{"title":"Wiener Urtext Edition 維也納原典","description":"","products":[{"product_id":"suites-for-violoncello-solo-bwv-10071012-edited-from-the-sources-ut50133","title":"Suites for Violoncello solo BWV 1007-1012 Edited from the sources 巴赫约翰‧瑟巴斯提安 组曲大提琴 大提琴独奏 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eLeisinger, Ulrich\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ecello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSuite 1 G-Dur BWV 1007 - Suite 2 d-Moll BWV 1008 - Suite 3 C-Dur BWV 1009 - Suite 4 Es-Dur BWV 1010 - Suite 5 c-Moll BWV 1011 - Suite 6 D-Dur BWV 1012 - Separater Kommentarteil\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Six Suites for violoncello solo represent an equal counterpart to his six sonatas and partitas for solo violin - in the 18th century they were even played on the piano. They have come down to us in an earlier and a later version. As the result of a musicological source revaluation this new edition accords considerably greater importance to the later copies than previously. To all appearances they seem to more clearly reflect Johann Sebastian Bach's intentions in particular in respect of the problematic slurring than the sources for the older version. Difficult page turns within movements have been carefully avoided through sensible pagination.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e93\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e340\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571759\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555890\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001185\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043149525168,"sku":"ut50133","price":1850.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50133-Bach_5B648_5D.jpg?v=1625653437"},{"product_id":"suite-i-g-major-bwv-1007-edited-from-the-sources-by-ulrich-leisinger-ut50260","title":"Suite I G Major BWV 1007 Edited from the sources by Ulrich Leisinger. 巴赫约翰‧瑟巴斯提安 组曲 大调 大提琴独奏 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eLeisinger, Ulrich\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F-1\"\u003ecello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eChromatische Fantasie und Fuge mit Frühfassung BWV 903a und der aus dem Umkreis Forkels überlieferten Fassung BWV 903, BWV 903a\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThis new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions, one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e8\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e50\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572893\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556576\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002236\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043149557936,"sku":"ut50260","price":480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50260-Bach_5B648_5D.jpg?v=1625657281"},{"product_id":"sonata-op-38-edited-from-the-original-edition-ut50039","title":"Sonata op. 38 Edited from the original edition 布拉姆斯 奏鸣曲 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e这首奏鸣曲作品 38 是勃拉姆斯在 1862 年和 1865 年夏季创作的，是每位大提琴家的标准曲目之一。这首曲子是对 J.S. 巴赫的问候。在第一乐章中，勃拉姆斯在主动机中复制了赋格艺术中的第四对位，并在终曲中复制了赋格动机中的第十三对位。\"出版商 Breitkopf \u0026amp; Härtel 提供的数据显示，作曲家认为这首奏鸣曲对于两件乐器来说都非常容易演奏，因此高级业余音乐家也可以演奏这首奏鸣曲，这与 F 大调的同类作品形成鲜明对比\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eKraus, Detlef\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe sonata, Op. 38, was composed by Brahms during the summer months of 1862 and 1865 and is part of every cellist's standard repertoire. The piece is a greeting to J.S. Bach. In the first movement, Brahms copied the fourth counterpoint from the Art of the Fugue in the main motif, as well as the thirteenth counterpoint in the motif of the fugue in the finale.Offered to publishers Breitkopf \u0026amp; Härtel with the composer's comment that it was quite easy to play for both instruments, it is possible for advanced amateur musicians to perform the sonata - in contrast to its counterpart in F-Major.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570387\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550383\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231805616,"sku":"ut50039","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50039-Brahms_5B648_5D.jpg?v=1625713679"},{"product_id":"sonata-f-major-op-99-edited-from-autograph-and-the-original-edition-ut50040","title":"Sonata F major op. 99 Edited from autograph and the original edition 布拉姆斯 奏鸣曲大调 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是英国皇家音乐学院教学大纲的一分谱（8 级）\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eKraus, Detlef\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570394\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550390\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231838384,"sku":"ut50040","price":880.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50040-Brahms_5B648_5D.jpg?v=1625721657"},{"product_id":"complete-sonatas-for-cello-and-basso-continuo-edited-from-the-sources-and-realization-of-the-figured-bass-by-bernhard-moosbauer-provided-with-notes-on-interpretation-by-gerhardt-darmstadt-ut50175","title":"Complete Sonatas for Cello and Basso Continuo Edited from the sources and realization of the figured bass by Bernhard Moosbauer. Provided with Notes on Interpretation by Gerhardt Darmstadt. 韦瓦第 奏鸣曲大提琴 音型 音符诠释 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e安东尼奥-维瓦尔第的九首大提琴与低音提琴奏鸣曲是巴洛克时代最著名的大提琴作品之一。由于技术要求不高，这些作品成为音乐课和私人音乐创作不可或缺的一部分。但即使在专业的早期音乐领域，它们也是大提琴曲目的重点。Wiener Urtext Edition 的新版本同样满足了这三个目标群体的需要和要求，提供了可靠的音乐文本，不再以 Le Clerc \u0026amp; Boivin 未经授权的巴黎初版为基础，而是以维瓦尔第本人修订的那不勒斯版本以及巴黎国家图书馆和维森特海德舍恩伯尔尼伯爵音乐图书馆中与作曲家有关的其他两份手稿为基础。除独奏部分外，该版本还包括钢琴（大键琴）乐谱和实现的低音连奏部分，学生和业余爱好者应该会非常喜欢。此外，该版本还为专业连奏乐器演奏者添加了未实现的低音连奏部分，其中包含巴黎第一版的数字。尽管这些数字并不能追溯到维瓦尔第本人，但它们见证了当代低音连奏的实践，可作为演奏维瓦尔第未谱低音部分的 \"指南\"。格哈特-达姆施塔特（Gerhart Darmstadt）根据当代资料编写的诠释说明中提供了有关演奏实践的更多详细信息\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%8B%E7%93%A6%E7%AC%AC\"\u003eVivaldi, Antonio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello solo, harpsichord (piano); cello continuo ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpretation - Examples for Vivaldi's Ornamentation - Facsimilia - Sonata I (RV 47) - Sonata II (RV 41 - Sonata III (RV 43) - Sonata IV (RV 45) - Sonata V (RV 40) - Sonata VI (RV 46) - Sonata VII (RV 44 - Sonata VIII (RV 39) - Sonata IX (RV 42) - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe nine sonatas for cello and basso continuo by Antonio Vivaldi are among the most famous cello works of the Baroque era. Thanks to their moderate technical demands, the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene, they form a focus of the cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike, providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc \u0026amp; Boivin but on a copy from Naples revised by Vivaldi himself as well as on two other manuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part, the edition comprises a piano (harpsichord) score with realized basso continuo which should be very welcome to pupils and amateurs. An unrealized basso continuo part has been added for the professional continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself, they bear witness to the contemporary basso continuo practice and can serve as a ‘guide’ for the execution of Vivaldi’s unfigured bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e152\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e680\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572909\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556583\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002243\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043231969456,"sku":"ut50175","price":2080.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50175-Vivaldi_5B648_5D.jpg?v=1626186421"},{"product_id":"works-for-cello-and-piano-edited-by-the-sources-ut50244","title":"Works for Cello and Piano Edited by the sources 德弗札克 大提琴钢琴 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e除了著名的 B 小调协奏曲作品 104 之外，德沃夏克的作品还包括四首较小的大提琴与钢琴室内乐作品：A 大调波罗乃兹舞曲、G 小调回旋曲作品 94、作品 46 中著名的 G 小调斯拉夫舞曲的改编曲以及情绪小品《林地田园诗》（Klid）。为了编写这一版本，德沃夏克专家克劳斯-多格（Klaus Döge）研究了原稿、校订本和初版本，并参考了管弦乐和钢琴乐谱。作曲家本人有据可查的评论为诠释提供了更多真实的建议\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%89%8E%E5%85%8B\"\u003eDvorák, Antonín\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eDoege, Klaus\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePolonaise, op. posth. - Rondo, op. 94 - Slawischer Tanz, op. 46\/8 - Waldesruhe–Klid, op. 68\/5\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eBesides the famous Concerto in B minor Op. 104, Dvorák's œuvre includes four smaller, chamber music compositions for cello and piano: the Polonaise in A major, the Rondo in G minor Op. 94, an arrangement of the well-known Slavonic Dance in G minor from Opus 46 and the mood piece Woodland Idyll (Klid). For the preparation of this edition the Dvorák expert Klaus Döge has studied original manuscripts alongside corrected proofs and first editions, supported by reference to the orchestral and piano scores. Documented comments by the composer himself have provided an additional source of authentic suggestions for interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e72\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572657\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556217\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232002224,"sku":"ut50244","price":1680.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50244-Dvorak_5B648_5D.jpg?v=1625546995"},{"product_id":"sonatas-for-cello-and-piano-incl-cello-version-of-the-horn-sonata-op-17-ut50247","title":"Sonatas for cello and piano Incl. Cello Version of the Horn Sonata op. 17 贝多芬 奏鸣曲大提琴钢琴大提琴 法国号奏鸣曲 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e贝多芬的大提琴与钢琴奏鸣曲为全新的室内乐流派奠定了基础，并激励了约翰内斯-勃拉姆斯（Johannes Brahms）和理查德-施特劳斯（Richard Strauss）等后来的作曲家。贝多芬的五部作品的存世量截然不同。早期两首奏鸣曲作品 5 的原始手稿已全部遗失，而晚期作品 102 的原始资料却异常齐全，但仍有许多问题悬而未决。新版《维纳乌尔文版》通过对数据的批判性比较，提供了一个音乐文本，但避免对有问题的段落提出绝对的肯定。在此，编者建议将最合理的解决方案作为主文本，但在脚注和注释中为音乐家提供了备选方案--在存在重大分歧的情况下，甚至在单独的大提琴部分中也提供了备选方案，这样大提琴演奏家无需查阅批判性报告即可了解这些信息。本册还收录了《圆号奏鸣曲作品 17》的大提琴版本，根据最新研究，其替代乐器的演奏可被视为绝对真实。