲。以及歌曲 \"Ich bin der Schneider Kakadu \"變奏曲作品 121a。121a. 鋼琴三重奏作品 70 之 1 的綽號 \"幽靈三重奏\"（Geistertrio），與其他三重奏作品一樣，源於他的音樂風格。70之1 \"三重奏的綽號 \"幽靈三重奏\"（Geistertrio）一如既往，並非來自貝多芬，而是因為慢板中詭異而神秘的音色\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGünter Raphael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Trio c minor op. 1,3\u003cbr\u003e Beethoven: Trio G major op. 1,2\u003cbr\u003e Beethoven: Trio E flat major op. 1,1\u003cbr\u003e Beethoven: Trio B flat major op. 11 (Piano, Clarinet [Violin], Violoncello) B flat major op. 11\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.\u003cbr\u003e\u003cbr\u003eThis first volume contains the three Piano Trios op. 1, the very first works of all which Beethoven deemed publishable and deserving of an opus number. This was followed by the Trio op. 11 for clarinet or violin, cello and piano (“Gassenhauer”). Beethoven drew a great deal of attention to himself when he presented the three Trios op. 1 to the public (including Joseph Haydn) probably in August 1795, at a soirée given by Prince Lichnowsky. They have remained precious exemplars of their genre to this day.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e224\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e881.685\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172343\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204892405936,"sku":"51480024-hn24","price":2950.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480024.jpg?v=1654240524"},{"product_id":"septet-in-e-flat-major-op-20-0151480025","title":"Septet in E-flat Major, Op. 20 Clarinet, Bassoon, Horn, Violin, Viola, Cello, and Double Bass Set of Parts 貝多芬 七重奏 小提琴大提琴 亨乐版","description":"\u003cp\u003e\"讓我的七重奏快一點走向世界--因為烏合之眾正在等待著它\"。就這樣，貝多芬在 1802 年囑咐他的出版商抓緊時間。公眾對這一貶義詞並不反感： 如今，《管弦樂七重奏作品 20》與舒伯特的《八重奏》一樣，是最受歡迎的大型室內樂作品之一。我們的版本沿用了即將出現在《貝多芬全集》中的音樂文本。為單簧管、圓號、巴松管、小提琴、中提琴、大提琴和低音提琴而作\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eEgon Voss\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003eChamber Ensemble\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003e“Send my septet out into the world a little faster – because the rabble is awaiting it”. It was thus that Beethoven bade his publisher make haste in 1802. The public did not take offence at this rather derogatory term: Today the Septet op. 20 for Wind and Strings is one of the most popular chamber music works for a larger ensemble, together with Schubert's Octet. Our edition follows the musical text which will soon appear in the Beethoven Complete Edition. As the only practical edition available at the current time, our Urtext edition not only contains the original part for horn in E flat but also a transposed one for horn in F. For Clarinet, Horn, Bassoon, Violin, Viola, Cello, and Double Bass.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e379.89\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088403249\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204892766384,"sku":"51480025-hn25","price":2100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480025.jpg?v=1654241748"},{"product_id":"piano-trios-volume-ii-0151480026","title":"Piano Trios - Volume II National Federation of Music Clubs 2014-2016 Selection 貝多芬 鋼琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時代，一直到 19 世紀，鋼琴三重奏都是我們所謂的 \"時尚配件\"。因此，貝多芬追隨海頓和莫札特的腳步，創作了這一體裁的 13 首鋼琴三重奏，絕非偶然。第二卷收錄了兩首鋼琴三重奏作品 70 和三重奏作品 97，以及變奏曲。以及歌曲 \"Ich bin der Schneider Kakadu \"變奏曲作品 121a。121a. 鋼琴三重奏作品 70 之 1 的綽號 \"幽靈三重奏\"（Geistertrio），與其他三重奏作品一樣，源於他的音樂風格。70之1 \"三重奏的綽號 \"幽靈三重奏\"（Geistertrio）一如既往，並非來自貝多芬，而是因為慢板中詭異而神秘的音色\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGünter Raphael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Trio B flat major op. 97\u003cbr\u003e Beethoven: Trio E flat major op. 70,2\u003cbr\u003e Beethoven: Trio [Variations on the Song 'Ich bin der Schneider Kakadu'] G major op. 121a\u003cbr\u003e Beethoven: Trio [Ghost-Trio] D major op. 70,1\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.\u003cbr\u003e\u003cbr\u003eThis second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicatee Archduke Rudolph and is undisputedly Beethoven's most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810\/11, it was not published until 1816.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e236\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e921.375\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172350\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204892897456,"sku":"51480026-hn26","price":3150.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480026.jpg?v=1654242203"},{"product_id":"51-exercises-for-piano-0151480027","title":"51 Exercises for Piano 布拉姆斯 鋼琴 練習曲 亨乐版","description":"\u003cp\u003e和許多 19 世紀作曲家一樣，鋼琴教學也是勃拉姆斯的重要收入來源。因此，勃拉姆斯開始收集練習曲，起初只是偶爾寫下來，後來與其他鋼琴家（如克拉拉-舒曼）分享。直到他基本放棄這種教育和鋼琴活動後，才考慮出版這些練習曲集。為了反映這些作品的水準，他建議將 \"各種刑具，從拇指螺絲到鐵處女 \"作為扉頁。現在，我們按照《新勃拉姆斯全集》的音樂文本，以Urtext版的形式出版這本浪漫主義鋼琴演奏必備的曲集。\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eCamilla Cai\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eTeaching the piano was an important source of income for Brahms, as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down, but later shared with other pianists (e. g. Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level, he suggested “all kinds of instruments of torture, from the thumb screw to the iron maiden” for the title page. We are now publishing this collection, which is essential for Romantic piano playing, as an Urtext edition, following the musical text of the New Brahms Complete Edition.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e108\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e428.085\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088409593\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204893520048,"sku":"51480027-hn27","price":1430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480027.jpg?v=1654242323"},{"product_id":"6-partitas-bwv-825-830-0151480028","title":"6 Partitas BWV 825-830 Piano Solo 巴赫‧約翰瑟巴斯提安 鋼琴 組曲 亨乐版","description":"\u003cp\u003e巴赫的六首帕蒂塔舞曲中，每一首都有七個偉大的單樂章，主要按順序排列： 前奏曲、阿勒曼德舞曲、庫蘭特舞曲、薩拉班德舞曲、[兩個自由舞曲]、吉格舞曲。這些帕提塔可以名正言順地稱為巴赫的 \"終極 \"組曲。就藝術和演奏要求而言，它遠遠超越了其 \"英式\"（HN 100）和 \"法式\"（HN 71）同胞兄弟，而後者也經常被演奏。巴赫只印刷了這六首帕提塔（1731 年），並被稱為 \"作品 1\"，這絕非巧合\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRudolf Steglich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBach: Partita 2 c minor BWV 826\u003cbr\u003e Bach: Partita 3 a minor BWV 827\u003cbr\u003e Bach: Partita 5 G major BWV 829\u003cbr\u003e Bach: Partita 6 e minor BWV 830\u003cbr\u003e Bach: Partita 1 B flat major BWV 825\u003cbr\u003e Bach: Partita 4 D major BWV 828\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eEach one of Bach's six Partitas features seven great single movements, predominantly in the sequence: Präludium, Allemande, Courante, Sarabande, [two free dances], Gigue. These partitas can justifiably be described as Bach's “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is known as “Opus 1.”