海因里希-希夫（Heinrich Schiff）对中提琴部分的编排不仅考虑到了音乐家们各自的演奏技巧，也考虑到了不同乐器之间的差异\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eSchiff, Heinrich \/ Ubber, Christian\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate in F-Dur op. 5\/1 (1796) - Sonate in g-Moll op. 5\/2 (1796) - Sonate in A-Dur op. 69 (1807–08) - Sonate in C-Dur op. 102\/1 (1815) - Sonate in D-Dur op. 102\/ (1815) - Sonate in F-Dur op. 17 (originale Violoncellofassung der Hornsonate, 1800)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eWith his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Brahms and Richard Strauss among others. The extent of what has survived of the five works by Beethoven is quite different. Whereas all original manuscripts of the two early sonatas Op. 5 are missing, unusually comprehensive source material is extant of the late opus 102 which, however, leaves no less serious questions unsettled. The new edition of the Wiener Urtext Edition provides a musical text obtained from the critical comparison of the sources which, however, avoids suggesting absolute certainty at problematic passages. Here, the editor rather suggests the most plausible solution as main text, but alternatives are made available to the musician in footnotes and remarks - and, in the case of major divergences, even in the separate cello part so that the cellist can see such information without having to look in the Critical Report. This volume also contains the cello version of the Horn Sonata Op. 17 the alternative instrumentation of which can be regarded as absolutely authentic according to recent research.Thanks to fold-out pages and optimized page-turns, the performance material is extremely practical. The arrangement of the violoncello part by Heinrich Schiff takes into account not only the musicians' individual playing techniques but also the differences between the individual instruments.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e258\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1060\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572787\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556415\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002021\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232067760,"sku":"ut50247","price":2040.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50247-Beethoven_5B648_5D.jpg?v=1625696180"},{"product_id":"the-complete-sonatas-edited-from-the-sources-by-christiane-wiesenfeld-fingerings-and-notes-on-interpretation-by-manuel-fischerdieskau-and-peter-roggenkamp-ut50272","title":"The Complete Sonatas Edited from the sources by Christiane Wiesenfeld. Fingerings and Notes on Interpretation by Manuel Fischer-Dieskau and Peter Roggenkamp. 莱内克 奏鸣曲 音符诠释 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e卡尔-莱内克曾担任莱比锡格万特豪斯管弦乐团指挥多年，是 19 世纪下半叶音乐家中最重要的人物之一。他的三首大提琴与钢琴奏鸣曲具有令人惊叹的音乐质量，可与约翰内斯-勃拉姆斯的奏鸣曲相媲美。然而，更令人惊讶的是，这些作品直到现在都没有一个值得一提的文本版本；大提琴演奏家通常只能依靠现存不多的初版本。现在，维纳乌文版填补了这一空白--恰逢作曲家逝世 100 周年。它将所有三首奏鸣曲收录在一册中，从而为 19 世纪不甚全面的大提琴与钢琴室内乐曲目增添了三首浪漫主义室内乐杰作\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eFischer-Dieskau, Manuel \/ Roggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpreation - Sonat, op. 42 - Sonata, op. 89 - Sonata, op. 238 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eHaving been the conductor of the Leipzig Gewandhaus Orchestra for many years, Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for violoncello and piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms. It is all the more surprising, however, that a noteworthy urtext edition of these works did not exist up until now; cellists often had to fall back on copies of the first editions only a few of which were extant. This gap is now closed by the Wiener Urtext Edition - right in time for the 100th anniversary of the composer's death. It encompasses all three sonatas in one volume, thus adding three masterpieces of Romantic chamber music to the less than comprehensive repertoire of the 19th century for violoncello and piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e114\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e510\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573210\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556958\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002557\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232231600,"sku":"ut50272","price":2020.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50272-Reinecke_5B648_5D.jpg?v=1625616735"},{"product_id":"fantasy-pieces-for-violoncello-and-piano-op-73-based-on-the-sources-ut50285","title":"Fantasy Pieces for Violoncello and Piano op. 73 Based on the sources 舒曼．罗伯特 幻想小品大提琴钢琴 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e罗伯特-舒曼的幻想曲作品 73 最初是为单簧管和钢琴而作。1849 年 7 月出版的舒曼幻想曲作品 73 的第一版不仅包含单簧管部分，还包含小提琴和大提琴部分。从那时起，这些作品就成为浪漫主义大提琴与钢琴曲目的重要组成部分。本版本以第一版文本、舒曼的个人副本及其作曲手稿为基础。诠释注释提供了关于节拍器指示、弓法、指法等方面的信息。 对音乐文本进行了批判性审查，并与数据进行了比较，为实际演奏编辑了大提琴部分 诠释注释提供了关于节拍器指示、弓法、指法等方面的信息\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eKube, Michael\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eRobert Schumann wrote his Fantasy pieces Op. 73 originally for clarinet and piano. The first edition of Schumann’s Fantasy Pieces Op. 73 published in July 1849 contained not only a clarinet part but also a violin and a cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition, Schumann’s personal copy and his composition manuscript. The notes on interpretation provide information on metronome indications, bowings, fingerings and more.• Musical text critically reviewed and compared with the sources • Cello part edited for practical performance • Notes on interpretation with comments on metronome indications, bowings, fingerings and more\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573470\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557269\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002861\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232428208,"sku":"ut50285","price":700.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50285-Schumann_5B648_5D.jpg?v=1626005626"},{"product_id":"sonata-op-17-ut50400","title":"Sonata op. 17 贝多芬 奏鸣曲 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e贝多芬最初为圆号和钢琴创作了作品 17 奏鸣曲。这首曲子是为著名的圆号演奏家约翰-文泽尔-施蒂希（Johann Wenzel Stich）而作，他自称乔瓦尼-蓬托（Giovanni Punto）。蓬托极大地拓展了自然号的演奏技巧。因此，贝多芬根据这位音乐大师的独特演奏技巧，为他量身打造了独奏部分。蓬托曾多次演奏这部作品，但由于其难度之大，当时其他圆号演奏家仍无法演奏。这可能也是这部作品在世界首演一年后才出版圆号或大提琴版本的原因。据认为，可以相当肯定的是，这种改编可以追溯到贝多芬本人。卡尔-切尔尼（Carl Czerny）已将这首奏鸣曲列为贝多芬最初的大提琴奏鸣曲之一，并按时间顺序列为第 3 号。与维也纳出版商 Tranquillo Mollo 的 1801 年版一样，Wiener Urtext 版也为圆号或大提琴和钢琴出版了这首奏鸣曲。这首圆号奏鸣曲在创作之初非常难演奏，但奇怪的是，这首大提琴奏鸣曲却是贝多芬大提琴奏鸣曲中最简单的一首。正因如此，这首作品越来越受到大提琴演奏家的青睐，被认为是贝多芬作品中最容易演奏的大提琴和钢琴曲。因此，这部作品现在也作为单独版本收录在 Wiener Urtext Edition 系列中\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eWiesenfeldt, Christiane\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eUbber, Christian\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ehorn or cello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eOriginally, Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly, Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists, however, it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for horn or violoncello one year after the world premiere already. It is deemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo, the Wiener Urtext Edition publishes the sonata for horn or violoncello and piano. Whereas the horn sonata was very difficult to play at the time of creation, the arrangement for violoncello, curiously enough, is one of the easiest among Beethoven's cello sonatas. For this reason, the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently, the work is now available in the Wiener Urtext Edition series as separate edition as well.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e180\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573777\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557566\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003141\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232657584,"sku":"ut50400","price":960.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50400-Beethoven_5B648_5D.jpg?v=1625701305"},{"product_id":"sonata-d-821-for-arpeggione-and-klavier-ut50402","title":"Sonata D 821 for Arpeggione and Klavier 舒伯特 奏鸣曲 琶音 大提琴加钢琴 维也纳原典版","description":"\u003cp\u003e弗朗茨-舒伯特为钢琴和琶音乐器创作了《琶音奏鸣曲》，琶音乐器是一种混合乐器，一部分是吉他，一部分是大提琴，在当时很时髦。如今，这首曲子已成为中提琴和钢琴的标准作品，本版本也选用了这种乐器。对于少数使用琶音琴的演奏者，www.wiener-urtext.com [1] 上提供了独奏部分。该版本大部分采用舒伯特现存亲笔签名的文本。连结：------[1] http:\/\/www.wiener-urtext.com\/\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eDarmstadt, Gerhart \/ Jost, Christa\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eJost, Christa\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%A4%A7%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003ecello and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eFranz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. Today, the piece has become a standard work for violoncello and piano, an instrumentation chosen for the present edition as well. For the few players of an arpeggione, a solo part is available at www.wiener-urtext.com [1]. The edition follows, for the most part, the text of Schubert's extant autograph.Links:------[1] http:\/\/www.wiener-urtext.com\/\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e70\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e260\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574002\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557795\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003370\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043232690352,"sku":"ut50402","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50402-Schubert_5B648_5D.jpg?v=1625745472"},{"product_id":"sonatas-and-partitas-bwv-10011006-for-violin-ut50255","title":"Sonatas and Partitas BWV 1001-1006 for violin 巴赫约翰‧瑟巴斯提安 奏鸣曲组曲 小提琴 小提琴独奏 维也纳原典版","description":"\u003cp\u003e约翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的小提琴独奏奏鸣曲和帕蒂塔是同类作品中最著名的杰作。与密切相关的《大提琴独奏组曲》不同的是，小提琴独奏曲是以作曲家的亲笔手稿形式保存下来的，仅凭这份手稿就能获得基本可靠的音乐文本。不过，这份手稿是作曲家以前的草稿副本或甚至更多的公正副本的复制品。Wiener Urtext Edition 使用了一份来自 Köthen 的早期抄写员的副本作为第二手资料，而这份副本作为数据源直到现在都没有得到很高的评价。尽管该抄本与现存的亲笔手稿十分接近，但我们仍不能排除该抄本可能源自巴赫的另一份原稿的可能性。无论如何，现存清样中的一些明显错误可以根据其文本得到澄清；此外，它还提供了许多其他地方没有注明的衔接方式（有些甚至有替代方案），这些都是如何根据作品的起源时间来演奏这些作品的范例。在《诠释说明》中，达格玛-格吕克萨姆解释了巴赫音乐文本的音乐修辞内容与适当演奏之间的关系，从而说明了许多既定诠释版本的演奏说明是多么荒谬\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eGluexam, Dagmar\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F\"\u003eviolin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata II a-Moll BWV 1003 - Sonata III C-Dur BWV 1005 - Partita II d-Moll BWV 1004 - Sonata I g-Moll BWV 1001 - Partita I h-Moll BWV 1002 - Partita III E-Dur BWV 1006\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo, the violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However, this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph, one cannot rule out the possibility that this copy might be traced back to another original manuscript by Bach. At any rate, some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition, it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation, Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance, thus showing how absurd many a performance instruction of established interpretive editions is.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e102\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e410\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572800\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556446\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002137\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043348590768,"sku":"ut50255","price":1620.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50255-Bach_5B648_5D.jpg?v=1625696986"},{"product_id":"12-fantasies-twv-401425-edited-from-the-souce-by-bernhard-moosbauer-notes-on-interpretation-by-bernhard-moosbauer-ut50415","title":"12 Fantasies TWV 40:14-25 Edited from the souce by Bernhard Moosbauer. Notes on interpretation by Bernhard Moosbauer 泰勒曼 幻想曲 音符诠释 小提琴独奏 维也纳原典版","description":"\u003cp\u003e勒曼的《小提琴独奏幻想曲》和《长笛独奏幻想曲》由十二首作品组成，其中一半遵循 \"教堂奏鸣曲 \"的模式，另一半遵循 \"卡马拉奏鸣曲 \"的模式。在这些作品中，泰勒曼展现了大量不同风格的元素和他所处时代的特征，使这一作品集成为巴洛克晚期小提琴音乐的广泛汇编\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E7%8D%A8%E5%A5%8F\"\u003eviolin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasia I in B (TWV 40:14) - Fantasia II in G (TWV 40:15) - Fantasia III in f (TWV 40:16) - Fantasia IV in D (TWV 40:17) - Fantasia V in A (TWV 40:18) - Fantasia VI in e (TWV 40:19) - Fantasia VII in Es (TWV 40:20) - Fantasia VIII in E (TWV 40:21) - Fantasia IX in h (TWV 40:22) - Fantasia X in D (TWV 40:23) - Fantasia XI in F (TWV 40:24) - Fantasia XII in a (TWV 40:25)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eTelemann's Fantasias for Solo Violon and his Fantasias for Solo Flute constitute a varied collection of twelve pieces, half of which follow the model of the 'sonata da chiesa' and the other half the model of the 'sonata da camara'. In these pieces Telemann presents an abundance of different stylistic elements and features of his time which make this collection an extensive compendium of late Baroque violin music.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e220\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574026\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557818\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043348623536,"sku":"ut50415","price":660.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50415-Telemann_5B648_5D.jpg?v=1624938932"},{"product_id":"two-sonatas-g-majore-minor-bwv-1021-1023-edited-from-the-manuscript-ut50002","title":"Two Sonatas G Major\/E Minor BWV 1021, 1023 Edited from the manuscript 巴赫约翰‧瑟巴斯提安 奏鸣曲大调小调 手稿 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eKehr, Guenter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and basso continuo\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate G-Dur, BWV 1021 - Sonate e-Moll, BWV 1023\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e44\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570011\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550024\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509612720,"sku":"ut50002","price":1060.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50002-Bach_5B648_5D.jpg?v=1625542434"},{"product_id":"sonatas-edited-from-autograph-first-edition-and-manuscript-ut50004","title":"Sonatas Edited from autograph, first edition and manuscript 舒伯特 奏鸣曲 手稿 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是英国皇家音乐学院 7 年级教学大纲的一分谱。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eHoll, Monika\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata (Sonatina) for Piano and Violin D-major op.137\/1 D384 - Sonata (Sonatina) for Piano and Violin A-minor op.137\/2 D385 - Sonata G-minor op.137\/3 D408 - Sonata A-major op. post. 162 D574\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus for Grade 7.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e154\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e540\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570035\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550048\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509645488,"sku":"ut50004","price":1320.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50004-Schubert_5B648_5D.jpg?v=1625696358"},{"product_id":"sonata-g-major-op-78-edited-from-the-autograph-and-the-original-edition-ut50011","title":"Sonata G Major op. 78 Edited from the autograph and the original edition 布拉姆斯 奏鸣曲大调 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eStockmann, Bernhard\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eDemus, Joerg \/ Kehr, Guenter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570103\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550109\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509678256,"sku":"ut50011","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50011-Brahms_5B648_5D.jpg?v=1625716802"},{"product_id":"sonata-a-major-op-100-edited-from-the-original-edition-ut50012","title":"Sonata A Major op. 100 Edited from the original edition 布拉姆斯 奏鸣曲大调 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是 2007 年圣三一教学大纲（八级）的一分谱\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eStockmann, Bernhard\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eDemus, Joerg \/ Kehr, Guenter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the Trinity syllabus 2007 (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e48\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570110\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550116\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509711024,"sku":"ut50012","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50012-Brahms_5B648_5D.jpg?v=1625724409"},{"product_id":"sonata-d-minor-op-108-edited-from-the-original-edition-ut50013","title":"Sonata D Minor op. 108 Edited from the original edition 布拉姆斯 奏鸣曲小调 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eStockmann, Bernhard\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eDemus, Joerg \/ Kehr, Guenter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570127\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550123\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509776560,"sku":"ut50013","price":960.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50013-Brahms_5B648_5D.jpg?v=1625743552"},{"product_id":"six-sonatas-bwv-1014-1016-band-1-edited-from-the-manuscript-copies-ut50018","title":"Six Sonatas BWV 1014 - 1016 Band 1 Edited from the manuscript copies 巴赫约翰‧瑟巴斯提安 奏鸣曲 手稿 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian \/ Stockmann, Bernhard\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eNeumeyer, Fritz\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Sonata I h-Moll (BWV 1014) - Sonata II A-Dur (BWV 1015) - Sonata III E-Dur (BWV 1016) - Spielanweisungen - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e106\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e400\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570172\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550178\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043509842096,"sku":"ut50018","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50018-Bach_5B648_5D.jpg?v=1625769728"},{"product_id":"six-sonatas-bwv-1017-1019-band-2-edited-from-the-manuscript-copies-ut50019","title":"Six Sonatas BWV 1017 -  1019 Band 2 Edited from the manuscript copies 巴赫约翰‧瑟巴斯提安 奏鸣曲 手稿 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian \/ Stockmann, Bernhard\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eNeumeyer, Fritz\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Sonata IV c-Moll (BWV 1017) - Sonata V f-Moll (BWV 1018) - Sonata VI G-Dur (BWV 1019) - Spielanweisungen - Kritische Anmerkungen - Anhang: Sonata VI, Frühfassung (1019a)\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e134\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e490\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570189\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550185\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510005936,"sku":"ut50019","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50019-Bach_5B648_5D.jpg?v=1625769424"},{"product_id":"sonatas-band-1-edited-from-the-autographs-and-first-editions-ut50032","title":"Sonatas Band 1 Edited from the autographs and first editions 莫扎特 奏鸣曲 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e在释义注释中，编者解释了莫扎特的释义符号，从而将原本需要从零散文章中费力收集的内容集中在一起：弧线、圆点和破折号等衔接符号、Appoggiaturen，但最重要的是莫扎特对动态的指代，在这里，出版者首次设法发现了一种系统，莫扎特显然是根据该系统设置符号的，而且除了要澄清的意义（马盖尔区分了仅仅改变音区的符号和表示细微差别的符号），还发现了意在说明的agogic细微差别\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata I G-Dur KV 293a (301) - Sonata II Es-Dur KV 293b (302) - Sonata III C-Dur KV 293c (303) - Sonata IV e-Moll KV 300c (304) - Sonata V A-Dur KV 293d (305) - Sonata VI D-Dur KV 300l (306) - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eIn the notes on the interpretation, the editor explains the Mozart interpretation signs and thus unites in a central place, what would otherwise be painstakingly collected from scattered articles: articulation signs such as arc, dot and dash, Appoggiaturen, but above all Mozart's designations for dynamics, where the publisher manages to discover for the first time a kind of system according to which Mozart has evidently set the signs and which, beyond the meaning to be clarified (Marguerre distinguishes between signs that merely change registers and those that indicate nuances) agogic nuances intended.