\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e124\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e487.62\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172367\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204893880496,"sku":"51480028-hn28","price":1440.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480028.jpg?v=1654238994"},{"product_id":"partitas-1-3-bwv-825-827-0151480030","title":"Partitas 1-3 BWV 825-827 Piano Solo 巴赫‧約翰瑟巴斯提安 鋼琴 組曲 鋼琴 亨乐版","description":"\u003cp\u003e巴赫的六首帕蒂塔舞曲中，每一首都有七個偉大的單樂章，主要按順序排列： 前奏曲、阿勒曼德舞曲、庫蘭特舞曲、薩拉班德舞曲、[兩個自由舞曲]、吉格舞曲。這些帕提塔可以名正言順地稱為巴赫的 \"終極 \"組曲。就藝術和演奏要求而言，它遠遠超越了其 \"英式\"（HN 100）和 \"法式\"（HN 71）同胞兄弟，而後者也經常被演奏。巴赫只印刷了這六首帕提塔（1731 年），並被稱為 \"作品 1\"，這絕非巧合\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eRudolf Steglich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBach: Partita 2 c minor BWV 826\u003cbr\u003e Bach: Partita 3 a minor BWV 827\u003cbr\u003e Bach: Partita 1 B flat major BWV 825\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eEach one of Bach's six Partitas features seven great single movements, predominantly in the sequence: Präludium, Allemande, Courante, Sarabande, [two free dances], Gigue. These partitas can justifiably be described as Bach's “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is known as “Opus 1.”\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e60\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e257.985\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172381\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204893946032,"sku":"51480030-hn30","price":920.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480030.jpg?v=1654241346"},{"product_id":"piano-sonatas-volume-i-0151480032","title":"Piano Sonatas - Volume I Piano Solo 貝多芬 鋼琴 奏鳴曲 亨乐版","description":"\u003cp\u003e貝多芬的 32 首鋼琴奏鳴曲常被稱為 \"音樂新約\"（漢斯-馮-比洛語）。自我們的兩卷本完整版出版以來，專家們稱讚它是最可靠的烏爾托文本版本。其內容：幾乎取之不盡、用之不竭的豐富鋼琴音樂靈感，主要是知名作品--奏鳴曲《悲愴》、《月光》、《暴風雨》、《熱情》、《瓦爾斯坦》、《錘克拉維耶》。即使一個人永遠無法演奏所有這些作品，但購買《新約》總是值得的，無論是布面裝、紙面裝，還是 Henle Urtext 的研究版\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Sonata E major op. 14,1\u003cbr\u003e Beethoven: Sonata G major op. 14,2\u003cbr\u003e Beethoven: Sonata [Grande Sonata Pathtique] c minor op. 13\u003cbr\u003e Beethoven: Sonata [Pastorale] D major op. 28\u003cbr\u003e Beethoven: Sonata c sharp minor op. 27,2\u003cbr\u003e Beethoven: Sonata E flat major op. 27,1\u003cbr\u003e Beethoven: Sonata c minor op. 10,1\u003cbr\u003e Beethoven: Sonata B flat major op. 22\u003cbr\u003e Beethoven: Sonata D major op. 10,3\u003cbr\u003e Beethoven: Sonata F major op. 10,2\u003cbr\u003e Beethoven: Sonata E flat major op. 7\u003cbr\u003e Beethoven: Sonata C major op. 2,3\u003cbr\u003e Beethoven: Sonata A major op. 2,2\u003cbr\u003e Beethoven: Sonata f minor op. 2,1\u003cbr\u003e Beethoven: Sonata A flat major op. 26\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBeethoven's 32 piano sonatas are often referred to as the “New Testament of Music” (Hans von Bülow). Since the publication of our complete edition in two volumes, experts have praised it as being the most reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic, musical flights of inspiration, predominantly high profile works – the Sonatas “Pathétique,” “Moonlight,” “Storm,” “Appassionata,” “Waldstein,” “Hammerklavier.” Even if one will never be able to play them all, the aquisition of the “New Testament” is always worthwhile, whether clothbound, paperbound, or as a study edition in the Henle Urtext.\u003cbr\u003e\u003cbr\u003eContains Sonatas 1-15.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e290\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1080.135\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172404\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204894306480,"sku":"51480032-hn32","price":2350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480032.jpg?v=1654242593"},{"product_id":"piano-sonatas-volume-ii-0151480034","title":"Piano Sonatas - Volume II Piano Solo 貝多芬 鋼琴 奏鳴曲 亨乐版","description":"\u003cp\u003e貝多芬的 32 首鋼琴奏鳴曲常被稱為 \"音樂新約\"（漢斯-馮-比洛語）。自我們的兩卷本完整版出版以來，專家們稱讚它是最可靠的烏爾托文本版本。其內容：幾乎取之不盡、用之不竭的豐富鋼琴音樂靈感，主要是知名作品--奏鳴曲《悲愴》、《月光》、《暴風雨》、《熱情》、《瓦爾斯坦》、《錘克拉維耶》。即使一個人永遠無法演奏所有這些作品，但購買《新約》總是值得的，無論是布面裝、紙面裝，還是 Henle Urtext 的研究版\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e16. OP31 NO1\u003cbr\u003e 17. OP31 NO2\u003cbr\u003e 18. OP31 NO3\u003cbr\u003e 19. OP49 NO1\u003cbr\u003e 20. OP49 NO2\u003cbr\u003e 21. OP53\u003cbr\u003e 22. OP54\u003cbr\u003e 23. OP57 (APPASSIONATA)\u003cbr\u003e 24. OP78\u003cbr\u003e 25. OP79\u003cbr\u003e 26. OP81A\u003cbr\u003e 27. OP90\u003cbr\u003e 28. OP101\u003cbr\u003e 29. OP106 (HAMMERKLAVIER)\u003cbr\u003e 30. OP109\u003cbr\u003e 31. OP110\u003cbr\u003e 32. OP111\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBeethoven's 32 piano sonatas are often referred to as the “New Testament of Music” (Hans von Bülow). Since the publication of our complete edition in two volumes, experts have praised it as being the most reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic, musical flights of inspiration, predominantly high profile works – the Sonatas “Pathétique,” “Moonlight,” “Storm,” “Appassionata,” “Waldstein,” “Hammerklavier.” Even if one will never be able to play them all, the aquisition of the “New Testament” is always worthwhile, whether clothbound, paperbound, or as a study edition in the Henle Urtext.\u003cbr\u003e\u003cbr\u003eContains Sonatas 16-32\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e334\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1261.575\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172428\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204894568624,"sku":"hn34","price":2350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480034.jpg?v=1654242569"},{"product_id":"sonatas-scherzo-and-ballades-0151480038","title":"Sonatas, Scherzo and Ballades Piano Solo Softcover Edition 布拉姆斯 詼諧曲 鋼琴 奏鳴曲 敘事曲 亨乐版","description":"\u003cp\u003e勃拉姆斯的第一部鋼琴作品採用了奏鳴曲的古典形式。迴旋曲作品 4 勃拉姆斯的第一部鋼琴作品涉及奏鳴曲的古典形式。然而，第一首奏鳴曲慢板中使用的古德意志小調 \"Verstohlen geht der Mond auf \"的旋律，以及第五首奏鳴曲第二樂章前的斯特恩瑙詩句，也宣告了勃拉姆斯對浪漫主義的忠誠。古典主義與浪漫主義之間的推拉關係在奏鳴曲作品 1、2、4 和 5 中清晰可見。1、2、4 和 5。 與此形成鮮明對比的是，在奏鳴曲作品 5 短短一年後創作的圓舞曲作品 10 則是徹頭徹尾的浪漫主義鋼琴曲。其中最著名的無疑是第 1 號。