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e162\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570318\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550314\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510071472,"sku":"ut50032","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50032-Mozart_5B648_5D.jpg?v=1625696601"},{"product_id":"sonatas-band-2-edited-from-autograph-and-first-edition-ut50033","title":"Sonatas Band 2 Edited from autograph and first edition 莫扎特 奏鸣曲 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是 2007 年圣三一教学大纲（7 年级）的一分谱。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata I F-Dur KV 374d (376) - Sonata II C-Dur KV 296 - Sonata III F-Dur KV 374e (377) - Sonata IV B-Dur KV 317d (378) - Sonata V G-Dur KV 373a (379) - Sonata VI Es-Dur KV 374f (380) - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the Trinity syllabus 2007 (grade 7)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e206\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e770\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570325\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550321\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510104240,"sku":"ut50033","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50033-Mozart_5B648_5D.jpg?v=1625696602"},{"product_id":"sonatas-band-3-edited-from-autographs-and-first-editions-ut50034","title":"Sonatas Band 3 Edited from autographs and first editions 莫扎特 奏鸣曲 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eMozart, Wolfgang Amadeus\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eMarguerre, Karl\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eVorwort - Hinweise zur Interpretation - Sonata B-Dur KV 454 - Sonata Es-Dur KV 481 - Sonata A-Dur KV 526 - Sonata F-Dur KV 547 - Kritische Anmerkungen\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e168\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e640\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570332\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550338\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default 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\u003c\/b\u003e\u003cbr\u003eSechs Variationen g-Moll über das französische Lied Hélas, j´ai perdu mon amant, KV 374 b (360) - Zwölf Variationen G-Dur über das französische Lied La Bergère Célimène, KV 374 a (359)\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e34\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e180\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570691\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550680\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510202544,"sku":"ut50069","price":840.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50069-Mozart_5B648_5D.jpg?v=1625535125"},{"product_id":"sonata-sonatina-d-major-op-1371-d-384-edited-from-autograph-and-first-edition-ut50089","title":"Sonata (Sonatina) D Major op. 137\/1 D 384 Edited from autograph and first edition 舒伯特 奏鸣曲 大调 小提琴加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eHoll, Monika\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eKann, Hans\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e32\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e140\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570882\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550864\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522000867\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510399152,"sku":"ut50089","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50089-Schubert_5B648_5D.jpg?v=1625725452"},{"product_id":"sonatina-g-major-op-100-edited-from-sketches-autograph-and-first-edition-ut50162","title":"Sonatina G Major op. 100 Edited from sketches, autograph and first edition 德弗札克 小奏鸣曲大调 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e奏鸣曲作品 100 是德沃夏克 1893 年在美国逗留期间创作的，献给他的六个孩子。1894 年 1 月 2 日，作曲家写信给他的出版商 Simrock： 感谢上帝，我身体健康，刚刚完成了我的第 100 部作品--小提琴与钢琴奏鸣曲。这首奏鸣曲是为年轻人创作的（献给我的孩子们），但大人和成年人也可以随意欣赏。这首奏鸣曲的灵感来自美洲北部迷人的风景，以及与印第安原住民的会面。因此，它不仅是教学典范的一部分，而且非常有吸引力\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%89%8E%E5%85%8B\"\u003eDvorák, Antonín\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eKenitar-Pinder, Brigitte\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe sonatina op. 100, written during Dvorák's stay in the USA in 1893, is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: Thank God, I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit. Inspired by the fascinating landscape of Northern America and by meetings with the native Indian inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e68\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e250\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571339\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555708\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510464688,"sku":"ut50162","price":820.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50162-Dvorak_5B648_5D.jpg?v=1625690395"},{"product_id":"sonata-for-violin-and-piano-a-major-edited-from-the-autographs-and-the-first-edition-ut50174","title":"Sonata for Violin and Piano A major Edited from the autographs and the first edition 法朗克．赛札尔 奏鸣曲小提琴钢琴大调 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e弗兰克的奏鸣曲是室内乐曲目中最著名的作品之一。这一新的 Wiener Urtext 版以第一版为基础，并经过弗兰克的最后修改。钢琴谱和独奏部分之间的不一致是由于小提琴家尤金-伊萨耶（Eugène Ysaÿe）的注释造成的，伊萨耶是这部作品的献礼人，他将这部作品作为结婚礼物赠送给他。半滑舌鳎-路德维希（Günther Ludwig）在其序言中建议用一种经过深思熟虑的方法来演奏这首曲目中的重头戏\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFranck, César\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eHerttrich, Ernst\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eGawriloff, Saschko\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eFranck's Sonata is one of the most famous works in the chamber music repertoire. This new Wiener Urtext Edition is based on the first edition with Franck's final corrections. Inconsistencies between the piano score and the solo part are due to annotations by the violinist Eugène Ysaÿe, the dedicatee who was given the work as a wedding present.This version, likely to have been authorized by Franck, is published for the first time in an Urtext edition. Günther Ludwig, in his preface, suggests a carefully considered, cerebral approach to this highlight of the repertoire.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e76\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571964\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555746\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001345\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510497456,"sku":"ut50174","price":1260.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50174-Franck_5B648_5D.jpg?v=1625719021"},{"product_id":"sonatas-for-violin-and-basso-continuo-op-2-edited-from-the-sources-and-provided-with-notes-on-interpretation-by-bernhard-moosbauer-ut50176","title":"Sonatas for Violin and Basso Continuo op. 2 Edited from the sources and provided with Notes on Interpretation by Bernhard Moosbauer. 韦瓦第 奏鸣曲小提琴 音符诠释 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e安东尼奥-维瓦尔第（Antonio Vivaldi）的小提琴与低音提琴奏鸣曲是在阿尔坎杰罗-科雷利（Arcangelo Corelli）的小提琴奏鸣曲和约翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的小提琴奏鸣曲之间最有价值的作品之一。维瓦尔第的 12 首奏鸣曲作品（作品 2）展现了多种多样的形式，以及演奏和表达的可能性。Wiener Urtext Edition 的新版本以威尼斯第一版和阿姆斯特丹出版商罗杰稍后出版的版本为基础。在此基础上，新版的音乐文本更加合理。这一版本不仅包含小提琴独奏部分和连奏乐谱中的低音连奏部分，还包含一个低音部分，让有经验的连奏乐手有机会在低音连奏部分上即兴演奏，也可供大提琴手使用\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%8B%E7%93%A6%E7%AC%AC\"\u003eVivaldi, Antonio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin, harpsichord (piano) and cello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata VI C-Dur op. 2\/6 RV 1 - Sonata VII c-Moll op. 2\/7 - Sonata XI D-Dur op. 2\/11 RV 9 - Sonata III d-Moll op. 2\/3 RV 14 - Sonata IX e-Moll op. 2\/9 RV 16 - Sonata IV F-Dur op. 2\/4 RV 20 - Sonata X f-Moll op. 2\/10 RV 21 - Sonata VIII G-Dur op. 2\/8 RV 23 - Sonata I g-Moll op. 2\/1 RV 27 - Sonata II A-Dur op. 2\/2 RV 31 - Sonata XII a-Moll op. 2\/12 RV 32 - Sonata V h-Moll op. 2\/5 RV 36\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eAntonio Vivaldi's sonatas for violin and basso continuo are among the most valuable works written between the violin sonatas by Arcangelo Corelli and those by Johann Sebastian Bach. With his 12 Sonatas Op. 2, Vivaldi presents a multi-faceted spectrum of forms and possibilities of performance and expression. The new edition of the Wiener Urtext Edition is based on both the first Venetian edition and the edition of the publisher Roger from Amsterdam which was published only a little later. On this basis we have got a much more logical musical text in the new edition. This edition not only contains the solo violin part and a continuo score with realized basso continuo, but also a figured bass part which gives experienced continuo players the opportunity to improvise on the basso continuo part and can also be used by a continuo cellist.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e174\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e640\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573395\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557184\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002786\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510694064,"sku":"ut50176","price":1980.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50176-Vivaldi_5B648_5D.jpg?v=1625695995"},{"product_id":"violin-sonatas-op-5-band-1-edited-from-the-sources-ut50235","title":"Violin Sonatas op. 5 Band 1 Edited from the sources 柯雷里阿尔坎杰罗 小提琴奏鸣曲 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e阿卡吉罗-科雷利斯小提琴奏鸣曲作品 5 是小提琴文学中标志着新时代的作品之一，直到今天它们仍是每位小提琴家的标准曲目之一。因此，这些重要作品长期以来一直没有乌尔文版，这就更加令人吃惊了。新出版的两卷本维纳乌尔文版填补了这一空白。文本以科雷利亲自监制的第一版为基础。该版本收录了1710年罗杰在阿姆斯特丹出版的第1-6号奏鸣曲的装饰曲目，以及第9号奏鸣曲的杰米尼安装饰曲目。9. 来自科隆的巴洛克专家莱因哈特-戈贝尔（Reinhard Goebel）对演奏实践的注释是对适当诠释的有益建议\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eCorelli, Arcangelo\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eCorelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eArcangelo Corelli’s Violin Sonatas Op. 5 are among those works in violin literature that mark a new epoch, and until this day they have been part of the standard repertory of every violinist. Therefore it is all the more astonishing that there had not been any Urtext edition of these important works for a long time. This gap is filled by a new two-volume edition of the Wiener Urtext edition. The text is based on the first edition which Corelli himself supervised. This edition includes the ornaments for sonatas nos. 1-6, published by Roger in Amsterdam in 1710 as well as Geminiani’s ornaments for Sonata no. 9. The notes on performance practice by Baroque specialist Reinhard Goebel from Cologne are useful suggestions for an appropriate interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e173\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572497\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555586\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001499\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510759600,"sku":"ut50235","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50235-UT_5B648_5D.jpg?v=1625524261"},{"product_id":"violin-sonatas-op-5-band-2-edited-from-the-sources-ut50236","title":"Violin Sonatas op. 5 Band 2 Edited from the sources 柯雷里阿尔坎杰罗 小提琴奏鸣曲 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e阿卡吉罗-科雷利斯小提琴奏鸣曲作品 5 是小提琴文学中标志着新时代的作品之一，直到今天它们仍是每位小提琴家的标准曲目之一。因此，这些重要作品长期以来一直没有乌尔文版，这就更加令人吃惊了。新出版的两卷本维纳乌尔文版填补了这一空白。文本以科雷利亲自监制的第一版为基础。该版本收录了1710年罗杰在阿姆斯特丹出版的第1-6号奏鸣曲的装饰曲目，以及第9号奏鸣曲的杰米尼安装饰曲目。9. 来自科隆的巴洛克专家莱因哈特-戈贝尔（Reinhard Goebel）对演奏实践的注释是对适当诠释的有益建议\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eCorelli, Arcangelo\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eCorelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata I D-Dur \/ D major \/ ré majeur - Corelli, Arcangelo: Sonata II B-Dur \/ B flat major \/ si bémol majeur - Corelli, Arcangelo: Sonata III C-Dur \/ C major \/ Do majeur - Corelli, Arcangelo: Sonata IV F- Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata V g-Moll \/ G minor \/ sol mineur - Corelli, Arcangelo: Sonata VI A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata VII d-Moll \/ D minor \/ ré mineur - Corelli, Arcangelo: Sonata VIII e-Moll \/ E minor \/ mi mineur - Corelli, Arcangelo: Sonata IX A-Dur \/ A major \/ la majeur - Corelli, Arcangelo: Sonata X F-Dur \/ F major \/ fa majeur - Corelli, Arcangelo: Sonata XI E-Dur \/ E major \/ mi majeur - Corelli, Arcangelo: Follia (XII) d-Moll \/ D minor \/ ré mineur\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eArcangelo Corelli’s Violin Sonatas Op. 5 are among those works in violin literature that mark a new epoch, and until this day they have been part of the standard repertory of every violinist. Therefore it is all the more astonishing that there had not been any Urtext edition of these important works for a long time. This gap is filled by a new two-volume edition of the Wiener Urtext edition. The text is based on the first edition which Corelli himself supervised. This edition includes the ornaments for sonatas nos. 1-6, published by Roger in Amsterdam in 1710 as well as Geminiani’s ornaments for Sonata no. 9. The notes on performance practice by Baroque specialist Reinhard Goebel from Cologne are useful suggestions for an appropriate interpretation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e117\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e510\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572640\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556026\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001659\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510792368,"sku":"ut50236","price":1560.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50236-UT_5B648_5D.jpg?v=1625524262"},{"product_id":"sonatas-for-violin-and-piano-op-105-op-121-band-1-edited-by-the-sources-ut50237","title":"Sonatas for violin and piano op. 105 \u0026 op. 121 Band 1 Edited by the sources 舒曼．罗伯特 奏鸣曲小提琴钢琴 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e舒曼的小提琴奏鸣曲在首次演奏后不久便受到热烈追捧。第二奏鸣曲在当时被誉为仅次于贝多芬的 A 调奏鸣曲。作品 105 和作品 121 现收录在这本 Wiener Urtext 版本的第一卷中。它以舒曼新版全集中的乐谱为基础，不仅参考了这两部作品的授权初版，还参考了舒曼的工作手稿，以及第二奏鸣曲中雕刻师使用的乐谱和作曲家与原出版商之间的大量通信。通过对这些原始档进行细致的比较，可以确定有关动态和衔接的许多细节。舒曼的亲笔手稿在这方面起到了重要作用。该版本是英国皇家音乐学院教学大纲（8 级）的一部分\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eBaer, Ute\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: Sonate für Klavier und Violine a-Moll op. 105 (1851) - \u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: Sonate für Klavier und Violine d-Moll op. 121 (1851)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eSchumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as Second only to Beethoven's Sonata in A. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition, which draws not only upon the authorised first editions of both works, but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the original publishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect.The edition is part of the ABRSM syllabus (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e160\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e570\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572572\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555982\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001611\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043510825136,"sku":"ut50237","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50237-UT_5B648_5D.jpg?v=1625695747"},{"product_id":"sonatas-for-violin-and-piano-band-2-based-on-the-sources-edited-by-ute-br-arrangement-of-the-violin-part-by-christiane-edinger-fingerings-of-the-piano-part-by-peter-roggenkamp-ut50238","title":"Sonatas for Violin and Piano Band 2 Based on the sources edited by Ute Bär. Arrangement of the violin part by Christiane Edinger. Fingerings of the piano part by Peter Roggenkamp 舒曼．罗伯特 奏鸣曲小提琴钢琴 编曲 小提琴 钢琴 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e在《罗伯特-舒曼小提琴奏鸣曲》第二卷中，Wiener Urtext 版介绍了舒曼、勃拉姆斯和阿尔伯特-迪特里希共同创作的《F.A.E.奏鸣曲》，以及经过编辑的版本，其中勃拉姆斯和迪特里希的乐章被替换为罗伯特-舒曼的第三首小提琴奏鸣曲。本版本以 2002 年出版的《新舒曼全集》中的版本为基础，因此采用了最新的音乐学研究成果。就《F.A.E.》奏鸣曲而言，主要是在动态和衔接方面略有改动。至于舒曼的第三小提琴奏鸣曲，本版与 1956 年出版的初版和 1988 年略作修订的新版有较大差异。由于新发现的文献，迄今为止尚无法明确确定的中间乐章的顺序与早期版本相比有所改变。此外，第一版中在最后 13 小节之前的中间部分第一段的重复被省略了，但这并非舒曼的本意。然而，作曲家要求的尾声开始前前八小节的重复，在迄今为止的出版物中却没有出现，因此被添加了进去。此外，与第一版不同的是，新版包含了第一乐章第 100 小节的变奏，舒曼并未将其完整写出\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eBaer, Ute\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: F-A-E-Sonate a-Moll (Schumann, Brahms, Dietrich) - \u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e: 3. Sonate a-Moll (Schumann) WoO 2\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eIn Vol. 2 of the Violin Sonatas by Robert Schumann, the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann, Brahms and Albert Dietrich, as well as the edited version, with the movements of Brahms and Dietrich being replaced, as third violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and thus on the latest musicological findings. In the case of the F.A.E. sonata, this is mainly a matter of slight changes in the fields of dynamics and articulation. In the case of Schumann's third violin sonata, the present edition differs more significantly from the first edition published in 1956 and the slightly revised new edition of 1988. The order of the middle movements the accuracy of which could not be clearly determined up to now has been changed, compared to the earlier editions, because of newly found documents. In addition, the repetition of the first section of the middle part notated in the first edition before the last 13 bars, yet not intended by Schumann has been omitted. The repetition demanded by the composer, however, of the first eight bars before the beginning of the coda which is missing in hitherto publications has been added. Moreover, in contrast to the first edition, the new edition contains a variant for bar 100 in the first movement which was not written out in full by Schumann.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e152\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e540\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572589\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555999\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001628\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511054512,"sku":"ut50238","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50238-Schumann_5B648_5D.jpg?v=1625695747"},{"product_id":"sonatas-for-violin-and-basso-continuo-edited-from-the-sources-and-realization-of-the-figured-bass-by-bernhard-moosbauer-notes-on-ornamentation-by-reinhard-goebel-ut50264","title":"Sonatas for Violin and Basso continuo Edited from the sources and realization of the figured bass by Bernhard Moosbauer. Notes on ornamentation by Reinhard Goebel 韩德尔 奏鸣曲小提琴 音型 音符 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e乔治-弗里德里希-亨德尔的小提琴与低音提琴奏鸣曲属于巴洛克小提琴音乐的核心曲目，其中一些甚至是当时最著名的曲目之一。Wiener Urtext Edition 系列的新版本以亨德尔的亲笔签名、当代副本和首次印刷本为基础。除了亨德尔的九首小提琴奏鸣曲外，它还收录了两首小提琴和低音连奏小步舞曲，这两首小步舞曲是在奏鸣曲的环境中流传下来的。除了小提琴独奏部分和带有易于演奏的低音连奏部分的连奏乐谱外，该版本还包括一个低音部分，让有经验的连奏乐手有机会在低音连奏部分即兴演奏。著名巴洛克专家莱因哈特-戈贝尔（Reinhard Goebel）的诠释说明让我们了解了亨德尔时代常见的奏鸣曲演奏方式\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9F%93%E5%BE%B7%E7%88%BE\"\u003eHandel, George Frideric\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMoosbauer, Bernhard\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on ornamentation - Facsimila - Sonate in G HWV 358 - Sonate in g HWV 364a - Sonate in d HWV 359a - Sonate in A HWV 361 - Sonate in D HWV 371 - Sonate in A HWV 372 - Sonate in E HWV 373 - Sonate in g HWV 368 - Sonate in F HWV 370 - Allegro in c HWV 308 - Andante in a HWV 412 - Menuet in D HWV 420 - Menuet in D HWV 421 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eGeorg Friedrich Handel's Sonatas for Violin and Basso continuo belong to the core repertoire of Baroque violin music, some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs, contemporary copies and first prints. In addition to Handel's nine violin sonatas, it contains two minuets for violin and basso continuo which have been handed down in the environment of the sonatas. Apart from the solo violin part and a continuo score with a realised, easily playable basso continuo, the edition also includes a figured bass part which gives experienced continuo players the opportunity to improvise on the basso continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e142\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e620\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572954\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556705\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002304\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511087280,"sku":"ut50264","price":1720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50264-Haendel_5B648_5D.jpg?v=1625695995"},{"product_id":"works-for-violin-and-harpsichord-band-1-sonatas-wq-7174-bwv-1036-violinsonaten-nach-den-trios-wq-143147-ut50288","title":"Works for violin and harpsichord Band 1 Sonatas Wq 71–74, BWV 1036, Violinsonaten nach den Trios Wq 143–147 巴赫卡尔‧菲利普‧艾曼纽 小提琴大键琴 奏鸣曲 小提琴 三重奏 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e卡尔-菲利普-伊曼纽尔-巴赫（Carl Philipp Emanuel Bach）的小提琴与大键琴伴奏作品贯穿了他的全部创作。