其中最著名的無疑是第 1 號，它改編自赫爾德的 \"Stimmen der Völker \"中的蘇格蘭民謠 \"Edward\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWalter Georgii\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBrahms: Ballad [Intermezzo] b minor op. 10,3\u003cbr\u003e Brahms: Sonata f minor op. 5\u003cbr\u003e Brahms: Ballad B major op. 10,4\u003cbr\u003e Brahms: Scherzo e flat minor op. 4\u003cbr\u003e Brahms: Sonata C major op. 1\u003cbr\u003e Brahms: Ballad [Edward-Ballad] d minor op. 10,1\u003cbr\u003e Brahms: Sonata f sharp minor op. 2\u003cbr\u003e Brahms: Ballad D major op. 10,2\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBrahms' first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism. The push-and-pull between Classicism and Romanticism then becomes clearly audible in the opp. 1, 2, 4 and 5. In contrast, the Ballades op. 10, written just barely a year after the Sonata op.5, are thorougly romantic piano pieces. The best known is certainly no. 1, based on the Scottish ballad Edward from Herder's “Stimmen der Völker.”\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e130\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e521.64\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172466\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204894929072,"sku":"51480038-hn38","price":2040.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480038.jpg?v=1654242822"},{"product_id":"string-quartets-op-51-0151480040","title":"String Quartets, Op. 51 No. 1 in C minor \u0026 No. 2 in A minor 布拉姆斯 弦樂四重奏 亨乐版","description":"\u003cp\u003e勃拉姆斯在向公眾展示他的第 51 號作品之前，已經創作了 20 多首絃樂四重奏（他向一位朋友坦白，他已經燒掉了所有的 \"東西\"）。最終，只有三部倖存作品經受住了他高度的自我批判；無數次的修改見證了他在每個細節上的掙扎。我們現在出版的是兩首激情澎湃的黑暗四重奏作品。我們現在將這兩首充滿激情的黑暗四重奏作品 51 與較為活潑的作品 67 分開出版。這一版本的基礎是 2004 年 Henle 出版的《勃拉姆斯作品新全集》中的一卷，其中首次參考了瑞士遺贈中以前缺失的資料\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eSalome Reiser\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BC%A6%E6%A8%82%E5%9B%9B%E9%87%8D%E5%A5%8F\"\u003eString Quartet\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBrahms: String Quartet no. 2 a minor op. 51\u003cbr\u003e Brahms: String Quartet no. 1 c minor op. 51\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBrahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism; numerous layers of corrections bear witness to his struggle with each detail. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67. The basis for this edition is the volume in the New Complete Edition of Brahms' works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e130\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e518.805\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172480\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204895387824,"sku":"51480040-hn40","price":2100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480040.jpg?v=1654243051"},{"product_id":"string-quartet-in-b-flat-major-op-67-0151480041","title":"String Quartet in B-flat Major, Op. 67 布拉姆斯 弦樂四重奏 亨乐版","description":"\u003cp\u003e勃拉姆斯在向公眾展示他的第 51 號作品之前，已經創作了 20 多首絃樂四重奏（他向一位朋友坦白，他已經燒掉了所有的 \"東西\"）。最終，只有三部倖存作品經受住了他高度的自我批判；無數次的修改見證了他在每個細節上的掙扎。我們現在出版的是兩首激情澎湃的黑暗四重奏作品。我們現在將這兩首充滿激情的黑暗四重奏作品 51 與較為活潑的作品 67 分開出版。這一版本的基礎是 2004 年 Henle 出版的《勃拉姆斯作品新全集》中的一卷，其中首次參考了瑞士遺贈中以前缺失的資料\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eSalome Reiser\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BC%A6%E6%A8%82%E5%9B%9B%E9%87%8D%E5%A5%8F\"\u003eString Quartet\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBrahms: String Quartet B flat major op. 67\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBrahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that “stuff”) before he finally presented his Opus 51 to the public. In the end only three surviving works managed to withstand his high self-criticism; numerous layers of corrections bear witness to his struggle with each detail. We are now publishing the two passionate dark Quartets op. 51 separately from the rather more lively Opus 67. The basis for this edition is the volume in the New Complete Edition of Brahms' works, published in 2004 by Henle, for which previously missing sources in a Swiss bequest were consulted for the first time.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e74\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e303.345\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172497\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204896731312,"sku":"51480041-hn41","price":1180.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480041.jpg?v=1654243283"},{"product_id":"scenes-from-childhood-op-15-0151480044","title":"Scenes from Childhood, Op. 15 Piano Solo 舒曼‧羅伯特 鋼琴 兒時情景 亨乐版","description":"\u003cp\u003e\"就\u003ci\u003e《童年情景》\u003c\/i\u003e而言，這是我一生中最生動的樂趣之一。這句話的作者正是李斯特。他經常在晚上為小女兒布蘭迪娜-瑞吉兒（Blandine-Rachel）演奏其中的一部分，也為自己帶來樂趣。即使到了今天，《童年情景》\u003ci\u003e\u003c\/i\u003e仍然讓人懷疑它們是寫給兒童還是成人的。舒曼本人稱這些作品是老年人寫給老年人的回憶，但他並不否認在創作這些作品時，他的腦海中浮現出了幾個孩子的頭像。恩斯特-赫特裡希（Ernst Herttrich）對我們深受喜愛的版本進行了修訂，納入了最新的學術研究成果。在附錄中，他還對早期版本中的節拍器標記進行了說明\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eRobert Schumann\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchumann: Scenes from Childhood op. 15\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003e“As far as the \u003ci\u003eScenes from Childhood\u003c\/i\u003e are concerned, I owe them one of the liveliest pleasures of my life.” These words were uttered by none other than Franz Liszt. In the evenings he often enjoyed playing part of them, not only for his little daughter Blandine-Rachel but also for his own pleasure. Even today, the \u003ci\u003eScenes from Childhood\u003c\/i\u003e still raise the question as to whether they were written for children or adults. Schumann himself described them as being the reminiscences of an older person for older people, but did not deny that several children's heads were in his mind when composing them. Ernst Herttrich has revised our well-loved edition, incorporating the latest scholarly findings. In the appendix he also takes a stand on the metronome markings which were taken over from an early print.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e28\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e130.41\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172527\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204896927920,"sku":"hn44","price":490.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480044.jpg?v=1654243302"},{"product_id":"album-for-the-young-op-68-0151480045","title":"Album for the Young, Op. 68 Piano Solo 舒曼‧羅伯特 鋼琴 少年曲集 亨乐版","description":"\u003cp\u003e舒曼的 \u003ci\u003ePieces for Piano\u003c\/i\u003e 作品 68 最初只是作為他女兒瑪麗的生日專輯，卻在全世界獲得了巨大的讚譽。68 獲得了全世界的廣泛讚譽。有哪個鋼琴學生沒有彈奏過其中的一部分？然而，鮮為人知的是，舒曼還為此創作了鋼琴 \"音樂史教程\"。我們在精心修訂版的附錄中收錄了這首樂曲和其他原本為\u003ci\u003e專輯\u003c\/i\u003e準備的樂曲。此外，我們還收錄了路德維希-裡希特（Ludwig Richter）為初版扉頁繪製的插圖，以及用三種語言印刷的《給青年音樂家的建議》，我們的Urtext版本生動地展現了舒曼時代中產階級的音樂文化\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eRobert Schumann\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchumann: Album for the Young op. 68\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eInitially only conceived as a birthday album for his daughter Marie, Schumann's \u003ci\u003ePieces for Piano\u003c\/i\u003e op. 68 received tremendous acclaim throughout the world. Is there a piano student who has not played part of them? It is, however, a less well-known fact that Schumann also composed a “music historical course of instruction” for the piano in this connection. We have included this and other pieces originally intended for the \u003ci\u003eAlbum\u003c\/i\u003e in the appendix to our painstakingly revised edition. Rounded off by the inclusion of Ludwig Richter's illustration for the title page of the first edition and the trilingual print of the “Advice to Young Musicians,” our Urtext edition offers a vivid picture of middle-class musical culture in Schumann's times.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e106\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e439.425\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172534\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204897288368,"sku":"hn45","price":800.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480045.jpg?v=1654244029"},{"product_id":"album-for-the-young-op-68-and-scenes-from-childhood-op-15-0151480046","title":"Album for the Young Op. 68 and Scenes from Childhood Op. 15 Piano Solo 舒曼‧羅伯特 鋼琴 少年曲集 兒時情景 亨乐版","description":"\u003cp\u003e將這兩首舒曼的暢銷曲目合二為一似乎非常自然：這兩首作品的標題不僅反映了它們之間的內在聯繫，而且對鋼琴家的技術要求一次也沒有那麼高（參見難度級別）。這兩部作品都是短小精悍的樂曲集，自出版以來（1839 年和 1848 年）\"深刻影響了 19 世紀下半葉的中產階級音樂文化\"。時至今日，它們的吸引力幾乎絲毫未減\"。恩斯特-赫特裡希（Ernst Herttrich）在序言中寫道\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eRobert Schumann\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchumann: Album for the Young op. 68\u003cbr\u003e Schumann: Scenes from Childhood op. 15\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCombining these two Schumann bestsellers seemed very natural: both of the titles not only reflect their inner association but the technical demands on the pianist are for once not so great (see the levels of difficulty). And both works are collections of more-or-less short, succinct pieces that ever since their publication (in 1839 and 1848) were to “profoundly influence middle-class musical culture in the second half of the 19th century. To this day, they have lost hardly any of their appeal.” –Ernst Herttrich in the preface\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e78\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e513.135\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172541\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204897484976,"sku":"hn46","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480046.jpg?v=1654244274"},{"product_id":"piano-sonata-no-5-in-c-minor-op-10-no-1-0151480047","title":"Piano Sonata No. 5 in C Minor, Op. 10\/1 Piano Solo 貝多芬 奏鳴曲 鋼琴 亨乐版","description":"\u003cp\u003e貝多芬在 1795\/98 年創作了他的三首奏鳴曲，其中的第 10 首獻給了莫札特。貝多芬於 1795\/98 年創作了他的三首奏鳴曲，其中的第 10 首獻給了馮-布朗-卡穆斯伯爵夫人。與第 2 對奏鳴曲相比，貝多芬在這三首奏鳴曲中又邁出了重要的一步。與第二奏鳴曲相比，作曲家在鋼琴技巧和奏鳴曲樂章形式的處理上又向前邁進了一大步。第一首奏鳴曲的開頭樂章讓人想起莫札特的 \"偉大 \"C小調K.457。這首慢板樂章也許是舒曼迄今為止最富情感的慢板樂章，最後以熱情奔放、堅定有力的 \"前奏 \"結束\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBeethoven wrote his three Sonatas opp. 10 in 1795\/98 and dedicated them to Countess von Browne-Camus. Compared with the Sonatas opp. 2, the composer takes another notable step forward with them, both with respect to piano technique as well as to the treatment of the sonata movement form. The opening movement of the first sonata presented here recalls Mozart's “Great” C minor K. 457. Perhaps his most emotional slow movement up to that time, the Adagio molto ends with an exuberant, assertive Prestissimo.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e15\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e87.885\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172558\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204897910960,"sku":"hn47","price":380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480047.jpg?v=1654244268"},{"product_id":"8-minuets-k315-0151480051","title":"8 Minuets K315 Piano Solo 莫札特 鋼琴 小步舞曲 亨乐版","description":"\u003cp\u003e從 1760 年代末開始，莫札特多次為管弦樂隊創作舞蹈樂章系列。在冬季，貴族和中產階級經常參加狂歡節期間的舞會，對這種真正用於舞蹈的偶發音樂的需求增加了。莫札特將其中一些舞曲改編成自己的鋼琴曲，八首小步舞曲也是如此。只有這首精彩的鋼琴版親筆簽名曲流傳了下來。我們的單行本採用了《莫札特鋼琴曲》修訂全集（HN 22 和 9022）中的音樂文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eUllrich Scheideler\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: 8 Minuets KV 315a (315g)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFrom the late 1760s onwards Mozart repeatedly composed series of dance movements for orchestra. Demand for this occasional music, which really was intended for dancing, increased in the winter months, when the nobility and middle classes frequented balls during the carnival season. Mozart put together his own piano reduction of some of these dance series, as is also the case with the eight Minuets. Only this wonderful autograph version for piano has survived. Our single edition was put together using the musical text from the revised complete volume “Mozart Piano Pieces” (HN 22 and 9022).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e13\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e68.04\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172596\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204898074800,"sku":"109794-hn51","price":430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480051.jpg?v=1654244503"},{"product_id":"fantasy-d-minor-k397-385g-0151480052","title":"Fantasy D minor K397 (385g) Piano Solo 莫札特 幻想曲 鋼琴 亨乐版","description":"\u003cp\u003e莫札特最受歡迎的鋼琴作品之一《D小調幻想曲》的起源至今仍被蒙在鼓裡。就連莫札特的妹妹在 1807 年通過第一版看到這部作品時，也為發現了一部以前不為人知的如此高品質的作品而感到震驚。幻想曲》最初的形式很可能是一個片段。如今最常演奏的結尾小節源自 1806 年未經授權的印刷品。由於缺乏莫札特親筆所寫的其他樂段或其他授權來源，我們也將這些樂段收錄在我們的版本中。我們的單行本採用了《莫札特鋼琴曲》修訂全集（HN 22 和 9022）中的音樂文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eUllrich Scheideler\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Fantasy d minor KV 397 (385g)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe genesis of one of Mozart's best-loved piano works, his Fantasy in D minor, is still shrouded in darkness. Even Mozart's sister, who came across the work in 1807 through the first edition, was astounded to have discovered a previously unknown composition of such quality. In its original form the Fantasy was in all probability a fragment. The closing bars that are most frequently performed today originated from an unauthorized print from 1806. We have also included these in our edition due to the lack of any others in Mozart's own hand or any other authorized source. Our single edition was put together using the musical text from the revised complete volume “Mozart Piano Pieces” (HN 22 and 9022).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e8\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e56.7\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172602\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204898304176,"sku":"hn52","price":430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480052.jpg?v=1654244511"},{"product_id":"rondo-in-a-minor-k511-0151480054","title":"Rondo in A minor K511 Piano Solo 莫札特 迴旋曲 鋼琴 亨乐版","description":"\u003cp\u003e1786年和1787年是莫札特創作生涯中的幸福時期。