最早的作品，如编号仍为 BWV 1036 的《D 小调奏鸣曲》，可以追溯到他跟随父亲学习的年代，但已经显示出他自己非凡的创作意愿。最新的作品是幻想曲《C. P. E. Bachs Empfindungen\"（降 F 小调，1787 年）是作曲家晚期风格的代表作。Wiener Urtext Edition 的新版两卷本收录了 C. P. E. 巴赫为大键琴（钢琴）和小提琴所作的全部作品。第 1 卷不仅收录了奏鸣曲 Wq 7174 和 BWV 1036，还收录了为小提琴和大键琴改编的三重奏 Wq 143145（其中大部分收录在 C. P. E. 巴赫的亲笔签名中），以及之前被忽视的早期版本 Wq 71，该版本与 BWV 1036 一样，让人对作曲家的早期作品有了难得的了解。第 2 卷收录了约翰内斯-勃拉姆斯（Johannes Brahms）已经着迷的 1763 年的四首主要奏鸣曲。勃拉姆斯不仅在音乐会上与约瑟夫-赫尔梅斯贝格（Joseph Hellmesberger）共同演奏了这四首奏鸣曲，还在 1864 年出版了其中的两首。本卷最后收录了两首分别创作于 1781 年和 1787 年的晚期作品《咏叹调》和《幻想曲》。通过这些作品，C.P.E.-巴赫在其父的巴洛克晚期奏鸣曲与早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏钢琴奏鸣曲]之间架起了一座桥梁\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpretation - Ornaments and Cadenzas - Facsimilia - Sonate in D Wq 71 - Sonate in d Wq 72 - Sonae in C Wq 73 - Sonate in D Wq 74 - Sonate in D BWV 1036 - Sonate in D Wq 145 - Sonate in h Wq 143 - Sonate in G Wq 144 - Sonate in A Wq 146 - Sonate in C Wq 147 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but also the arrangements of the trios Wq 143–145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a – previously ignored – early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e860\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573500\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557290\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002892\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511152816,"sku":"ut50288","price":2400.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50288-Bach_5B648_5D.jpg?v=1625546511"},{"product_id":"sonatas-band-2-sonatas-wq-7578-arioso-wq-79-fantasie-wq-80-ut50289","title":"Sonatas Band 2 Sonatas Wq 75–78, Arioso Wq 79, Fantasie Wq 80 巴赫卡尔‧菲利普‧艾曼纽 奏鸣曲 奏鸣曲 幻想曲 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e卡尔-菲利普-伊曼纽尔-巴赫（Carl Philipp Emanuel Bach）的小提琴与大键琴伴奏作品贯穿了他的全部创作。最早的作品，如编号仍为 BWV 1036 的《D 小调奏鸣曲》，可以追溯到他跟随父亲学习的年代，但已经显示出他自己非凡的创作意愿。最新的作品是幻想曲《C. P. E. Bachs Empfindungen\"（降 F 小调，1787 年）是作曲家晚期风格的代表作。Wiener Urtext Edition 的新版两卷本收录了 C. P. E. 巴赫为大键琴（钢琴）和小提琴所作的全部作品。第 1 卷不仅收录了奏鸣曲 Wq 7174 和 BWV 1036，还收录了为小提琴和大键琴改编的三重奏 Wq 143145（其中大部分收录在 C. P. E. 巴赫的亲笔签名中），以及之前被忽视的早期版本 Wq 71，该版本与 BWV 1036 一样，让人对作曲家的早期作品有了难得的了解。第 2 卷收录了约翰内斯-勃拉姆斯（Johannes Brahms）已经着迷的 1763 年的四首主要奏鸣曲。勃拉姆斯不仅在音乐会上与约瑟夫-赫尔梅斯贝格（Joseph Hellmesberger）共同演奏了这四首奏鸣曲，还在 1864 年出版了其中的两首。本卷最后收录了两首分别创作于 1781 年和 1787 年的晚期作品《咏叹调》和《幻想曲》。通过这些作品，C.P.E.-巴赫在其父的巴洛克晚期奏鸣曲与早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏钢琴奏鸣曲]之间架起了一座桥梁\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and harpsichord (piano)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003ePreface - Notes on interpreation - Ornaments and Cadenzas - Facsimlia - Sonate in F Wq 75 - Sonate in h Wq 76 - Sonate in B Wq 77 - Sonate in c Wq 78 - Arioso in A Wq 79 - C.P.E. Bachs Empfindungen-Fantasie in fis Wq 80 - Critical Notes\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but also the arrangements of the trios Wq 143–145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a – previously ignored – early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e216\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e770\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573517\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557306\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002908\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511185584,"sku":"ut50289","price":2400.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50289-Bach_5B648_5D.jpg?v=1625696601"},{"product_id":"sonata-d-821-for-arpeggione-and-piano-version-for-violin-and-piano-by-anton-diabelli-ut50420","title":"Sonata D 821 for Arpeggione and Piano. Version for Violin and Piano by Anton Diabelli 舒伯特 奏鸣曲 琶音 钢琴 小提琴钢琴 小提琴加钢琴 维也纳原典版","description":"\u003cp\u003e弗朗茨-舒伯特的琶音奏鸣曲是为钢琴和琶音乐器创作的，琶音乐器是一种混合乐器，既是吉他的一部分，也是大提琴的一部分，在当时非常流行。小提琴与钢琴的版本现存于一份舒伯特时期的乐曲部分手稿中，直到最近才得以面世，在 19 世纪早期的小提琴曲目中颇为轰动。该版本在很大程度上沿用了舒伯特现存的亲笔签名文本和当代小提琴部分\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eDarmstadt, Gerhart \/ Jost, Christa\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eJost, Christa\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B0%8F%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eviolin and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eFranz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. The version for violin and piano has survived in a manuscript of parts from the days of Schubert which has become accessible only recently and is quite a sensation in the early 19th-century violin repertoire. The edition follows, for the most part, the text of Schubert's extant autograph and the contemporary violin part.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e70\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e260\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574033\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557825\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003400\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043511218352,"sku":"ut50420","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50420-Schubert_5B648_5D.jpg?v=1625745359"},{"product_id":"6-sonatas-for-2-flutes-or-violins-op-2-twv-40101106-edited-from-the-sources-by-jochen-reutter-notes-on-interpretation-by-susanne-schrage-ut50281","title":"6 Sonatas for 2 flutes (or violins) op. 2 TWV 40:101-106 Edited from the sources by Jochen Reutter. Notes on Interpretation by Susanne Schrage. 泰勒曼 奏鸣曲 长笛小提琴 音符诠释 双小提琴 维也纳原典版","description":"\u003cp\u003e乔治-菲利普-塔勒曼（Georg Philipp Telemann）于 1726 年创作的六首双笛奏鸣曲（又称长笛二重奏作品 2）是献给两位年轻音乐爱好者的，因此非常适合学生和音乐爱好者。这些乐曲培养了学生对音乐的理解能力以及对音乐创作的喜爱，因此非常适合音乐课。奏鸣曲也可以用小提琴演奏。Wiener Urtext 版的新版本基于泰勒曼的原版和两个早期版本，这两个版本让人了解到当代的装饰手法。苏珊娜-施拉格 (Susanne Schrage) 在诠释说明中对演奏提出了更多建议。新版的版面设计清晰明了，由于采用了折页设计，避免了在各个乐章中翻页。因此，新版为历史性的演奏和轻松的音乐创作奠定了适当的基础\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9B%99%E5%B0%8F%E6%8F%90%E7%90%B4\"\u003e2 flutes (violins)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonata II G-Dur op. 2\/2 TWV 40:101 - Sonata I D-Dur op. 2\/1 TWV 40:102 - Sonata III A-Dur op. 2\/3 TWV 40:103 - Sonata IV e-Moll op. 2\/4 TWV 40:104 - Sonata V h-Moll op. 2\/5 TWV 40:105 - Sonata VI E-Dur op. 2\/6 TWV 40:106\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eGeorg Philipp Telemann's Six Sonatas for two flutes of 1726, also known as Flute Duets Op. 2, are dedicated to two young music lovers and, thus, appeal explicitly to a circle of pupils and music lovers. The pieces foster the ability of musical interpretation as well as a playful love of music-making and are thus ideal for music lessons. The sonatas can alternatively be performed on the violin. The new edition of the Wiener Urtext Edition is based on Telemann's original print as well as on two earlier editions which grant insight into the contemporary ornamentation practice. Further suggestions for the performance are given in the notes on interpretation by Susanne Schrage. The layout of the new edition is clearly designed, page-turns within individual movements have been avoided thanks to fold-out pages. Thus, the proper foundation has been laid both for a historically informed performance and for relaxed music-making.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e86\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e370\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573319\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557054\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002656\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043556012208,"sku":"ut50281","price":1380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50281-Telemann_5B648_5D.jpg?v=1624941431"},{"product_id":"sonata-f-minor-op-1201-edited-from-the-engravers-copy-and-original-edition-ut50015","title":"Sonata F minor op. 120\/1 Edited from the engraver's copy and original edition 布拉姆斯 奏鸣曲小调 中提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是英国皇家音乐学院教学大纲的一部分（5、7 年级）该版本是 2007 年三位一体教学大纲的一部分（6、7 年级）\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E4%B8%AD%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eclarinet (viola) and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edtion is part of the ABRSM syllabus (grade 5,7)The edition is part of the Trinity syllabus 2007 (grades 6,7)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e64\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570141\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550147\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043804491952,"sku":"ut50015","price":720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50015-Brahms_5B648_5D.jpg?v=1625721422"},{"product_id":"sonata-eb-major-op-1202-edited-from-the-engravers-copy-and-original-edition-ut50016","title":"Sonata Eb major op. 120\/2 Edited from the engraver's copy and original edition 布拉姆斯 奏鸣曲大调 中提琴加钢琴 维也纳原典版","description":"\u003cp\u003e该版本是英国皇家音乐学院教学大纲（6、8 级）的一部分 该版本是 2007 年圣三一教学大纲（8 级）的一部分\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eBrahms, Johannes\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eMueller, Hans-Christian\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E4%B8%AD%E6%8F%90%E7%90%B4%E5%8A%A0%E9%8B%BC%E7%90%B4\"\u003eclarinet (viola) and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the ABRSM syllabus (grade 6,8) The edition is part of the Trinity syllabus 2007 (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570158\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550154\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043804590256,"sku":"ut50016","price":720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50016-Brahms_5B648_5D.jpg?v=1625723096"},{"product_id":"syrinx-la-flte-de-pan-edited-from-a-period-manuscript-ut50173","title":"Syrinx (La Flûte de Pan) Edited from a period manuscript 德布西 水妖 乐段手稿 长笛独奏 维也纳原典版","description":"\u003cp\u003e长期以来，遗作版一直被视为唯一的已知资料。然而，Wiener Urtext Edition 的新版本是基于几年前发现的一份手稿。潘的长笛》由路易-弗勒里（Louis Fleury）于 1913 年首演，作为加布里埃尔-穆雷（Gabriel Mourey）戏剧《心理》的伴奏。这份手稿是在德彪西和路易-弗勒里当时居住的地方发现的。通过这一数据源，我们可以将作品的两个部分与戏剧中的相应文本精确对应。出版物中大量使用的图片和文字对此进行了记录\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eDebussy, Claude\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eLjungar-Chapelon, Anders \/ Stegemann, Michael\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe posthumous edition has for a long time been regarded as the only known source. However, the new edition by Wiener Urtext Edition is based on a manuscript discovered some years ago. La Flute de Pan was first performed in 1913 by Louis Fleury as anaccompaniment to the play ‘Psyché’ by Gabriel Mourey. The manuscript was discovered in the area where Debussy and Louis Fleury were at the time. This source has made it possible to assign both parts of the work precisely to the corresponding text in the drama. This has been documented through extensive use of pictures and text in the publication.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e90\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500571957\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555739\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899453616,"sku":"ut50173","price":350.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50173-Debussy_5B648_5D.jpg?v=1625630219"},{"product_id":"12-fantasies-edited-from-the-first-edition-ut50187","title":"12 Fantasies Edited from the First Edition 泰勒曼 幻想曲 长笛独奏 维也纳原典版","description":"\u003cp\u003eWiener Urtext 版《泰勒曼幻想曲》以作曲家本人出版的第一版为基础。乐曲中少数明显的错误已得到纠正。在评论性注释中，编者提供了有关来源、作者和真实性的信息。诠释注释为有历史依据的演奏实践提供了有启发性的建议。根据 18 世纪的数据源（Quantz、Hotteterre 等人）对相关作品以及巴洛克长笛演奏的基本方面进行了讨论，这些对于每一位长笛演奏家来说都是不可或缺的\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eHirschmann, Wolfgang\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasie 9 E-Dur TWV 40,10 - Fantasie 10 fis-Moll TWV 40,11 - Fantasie 11 G-Dur TWV 40,12 Fantasie 12 g-Moll TWV 40,13 - Fantasie 1 A-Dur TWV 40,2 - Fantasie 2 a-Moll TWV 40,3 - Fantasie 3 h-Moll TWV 40,4 - Fantasie 4 B-Dur TWV 40,5 - Fantasie 5 C-Dur TWV 40,6 - Fantasie 6 d-Moll TWV 40,7 - Fantasie 7 D-Dur TWV 40,8 - Fantasie 8 e-Moll TWV 40,9\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe Wiener Urtext edition of Telemann's Fantasies is based on the first print published by the composer himself. The few obvious mistakes in the music have been corrected. In the critical notes the editor provides information about the source the authorship and authenticity. The notes on interpretation provide instructive suggestions for the historically informed performance practice. Discussion based on sources from the 18th century (Quantz, Hotteterre and others) about related works is included as well as about the basic aspects of baroque flute playing which, for every flautist, are indispensable.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e46\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572039\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555760\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899650224,"sku":"ut50187","price":900.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50187-Telemann_5B648_5D.jpg?v=1624944500"},{"product_id":"partita-a-minor-for-flute-solo-bwv-1013-urtext-ut50283","title":"Partita A minor for flute solo BWV 1013 Urtext 巴赫约翰‧瑟巴斯提安 古组曲小调长笛 歌词 长笛独奏 维也纳原典版","description":"\u003cp\u003e翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）为长笛独奏创作的《A 小调帕蒂塔》（Partita in A minor for solo flute）实际上名为 \"Solo pour la flûte traversière\"，是长笛曲目中无可争议的瑰宝之一。由于作曲家的亲笔签名材料没有流传下来，该作品仅存一份。这就提出了许多问题，而本版本不仅在序言和释义注释中，而且在音乐文本本身中都再次面对了这些问题。由于对所有文本细节进行了细致入微的检查和评估，例如，阿勒曼德第二部分重复的过渡结构与大多数已有版本不同。实用的演奏注释根据巴赫同时代人的实际数据以及音乐修辞学原则对音乐文本进行了研究\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eBach, Johann Sebastian\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eGluexam, Dagmar\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eJohann Sebastian Bach's Partita in A minor for solo flute, actually entitled 'Solo pour la flûte traversière', is one of the undisputed gems of the flute repertoire. The work is extant in only one copy as autograph material of the composer has not survived. This raises a number of questions and problems which the present edition faces again not only in the preface and notes on interpretation, but also in the musical text itself. Due to the meticulous examination and assessment of all text details, the transition to the repetition of the second part in the Allemande, for example, is structured differently than in most established editions. The practical performance notes examine the musical text on the basis of practical sources of contemporaries of Bach as well as in accordance with the principles of musical rhetoric.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e90\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573456\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557245\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002847\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043899781296,"sku":"ut50283","price":480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50283-Bach_5B648_5D.jpg?v=1625856227"},{"product_id":"sonata-a-minor-for-flute-solo-wq-132h-562-for-flute-solo-ut50284","title":"Sonata A minor for flute solo Wq 132\/H 562 for Flute solo 巴赫卡尔‧菲利普‧艾曼纽 奏鸣曲小调长笛 长笛 长笛独奏 维也纳原典版","description":"\u003cp\u003e卡尔-菲利普-伊曼纽尔-巴赫（Carl Philipp Emanuel Bach）的《A 小调长笛独奏奏鸣曲》（Sonata in A minor for solo flute quasi）与其父亲约翰-塞巴斯蒂安（Johann Sebastian）的同调部分奏鸣曲相对应。这首奏鸣曲创作于 1747 年，但直到 1763 年才出版，与他父亲长达 30 年的作品相比，它预示着一个新时代的感伤风格。相比，他父亲的作品要早 30 年。该版本以第一版为基础，第一版藏于 C. Ph. E. Bach 和其他作曲家的钢琴作品中。E. 巴赫和其他作曲家的钢琴作品中。1763 年出版的另一个版本被证明是第一版的后代，其音乐文本与第一版完全相同，因此可以排除该版本的来源。但该版本也是基于哥本哈根基德收藏馆收藏的 18 世纪晚期的副本，该副本对长笛文献具有重要意义。虽然它似乎也可追溯到初版，但它在某些段落对初版的不足之处进行了当代纠正。库伊肯的学生苏珊娜-施拉格（Susanne Schrage）的实用演奏注释不仅通过巴赫柏林同乡作曲家约翰-约阿希姆-昆茨（Johann Joachim Quantz）的长笛演奏法贴近音乐文本，而且还分析了 C. Ph. E. 巴赫本人的《Versuch über die wahre Art, das Clavier zu spielen》中的相关章节，从而提供了对巴赫作品的诠释。E.巴赫本人的《Vuchüber die wahre Art, das Clavier zu spielen》中的相关章节进行了分析，从而从作曲家的角度提供了正确的诠释帮助\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBach, Carl Philipp Emanuel\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eflute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eCarl Philipp Emanuel Bach's Sonata in A minor for solo flute quasi constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747, but unpublished until 1763, it heralds the sentimental style of a new era, compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition, also published in 1763, proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition was also based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the flute literature. Although it also seems to go back to the first edition, it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the flute method of Bach's Berlin fellow composer Johann Joachim Quantz, but also analyse relevant chapters of 'Versuch über die wahre Art, das Clavier zu spielen' by C. Ph. E. Bach himself, thus providing interpretational aids right from the composer's perspective.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e26\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e110\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573463\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557252\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002854\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40043900043440,"sku":"ut50284","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50284-Bach_5B648_5D.jpg?v=1625751545"},{"product_id":"variations-on-folk-songs-op-105-107-edited-from-the-autographs-and-original-editions-ut50017","title":"Variations on Folk Songs op. 105 + 107 Edited from the autographs and original editions 贝多芬 变奏曲民谣歌 长笛加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eBeethoven, Ludwig van\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eJarecki, Gerschon\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eJarecki, Gerschon\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003epiano or with accompaniment flute ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003e6 variierte Themen: The Cottage maid, Von edlem Geschlecht, A Schüsserl und a Reindl, The last rose of summer, Chiling O'Guirg, Paddy whack op. 105 - 10 Variierte Themen: I bin a Tiroler Bua, Bonnie laddie, Volkslied aus Kleinrußland, St. Patricks day, A Madel, ja a Madel, Peggys daughter, Schöne Minka, O Mary, at the window be, Oh, thou are the lad of my heart, The highland watch op. 107\u003cbr\u003e\u003c\/p\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e110\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e480\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570165\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550161\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016009392,"sku":"ut50017","price":2160.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50017-Beethoven_5B648_5D.jpg?v=1625533076"},{"product_id":"trockne-blumen-op-posth-160-d-802-from-die-schne-mllerin-introduction-and-variations-ut50087","title":"Trockne Blumen Op. posth. 160 D 802 from Die schöne Müllerin Introduction and Variations 舒伯特 美丽的磨坊少女导奏变奏曲 长笛加钢琴 维也纳原典版","description":"\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eSchubert, Franz\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eKindermann, Juergen \/ Zoeller, Karlheinz\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRichter, Konrad\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e190\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500570868\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850550840\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016140464,"sku":"ut50087","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50087-Schubert_5B648_5D.jpg?v=1625566082"},{"product_id":"sonatas-3-sonatas-d-a-g-ut50189","title":"Sonatas 3 Sonatas ( D ,A, g ) 李希特．弗朗兹 奏鸣曲 奏鸣曲 长笛加钢琴 维也纳原典版","description":"\u003cp\u003e弗朗茨-哈维尔-里希特（Franz Xaver Richter，1709-1789 年）是曼海姆学派最重要的代表人物之一，曼海姆学派不仅影响了莫扎特，还影响了年轻的贝多芬，甚至影响了一些早期浪漫主义作曲家。