他前往布拉格演出的《費加羅》大獲成功，他的 \"布拉格交響曲 \"也在那裡首演。在此期間，他沒有創作過一首奏鳴曲，而是創作了多首小型作品，包括 K.485、494 和 511 迴旋曲。據推測，K. 511 小調 Rondo 曾由莫札特本人在維也納音樂會上公開演奏；如今，它已成為莫札特最受喜愛、最常演奏的鋼琴作品之一。我們的單行本使用的是修訂版《鋼琴曲》（HN 22）中的音樂文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eUllrich Scheideler\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Rondo a minor KV 511\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe years 1786 and 1787 belonged to a happy period in Mozart's creative life. His journey to Prague with the acclaimed performances of “Figaro” was a complete success, as was the première of his “Prague Symphony” there. During this period he did not compose a single sonata, but instead several smaller works, including the Rondos K. 485, 494 and 511. The Rondo in a minor K. 511 was presumably performed in public by Mozart himself in his Viennese concerts; today it is one of his best loved and most frequently played works for piano. Our single edition uses the musical text from the revised Edition “Piano Pieces” (HN 22).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e99.225\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172626\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204898468016,"sku":"51480054-hn54","price":430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480054.jpg?v=1654244735"},{"product_id":"2-easy-piano-sonatas-no-19-in-g-minor-op-49-no-1-and-no-20-in-g-major-op-49-no-2-0151480056","title":"2 Easy Piano Sonatas: No. 19 in G Minor Op. 49, No. 1 and No. 20 in G Major Op. 49, No. 2 貝多芬 鋼琴 亨乐版","description":"\u003cp\u003e貝多芬《簡易鋼琴奏鳴曲》作品 49 的作品編號容易讓人誤解。49 的作品編號容易使人產生誤解。這些曲子寫於奏鳴曲作品 2 之後不久，而且很可能--至少有一部分--寫於奏鳴曲作品 7 之前。在 \"卡夫卡雜記 \"素描本中可以找到草圖，貝多芬在波恩使用了該素描本數年，隨後在維也納一直使用到 1790 年代末。第二首奏鳴曲似乎是兩首奏鳴曲中較早的一首。作曲家還將第二樂章 \"Tempo di Menuetto \"的主題重新演繹為七重奏作品 20 中的 \"Menuetto\"。這是他最著名的鋼琴曲之一，幾乎所有新晉鋼琴家在學習初期都會接觸到這首曲子\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe opus number of Beethoven's Easy Piano Sonatas op. 49 is misleading. The pieces were written not long after the Sonatas op. 2, and most likely – in part, at least – before his Sonata op. 7. Sketches can be found in the “Kafka Miscellany” sketchbook, which Beethoven used for several years both in Bonn and subsequently in Vienna until the late 1790s. The second sonata seems to be the earlier of the two. The composer also reprised the theme of the second movement, Tempo di Menuetto, for the Menuet in the Septet op. 20. It is one of his best-known piano pieces, which just about every budding pianist encounters early in his lessons.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e107.73\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172640\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204898533552,"sku":"hn56","price":380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480056.jpg?v=1654244729"},{"product_id":"piano-sonata-no-23-in-f-minor-op-57-0151480058","title":"Piano Sonata No. 23 in F Minor Op. 57 Appassionata 貝多芬 熱情 奏鳴曲 鋼琴 亨乐版","description":"\u003cp\u003e除了《月光奏鳴曲》和《瓦爾斯坦奏鳴曲》，《熱情》無疑是貝多芬鋼琴奏鳴曲中最負盛名的作品，並與後兩部作品一起成為作曲家鋼琴作品中的新高峰。就連列寧也讚歎不已： \"看！人們能夠創造出如此奇跡！\" 還有什麼可說的呢！奇怪的是，\"熱情\"（Appassionata）這一昵稱於 1838 年首次出現在漢堡克蘭茲出版社出版的四手聯彈鋼琴奏鳴曲抄本中。它與第一樂章的戲劇性對比、第二樂章的莊嚴和內斂以及第三樂章的惡魔般的激情十分契合\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eNext to the Moonlight and the Waldstein Sonatas, the Appassionata is no doubt the most celebrated of Beethoven's piano sonatas and claims, with the latter two works, a new high point in the composer's piano oeuvre. With even Lenin weighing in with the words: “See! people are able to produce such marvels!” What is there left to say! Curiously, the nickname Appassionata appeared for the first time in 1838 in a transcription of the sonata for piano four-hands published by the Cranz Verlag in Hamburg; although this designation did not originate with Beethoven, it is nowadays inseparably connected with the work. It fits splendidly with the dramatic contrasts of the first movement, the solemnity and inwardness of the second and the demonic passion of the third.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e34\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e144.585\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172664\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899123376,"sku":"hn58","price":550.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480058.jpg?v=1654244517"},{"product_id":"piano-sonata-sonatina-no-25-in-g-major-op-79-0151480059","title":"Piano Sonata (Sonatina) No. 25 in G Major Op. 79 Alla Tedesca 貝多芬 鋼琴小奏鳴曲 亨乐版","description":"\u003cp\u003e路德維希-凡-貝多芬（Ludwig van Beethoven）於 1809\/1810 年創作了這首 G 大調奏鳴曲作品 79。貝多芬於 1809\/1810 年創作了作品 79《G 大調奏鳴曲》，這幾乎是他創作大型鋼琴作品（降 E 大調鋼琴協奏曲、合唱幻想曲和 \"Les Adieux \"奏鳴曲）之後的又一作品。貝多芬的精神也體現在這首作品中，儘管它可能沒有獲得同等程度的靈感和藝術努力。Presto alla tedesca \"之所以著名，是因為它的三度主題就像布穀鳥的叫聲，貫穿了所有的調式。中間樂章以俄羅斯憂鬱旋律的形式彌漫著樸實無華的美感，而終曲則以其幽默詼諧的特點令人愉悅。這首作品的技術難度不大，是一首對音樂要求較高的練習曲和獨奏曲。康拉德-漢森備受推崇的指法將對這一過程大有幫助\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLudwig van Beethoven composed the Sonatina in G major op. 79 in 1809\/1810, virtually as an afterthought to his work on larger piano compositions: the E flat major Piano Concerto, the Choral Fantasy, and the “Les Adieux” Sonata. Beethoven's spirit is present in this composition too, even if it was not, perhaps, afforded an equally intensive degree of inspiration and artistic effort. The “Presto alla tedesca” became famous because the motif of a third, like the call of a cuckoo, is taken through all the keys. The middle movement is pervaded by unpretentious beauty in the form of a melancholic Russian melody, while the finale delights with its humoresque character. The work's modest level of technical difficulty makes it a musically demanding practice and recital piece. Conrad Hansen's highly regarded fingerings will be very helpful in this process.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e12\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e79.38\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172671\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899188912,"sku":"hn59","price":380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480059.jpg?v=1654244747"},{"product_id":"piano-sonata-in-e-flat-major-k282-189g-0151480060","title":"Piano Sonata in E Flat Major K282 (189g) Piano Solo 莫札特 奏鳴曲 鋼琴 亨乐版","description":"\u003cp\u003e莫札特唯一的一首降E大調鋼琴奏鳴曲可能是他於1775年初在慕尼克逗留期間創作的。它的第一樂章--不落俗套的快板--是這位元年輕天才的作品之一，立即給人以深刻的觸動。隨後是兩首小步舞曲，靈感來自木管樂器的音色；最後是 2\/4 快速終曲，其開頭的動機引人注目，為這首中等難度的傑作畫上了句號。