里希特的室内乐在维也纳古典主义主要流派的演变过程中具有举足轻重的地位，从巴洛克三重奏奏鸣曲到古典弦乐四重奏的前身，里希特的室内乐都为我们指明了方向。里希特的长笛、大键琴伴奏和大提琴奏鸣曲是这条道路上的里程碑。这些作品继承了巴赫大键琴奏鸣曲的传统，可与巴赫之子卡尔-菲利普-伊曼纽尔（Carl Philipp Emanuel）的优秀作品相媲美。在这本 Wiener Urtext 版本中，我们精选了三首奏鸣曲，它们也可以用小提琴代替长笛演奏。如有必要，也可以不用大提琴演奏。苏珊娜-施拉格（Susanne Schrage）的诠释建议包括大量关于适当演奏风格和装饰音的建议，除了长笛演奏家之外，其他人可能也会感兴趣\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eRichter, Franz Xaver\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute (violin), obligatory harpsichord (piano); cello ad libitum\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSonate D-Dur - Sonate A-Dur - Sonate g-Moll\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eFranz Xaver Richter (1709-1789) is one of the most important representatives of what is known as the Mannheim School, a style that influenced not only Mozart, but also the young Beethoven and even some of the early Romantic composers. The significance of Richter’s chamber music in the evolution of the major genres of Viennese classicism deserves to be recognised, showing the way as it does from the Baroque trio sonata to the immediate forerunners of the classical string quartet. Richter’s sonatas for flute, harpsichord obbligato and cello are milestones on that road. These pieces were written in the tradition of J. S. Bach’s sonatas with harpsichord obbligato and can bear comparison with the best works of Bach’s son Carl Philipp Emanuel. In this Wiener Urtext edition we present a selection of three sonatas that can also be played with a violin in the place of the flute. The piece may also be performed without the cello if necessary. Susanne Schrage’s advice on interpretation includes plenty of suggestions for an appropriate style of performance and ornamentation, which may be of interest to others besides flautists.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e460\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572367\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850555777\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016238768,"sku":"ut50189","price":1800.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50189-Richter_5B648_5D.jpg?v=1625697447"},{"product_id":"undine-sonata-op-167-sonata-for-flute-and-piano-ut50242","title":"Undine Sonata op. 167 Sonata for Flute and Piano 莱内克 水妖奏鸣曲 奏鸣曲长笛钢琴 长笛加钢琴 维也纳原典版","description":"\u003cp\u003e为长笛和钢琴而作的《恩丁奏鸣曲》是作曲家卡尔-莱内克为数不多的作品之一，至今仍被经常演奏，同时也是为数不多的横笛浪漫主义曲目之一。乍一看，这首作品并不明显属于程序音乐，有时甚至会被同时代的人质疑为程序音乐，但它的主题却与 19 世纪流行的歌剧主题 \"Undine \"如出一辙。现在，Wiener Urtext Edition 出版了这部作品的新版本，该版本紧扣原版文本（遗憾的是，手稿数据已不复存在）。诠释注释沿用了音乐之外的曲目，试图将作品及其诠释理解与 Undine 主题紧密联系起来\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eCapelle, Irmlind\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eAllegro - Allegretto vivace - Più lento, quasi Andante - Allegretto vivace - Andante tranquillo - Molto vivace - Allegro molto agitato ed appassionato, quasi Presto - Un poco più tranquillo - Più lento\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eThe Undine Sonata for flute and piano is one of the few works by the composer Carl Reinecke which is regularly performed even today, and is at the same time one of the few Romantic repertoire pieces for transverse flute. Although not obviously programme music at first glance, and sometimes even questioned as such by contemporaries, the work nevertheless falls back on the Undine subject which was a popular opera theme in the 19th century. The Wiener Urtext Edition now presents a new publication of the work which closely follows the text of the original edition (unfortunately, manuscript sources are not extant). The notes on interpretation follow the tracks of the extra-musical programme, trying to bring the work and its interpretative understanding into close connection with the Undine subject.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e300\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572626\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556040\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522001673\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016369840,"sku":"ut50242","price":1020.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50242-Reinecke_5B648_5D.jpg?v=1625539794"},{"product_id":"sonate-solo-twv-41h4-edited-from-the-sources-by-jochen-reutter-notes-on-interpretation-by-susanne-schrage-ut50416","title":"Sonate (Solo) TWV 41:h4 Edited from the sources by Jochen Reutter. Notes on interpretation by Susanne Schrage 泰勒曼 音符诠释 长笛加钢琴 维也纳原典版","description":"\u003cp\u003e泰勒曼的横笛与低音连奏奏鸣曲（独奏）选自 1733 年出版的《塔菲尔穆西克》，这是巴洛克晚期最重要的器乐曲之一。这首奏鸣曲的突出主题，尤其是第一乐章和最后一个乐章的主题，似乎给亨德尔留下了深刻印象，以至于他在 D 小调第 15 号管风琴协奏曲中采用了这些主题。该版本严格遵循泰勒曼本人出版的第一版，从而得以纠正 20 世纪版本中的若干错误\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eTelemann, Georg Philipp\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eReutter, Jochen\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eflute and basso continuo (harpsichord\/piano, cello ad libitum)\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eTelemann's Sonata (solo) for traverse flute and basso continuo comes from his 'Tafelmusik' published in 1733, one of the most important instrumental cycles of the late Baroque period. The prominent themes of the Sonata, especially of the first and last movements, seem to have impressed G. Fr. Handel so much that he took them up in his Organ Concerto No. 15 in D minor. The edition strictly follows the first edition published by Telemann himself, which made it possible to correct several errors in 20th-century editions.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e36\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e150\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500574019\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557801\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522003387\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044016533680,"sku":"ut50416","price":600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50416-Telemann_5B648_5D.jpg?v=1625695132"},{"product_id":"undine-sonata-op-167-sonata-for-clarinet-and-piano-ut50263","title":"Undine Sonata op. 167 Sonata for Clarinet and Piano 莱内克 水妖奏鸣曲 奏鸣曲 钢琴 竖笛 1把以上加钢琴 维也纳原典版","description":"\u003cp\u003e卡尔-莱奈克的《恩丁》作为长笛与钢琴奏鸣曲于 1882 年出版，至今仍是他最常演奏的作品之一。1885 年，莱奈克又出版了单簧管与钢琴的版本，其中钢琴部分保持不变，而长笛部分则根据单簧管的技术和音调特质进行了调整。因此，莱奈克为单簧管与钢琴的小曲目增添了一部引人注目的作品。目前的版本是根据 Wiener Urtext Edition 系列出版的长笛和钢琴版本制作的，该版本以德文和英文初版为基础，将长笛部分换成了 1885 年出版的单簧管编曲。专为单簧管版本编写的诠释说明既考虑到了历史上适当的演奏技巧，也考虑到了音乐文本、音乐外节目和演奏实践方面的问题。可靠的音乐文本、优化的翻页和舒适的概览是当前版本在形式和排版方面的基本特征\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eReinecke, Carl\u003cbr\u003e\u003cb\u003e编者: \u003c\/b\u003eCapelle, Irmlind\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B1%8E%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eclarinet and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eCarl Reinecke's 'Undine' was published in 1882 as a sonata for flute and piano and to this day is one of his most frequently played works. In 1885 Reinecke also published a version for clarinet and piano in which the piano part remained unchanged whereas the flute part was adjusted to the technical and tonal qualities of the clarinet. Thus, Reinecke was able to add a striking work to the small clarinet-piano repertoire. The current edition is based on the version for flute and piano, published in the Wiener Urtext Edition series, which, is based on the German and English first edition, exchanging the flute part for the clarinet arrangement published in 1885. Notes on interpretation specially written for the clarinet version take into account both historically adequate playing techniques and questions regarding the musical text, extra-musical programme and performance practice. A reliable musical text, optimised page turns and a comfortable overview are essential features of the current edition with regard to form and layout.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e80\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e420\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500572947\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850556699\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002298\u003cbr\u003e\u003c\/p\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044396740784,"sku":"ut50263","price":1080.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50263-Reinecke_5B648_5D.jpg?v=1625539795"},{"product_id":"fantasy-pieces-for-clarinet-and-piano-op-73-edited-by-michael-kube-based-on-the-sources-ut50286","title":"Fantasy Pieces for Clarinet and Piano op. 73 Edited by Michael Kube, based on the sources 舒曼．罗伯特 幻想小品 钢琴 竖笛 1把以上加钢琴 维也纳原典版","description":"\u003cp\u003e罗伯特-舒曼在 1849 年 2 月的两天时间里创作了单簧管与钢琴幻想曲。几天后，克拉拉-舒曼和德累斯顿单簧管演奏家约翰-戈特利布-科特（Johann Gottlieb Kotte）首演了这些作品。舒曼最初为自己的作品取名为 \"Soirée Pieces\"，最后决定以 \"Fantasy Pieces\"（幻想曲）的名义出版，以此强调作品的诗意。 单簧管演奏家伊丽莎白-艾兴伯格（Elisabeth Eichenberg）的诠释说明也以这些内涵为中心，并特别提到了单簧管音色的当代美学。该版本以 1849 年出版的第一版为基础，并加入了舒曼个人副本中的后续更正。流传下来的作曲手稿起到了重要的校正作用。除了原始的 A 调单簧管声部外，该版本还收录了 B 调单簧管的转调声部，以便让更多的单簧管爱好者能够欣赏到这些浪漫主义单簧管曲目中的标准作品\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eSchumann, Robert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校订者: \u003c\/b\u003eRoggenkamp, Peter\u003cbr\u003e\u003cb\u003e乐器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B1%8E%E7%AC%9B-%E5%90%AB%E9%8B%BC%E7%90%B4%E4%BC%B4%E5%A5%8F\"\u003eclarinet and piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003eWiener Urtext Edition\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eFantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003e原文简介: \u003c\/b\u003e\u003cbr\u003eRobert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e页数: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e250\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790500573487\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9783850557276\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e800522002878\u003cbr\u003e","brand":"Wiener Urtext Edition","offers":[{"title":"Default Title","offer_id":40044396904624,"sku":"ut50286","price":780.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/UT_50286-Schumann_5B648_5D.jpg?v=1626005626"}],"url":"https:\/\/hsiaoya.com\/zh-cn\/collections\/wiener-urtext-edition.oembed?page=6","provider":"小雅音樂","version":"1.0","type":"link"}