莫札特的手稿是唯一與編輯相關的資料來源，所有早期的印刷版本都被證明是有缺陷的\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Sonata E flat major KV 282 (189g)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eMozart's only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement – an Adagio, unconventionally – is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds; and a quick finale in 2\/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart's clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e16\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e82.215\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172688\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899352752,"sku":"109808-hn60","price":430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480060.jpg?v=1654244981"},{"product_id":"32-variations-c-minor-woo-80-0151480061","title":"32 Variations C Minor WoO 80 Piano Solo 貝多芬 變奏曲 鋼琴 亨乐版","description":"\u003cp\u003e路德維希-凡-貝多芬（Ludwig van Beethoven）創作於 1806 年的鋼琴曲《C 小調原主題變奏曲 32 首》（WoO 80）既是華麗的音樂會曲目，也是傑出的練習曲。只有貝多芬的八小節主題才能蘊含如此豐富的旋律與和聲能量。每首八小節的變奏曲有力而不間斷地相互交融，是貝多芬名副其實的鋼琴技巧大全。其效果猶如一首氣勢磅礴的 Passacaglia。隨著最後一個變奏曲的結束，這部作品也漸漸落下帷幕\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFriedhelm Klugmann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLudwig van Beethoven's 32 Variations on an Original Theme in C minor (WoO 80) for piano, dating from 1806, are both a magnificent concert piece and an outstanding etude. Only with Beethoven can an eight-measure theme contain so much melodic and harmonic energy. The variations, of eight measures each, flow into one another powerfully and without interruption, offering a veritable compendium of Beethoven's piano technique. The effect is of a mighty passacaglia. With the more lengthy final variation the work fades to a close.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e96.39\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172695\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899385520,"sku":"51480061-hn61","price":450.0,"currency_code":"TWD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480061.jpg?v=1654244995"},{"product_id":"classical-piano-sonatas-0151480062","title":"Classical Piano Sonatas 古典 奏鳴曲 鋼琴 亨乐版","description":"\u003cp\u003e前古典時期和古典時期的古典鋼琴奏鳴曲\u003ci\u003e\u003c\/i\u003e背後的理念是幫助鋼琴家在古典鋼琴曲目中最重要的這一體裁的大量文獻中更容易地找到自己的方向。卡爾-菲力浦-伊曼紐爾-巴赫（Carl Philipp Emanuel Bach）是這一體裁發展的典範，他的兩首迷人的海頓奏鳴曲和莫札特的三首優雅的奏鳴曲（包括著名的 C 大調 \"簡易奏鳴曲\"），再到貝多芬較為簡單的鋼琴奏鳴曲和兩首優雅的海頓奏鳴曲\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eVarious\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBertha Antonia Wallner\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano; Piano\/Keyboard\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Sonata G major op. 49,2\u003cbr\u003e Beethoven: Sonata E major op. 14,1\u003cbr\u003e Beethoven: Sonata g minor op. 49,1\u003cbr\u003e Mozart: Sonata F major KV 280 (189e)\u003cbr\u003e Mozart: Sonata G major KV 283 (189h)\u003cbr\u003e Mozart: Sonata [Facile] C major KV 545\u003cbr\u003e Haydn: Sonata C major Hob. XVI:35\u003cbr\u003e Haydn: Sonata G major Hob. XVI:40\u003cbr\u003e Bach: First Prussian Sonata F major Wq 48,1\u003cbr\u003e Clementi: Sonata G major op. 39,2\u003cbr\u003e Beethoven: Sonata G major op. 14,2\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe idea behind the \u003ci\u003eClassical Piano Sonatas\u003c\/i\u003e of the preclassical and classical eras is to help the pianist find his way more easily within the profusion of literature in this genre, the most important one within the classical piano repertoire. Carl Philipp Emanuel Bach exemplifies the development which then leads to two charming Haydn sonatas and three elegant ones by Mozart (including the famous “Sonate facile” in C major) to the easier piano sonatas of Beethoven and two graceful Haydn sonatas.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e92\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e379.89\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172701\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899451056,"sku":"51480062-hn62","price":1250.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480062.jpg?v=1654244754"},{"product_id":"trio-in-e-flat-major-k-498-kegelstatt-0151480063","title":"Trio in E-flat Major K. 498 (Kegelstatt) Revised Edition Piano, Clarinet (Violin) and Viola Score and Parts 莫札特 三重奏 鋼琴小提琴 中提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e這首創作精巧的作品真的是在一場九針遊戲中寫成的嗎？雖然沒有可靠的來源，但這一傳說一直存在。無論如何，這首曲子在樂器配置上的不同尋常值得注意：用單簧管代替小提琴在鋼琴三重奏中司空見慣，但莫札特卻用中提琴代替了大提琴，他自己也承認這是他最喜歡的樂器。因此，中提琴的作用比大提琴通常的作用要大得多。我們對這首充滿活力的作品的單行本選自《鋼琴三重奏全集》（HN 247），該全集經過修訂，收錄了最新的學術研究成果\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eClarinet; Piano; Viola\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWas this skilfully composed work really written during a game of ninepins? The legend persists, although there is no reliable source. At all events the unusual instrumentation is of note: having a clarinet instead of the violin was by all means usual in piano trios; but in addition Mozart replaced the cello with a viola, his favourite instrument by his own admission. As a result the viola has a much stronger part than the cello usually has. Our single edition of this buoyant work was taken from the volume containing the complete piano trios (HN 247) which was revised and includes the latest scholarly findings.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e52\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e218.295\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088393991\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899614896,"sku":"51480063-hn63","price":1050.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480063.jpg?v=1654245089"},{"product_id":"3-piano-pieces-impromptus-op-post-d-946-0151480066","title":"3 Piano Pieces (Impromptus) op. post. D 946 Piano Solo 舒伯特 鋼琴 小品 即興曲 亨乐版","description":"\u003cp\u003e在舒伯特生命的最後幾年，他越來越成功地為自己的作品找到了出版商。例如，他的《即興曲》和《音樂時刻》分別於 1827 年和 1828 年出版。也許是為了承接這些版本的成功，他在 1828 年 5 月又寫了三首曲子（D. 946）；雖然它們的傑出程度不亞於前幾首，但直到勃拉姆斯 1868 年的版本才得以印刷，這也許是它們至今仍不為人所知的一個原因--一個完全沒有道理的原因\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003ePaul Mies\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchubert: 3 Piano Pieces - Impromptus - posthumous D 946\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the last years of his life, Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux, for example, appeared in print in 1827 and 1828. Probably to pick up on the success of these editions, he wrote three further pieces (D. 946) in May 1828; though no less outstanding than their predecessors, they were not printed until Brahms' edition of 1868, which is perhaps one reason – a completely unjustifiable one – why they are still not very well known today.\u003cbr\u003e\u003cbr\u003eContents:\u003cbr\u003e\u003cbr\u003eImpromptu No. 1 in E-flat minor\u003cbr\u003e\u003cbr\u003eImpromptu No. 2 in E-flat major\u003cbr\u003e\u003cbr\u003eImpromptu No. 3 in C major\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e28\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e133.245\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172732\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899713200,"sku":"51480066-hn66","price":730.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480066.jpg?v=1654245222"},{"product_id":"waltzes-op-39-0151480067","title":"Waltzes Op. 39 1 Piano, 4 Hands 布拉姆斯 鋼琴 4手聯彈(含以上) 亨乐版","description":"\u003cp\u003e1865 年春，勃拉姆斯為他的朋友和熟人帶來了 16 首鋼琴四手聯彈小圓舞曲。1866 年 4 月，他把這件事告訴了他的朋友、著名評論家愛德華-漢斯裡克（Eduard Hanslick），說他在寫這些曲子時想到的是 \"維也納和維也納的漂亮姑娘們\"--這也是這些曲子聽起來的感覺--輕快、歡快，讓人忍不住想說是 \"舒伯特式的\"。如今，這首曲子仍然廣受歡迎，也適用於家庭音樂創作。勃拉姆斯還為雙手鋼琴改編了華爾滋（見 HN42 和 43 版）\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWalter Georgii\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%9B%9B%E6%89%8B%E8%81%AF%E5%BD%88%E5%90%AB%E4%BB%A5%E4%B8%8A\"\u003ePiano Duet; 1 Piano, 4 Hands\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn spring 1865 Brahms surprised his friends and acquaintances with 16 little waltzes for piano four-hands. He informed his friend the well-known critic Eduard Hanslick about this in April 1866, saying that his thoughts while writing them had been “of Vienna and its pretty girls” – which is also how they sound – light, cheerful, one is tempted to say “Schubertian.” They still enjoy great popularity today, also for home music-making. Brahms also transcribed the waltzes for piano two hands (see editions HN42, 43).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e99.225\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172749\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899778736,"sku":"hn67","price":650.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480067.jpg?v=1654245322"},{"product_id":"hungarian-dances-1-21-0151480068","title":"Hungarian Dances 1-21 1 Piano, 4 Hands 布拉姆斯 鋼琴 匈牙利舞曲 4手聯彈(含以上)(含以上) 亨乐版","description":"\u003cp\u003e時至今日，勃拉姆斯的《匈牙利舞曲》仍是他最受歡迎的作品之一，儘管這些作品甚至不是他寫的！正如他在第一版的扉頁上明確指出的，他 \"只為鋼琴二重奏編了這些舞曲\"。他的意思是，他選取匈牙利舞曲，將它們融合成一個更大的整體，然後將其成果出版，首先是編排成鋼琴二重奏，因為當時這種二重奏表演非常流行。包含 1-10 首舞曲的前兩卷於 1869 年印刷，1880 年勃拉姆斯又增加了兩卷，包含 11-21 首舞曲\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWalter Georgii\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%9B%9B%E6%89%8B%E8%81%AF%E5%BD%88%E5%90%AB%E4%BB%A5%E4%B8%8A\"\u003ePiano Duet; 1 Piano, 4 Hands\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eTo this day, Brahms' Hungarian Dances number among his most popular works – although he didn't even write them! As he expressly noted on the title page of the first edition, he “only compiled them for piano duet.” What he meant was that he had taken Hungarian dance tunes, fused them into a larger entity and then had the results published, first in an arrangement for piano duet, since the performance of such duets was extremely popular back then. The first two volumes containing the Dances 1-10 were printed in 1869, and two further volumes with the Dances 11-21 were added by Brahms in 1880.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e92\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e360.045\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172756\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204900040880,"sku":"hn68","price":1580.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480068.jpg?v=1654245335"},{"product_id":"complete-dances-volume-i-0151480074","title":"Complete Dances - Volume I Piano Solo 舒伯特 鋼琴 舞曲 亨乐版","description":"\u003cp\u003e舒伯特在鋼琴前，用他取之不盡、用之不竭的豐富舞曲旋律，他的朋友們圍著他翩翩起舞、說說笑笑--這就是我們所珍視的舒伯特的傳統形象之一。為這種聚會而發明的 \"舒伯特舞曲\"（Schubertiade）一詞如今已深入人心。在這本精選的最可愛、最常演奏的舞曲中，我們可以找到 59 首華爾滋、40 首德意志舞曲以及四首埃科薩舞曲和一首小步舞曲。在選擇這些作品時，蕭邦注意將難度大致相同的單曲歸為一組（從簡單到中等：3 到 5）\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003ePaul Mies\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eSchubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes – this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established. This volume contains altogether 182 dances, minuets, waltzes (including the acclaimed “Funeral Waltz” D365 No. 2), ländler, écossaises, German dances – each lovelier than the next. Schubert wrote the last of the pieces from this first volume in 1816, when he was 19 years old (for Vol. II see HN 76).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e126\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e476.28\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172800\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204900139184,"sku":"51480074-hn74","price":1800.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480074.jpg?v=1654245204"},{"product_id":"sonata-for-piano-and-violin-in-g-major-op-78-0151480075","title":"Sonata for Piano and Violin in G Major, Op. 78 布拉姆斯 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003eG大調奏鳴曲 \"之所以被稱為 \"雨歌奏鳴曲\"，是因為在最後一個樂章的開頭引用了勃拉姆斯《雨歌》作品59第3和第4號中的兩段旋律。最近，人們重新發現了 \"Adagio \"前 24 小節的裝飾葉，並將其複製到本版本中。它顯示了這部作品與克拉拉-舒曼及其小兒子之間的聯繫。勃拉姆斯的教子、天才小提琴家菲利克斯身患重病，在作品完成前去世。勃拉姆斯在葉片背面的獻詞中表達了他最深切的同情和最美好的祝願。此單行本收錄於勃拉姆斯的所有小提琴奏鳴曲集（HN 194）中，並附有沃爾夫岡-桑德伯格（Wolfgang Sandberger）的序言，闡明了 \"菲利克斯奏鳴曲 \"的起源\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eHans Otto Hiekel\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ePiano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe Sonata in G Major owes its epithet “Rain Song Sonata” to two melodies from Brahms' “Rain Songs” Op. 59, Nos. 3 and 4 which are quoted at the beginning of the last movement. An ornamental leaf with the first 24 bars of the “Adagio” was recently re-discovered and has been reproduced as a facsimile in this edition. It shows the connection between the work and Clara Schumann and her youngest son. Felix, Brahms' godson and a talented violinist, was seriously ill and died before the work was completed. In a letter of dedication on the reverse of the leaf, Brahms expresses his deepest sympathy and his best wishes. This single edition from the volume containing all of Brahms' violin sonatas (HN 194) contains a preface by Wolfgang Sandberger, illuminating the genesis of the “Felix Sonata.”\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e40\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e289.17\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088349356\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204900204720,"sku":"51480075-hn75","price":850.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480075.jpg?v=1654244988"},{"product_id":"complete-dances-volume-ii-0151480076","title":"Complete Dances - Volume II Piano Solo 舒伯特 鋼琴 舞曲 亨乐版","description":"\u003cp\u003e舒伯特在鋼琴前，用他取之不盡、用之不竭的豐富舞曲旋律，他的朋友們圍著他翩翩起舞、說說笑笑--這就是我們所珍視的舒伯特的傳統形象之一。為這種聚會而發明的 \"舒伯特舞曲\"（Schubertiade）一詞如今已深入人心。在這本精選的最可愛、最常演奏的舞曲中，我們可以找到 59 首華爾滋、40 首德意志舞曲以及四首埃科薩舞曲和一首小步舞曲。在選擇這些作品時，蕭邦注意將難度大致相同的單曲歸為一組（從簡單到中等：3 到 5）\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003ePaul Mies\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ePiano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eSchubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes – this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established. This volume contains more than 200 dances, minuets, waltzes (including the famous 34 Valses sentimentales op. 50 and the 12 Valses nobles op. 77) ländler, écossaises, German dances – each lovelier than the next. They were written in the years 1816-1826. In the Appendix one can find another 32 dances, of which only the melodies are transmitted or that were originally most likely intended for other scorings.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e112\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e447.93\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172817\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204900466864,"sku":"51480076-hn76","price":1680.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480076.jpg?v=1654245354"},{"product_id":"sonatas-for-piano-and-violin-volume-i-0151480077","title":"Sonatas for Piano and Violin - Volume I 莫札特 鋼琴 小提琴 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e莫札特創作了如此多的室內樂作品（參見奏鳴曲和變奏曲），除了鋼琴和小提琴二重奏之外，沒有其他室內樂體裁了。他在奏鳴曲上花費了大量時間，探究每一個音色、每一個主題限制和組合。他還探索了將兩種樂器配對演奏的可能性，從而創造出純淨、永恆之美與戲劇性力量、優雅和情感深度相結合的音樂。本研究版再現了 HN 77、78 和 79 這三個藍色 Henle Urtext 演奏版或 HN 80《莫札特小提琴奏鳴曲全集》布面卷的完整和未經改動的樂譜文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolf-Dieter Seiffert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ePiano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: 'Kurf¾rstin' Sonata D major op. I \/ KV 306 (300l)\u003cbr\u003e Mozart: 'Kurf¾rstin' Sonata E flat major op. I \/ KV 302 (293b)\u003cbr\u003e Mozart: 'Kurf¾rstin' Sonata G major op. I \/ KV 301 (293a)\u003cbr\u003e Mozart: 'Kurf¾rstin' Sonata C major op. I \/ KV 303 (293c)\u003cbr\u003e Mozart: 'Kurf¾rstin' Sonata e minor op. I \/ KV 304 (300c)\u003cbr\u003e Mozart: 'Kurf¾rstin' Sonata A major op. I \/ KV 305 (293d)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThere is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.\u003cbr\u003e\u003cbr\u003eVolume I contains the six sonatas written by Mozart in Paris and on his journey there, and published in Paris as opus 1. Players might note the absence of the Sonata listed by Köchel as K. 296, but which was published simultaneously with the five pieces K. 376-380; it can be found in volume II of our edition.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e116\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e691.74\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172824\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204900958384,"sku":"hn77","price":1380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480077.jpg?v=1654245697"},{"product_id":"sonatas-for-piano-and-violin-volume-ii-0151480078","title":"Sonatas for Piano and Violin - Volume II 莫札特 鋼琴 小提琴 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e莫札特創作了如此多的室內樂作品（參見奏鳴曲和變奏曲），除了鋼琴和小提琴二重奏之外，沒有其他室內樂體裁了。他在奏鳴曲上花費了大量時間，探究每一個音色、每一個主題限制和組合。他還探索了將兩種樂器配對演奏的可能性，從而創造出純淨、永恆之美與戲劇性力量、優雅和情感深度相結合的音樂。本研究版再現了 HN 77、78 和 79 這三個藍色 Henle Urtext 演奏版或 HN 80《莫札特小提琴奏鳴曲全集》布面卷的完整和未經改動的樂譜文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolf-Dieter Seiffert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ePiano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: 'Aurnhammer' Sonata C major op. II \/ KV 296\u003cbr\u003e Mozart: 'Aurnhammer' Sonata F major op. II \/ KV 376 (374d)\u003cbr\u003e Mozart: 'Aurnhammer' Sonata F major op. II \/ KV 377 (374e)\u003cbr\u003e Mozart: 'Aurnhammer' Sonata B flat major op. II \/ KV 378 (317d)\u003cbr\u003e Mozart: 'Aurnhammer' Sonata E flat major op. II \/ KV 380 (374f)\u003cbr\u003e Mozart: 'Aurnhammer' Sonata G major op. II \/ KV 379 (373a)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThere is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.\u003cbr\u003e\u003cbr\u003eVolume II contains the six sonatas which Mozart had selected for publication in 1781 as Opus II by Artaria in Vienna. They are dedicated to his pupil Josepha Barbara Aurnhammer, a talented pianist.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e124\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e833.49\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172831\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204901089456,"sku":"hn78","price":1430.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480078.jpg?v=1654245575"},{"product_id":"sonatas-for-piano-and-violin-volume-iii-0151480079","title":"Sonatas for Piano and Violin - Volume III 莫札特 鋼琴 小提琴 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版","description":"\u003cp\u003e莫札特創作了如此多的室內樂作品（參見奏鳴曲和變奏曲），除了鋼琴和小提琴二重奏之外，沒有其他室內樂體裁了。他在奏鳴曲上花費了大量時間，探究每一個音色、每一個主題限制和組合。他還探索了將兩種樂器配對演奏的可能性，從而創造出純淨、永恆之美與戲劇性力量、優雅和情感深度相結合的音樂。本研究版再現了 HN 77、78 和 79 這三個藍色 Henle Urtext 演奏版或 HN 80《莫札特小提琴奏鳴曲全集》布面卷的完整和未經改動的樂譜文本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolf-Dieter Seiffert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ePiano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Later Viennese Sonata B flat major KV 454\u003cbr\u003e Mozart: Appendix: Later Viennese Sonata B flat major KV 570\u003cbr\u003e Mozart: Later Viennese Sonata F major KV 547\u003cbr\u003e Mozart: Later Viennese Sonata A major KV 526\u003cbr\u003e Mozart: Later Viennese Sonata E flat major KV 481\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThere is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.\u003cbr\u003e\u003cbr\u003eContrary to the earlier violin sonatas, which were issued in cyclical groups of four or six pieces, Mozart had all the sonatas in this volume printed as single works, perhaps a sign of the significance he assigned to them – especially to the first three. These three grandiose works all bear traits of Mozart's mature mastery. The Sonata K. 547, in turn, was designated by Mozart himself in his personal work catalogue as “little klavier sonata for beginners with a violin.” For the sake of completion and because of its popularity, the arrangement of the B flat major piano sonata K. 570 is reproduced in the Appendix, although it is in all likelihood a spurious work not written by Mozart.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e186\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e841.995\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172848\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204901449904,"sku":"hn79","price":1480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480079.jpg?v=1654246042"}],"url":"https:\/\/hsiaoya.com\/zh-hk\/collections\/g-henle-verlag\/%e6%a8%82%e5%99%a8instruments_piano-%e9%8b%bc%e7%90%b4.oembed?page=31","provider":"小雅音樂","version":"1.0","type":"link"}