The new Sonatina Book Band 1 Sonatinas and pieces 小奏鳴曲 小奏鳴曲小品 鋼琴練習曲 朔特版
保留舊的，但慷慨地採用新的。新奏鳴曲集》的編輯從根本上遵循了這一原則。因此，書中既收錄了近乎經典的兒童奏鳴曲，也收錄了長期以來在鋼琴教學中成功運用、但在以往的作品集中卻未曾出現過的其他作品，例如，在肖特新版中迅速成名的莫札特維也納奏鳴曲、漢德洛克的迷人的《春天奏鳴曲》、希歐多爾-基什內爾的一些旋律優美的作品，以及作為當代作品的格雷恰尼諾夫的《奏鳴曲》，它已被證明是學生音樂會上的精彩展示曲目。 曲集盡可能按照難度順序排列，但由於作品的不同樂章對技巧的要求往往不同，因此不可能完全按照邏輯順序排列，尤其是學生的個人天賦起著重要作用。為了讓學生熟悉複調音樂，其中包括了亨德爾、泰勒曼、克雷布斯和馬克斯-雷格（卡農）的一些簡單曲目"
編者: Frey, Martin
樂器: piano
出版社: Schott Music
曲目:
Haslinger: Sonatine C-Dur - L.v. Beethoven: Sonatinen G-Dur und F-Dur - Schmitt: Sonatine A-Dur, op. 207/2 - A. Gretchaninoff: Wiegenlied, op. 98/9 - A. Gretchaninoff: Nach dem Balle, op. 98/13 - Schmid: Marsch, op. 95/16 - André: Sonatine G-Dur, op. 34 - W. A. Mozart: Sonatinen C-Dur und G-Dur - J. Haydn: Sonatine G-Dur - M. Clementi: Sonatinen G-Dur und D-Dur, op. 36/5 und 6 - Kuhlau: Sonatinen C-Dur und G-Dur, op. 55/1 und 3 - Kuhlau: Sonatine G-Dur, op. 88/2 - A. Corelli: Sarabande e-Moll - H. Purcell: Lied - J.L. Dussek: Sonatine G-Dur, op. 20/1 - Handrock: Frühlingssonatine F-Dur - W.A. Mozart: Wiener Sonatine C-Dur - Hofmann: Ländler, op. 7/3 - Schmid: Scherzo, op. 53/5 - Bolck: Sonatine G-Dur, op. 59/2 - M. Reger: Fast zu keck!, op. 17/12 - L.v. Beethoven: Sonatine G-Dur, op. 49/2 - Schytte: Sonatine D-Dur, op. 76/3 - J. Pachelbel: Fuga C-Dur - G.F. Händel: Air B-Dur - G.F. Händel: Impertinence g-Moll - G.F. Händel: Menuett G-Dur - V.D. Kirchner: Sonatine C-Dur, op. 70/1
Keep the old, but be generous with new. Fundamentally the editor of the New Sonatina Book has followed this principle. Therefore in the book are found sonatas for children which are almost classical, as well as other works which have long been used successfully in teaching the piano but which are not found in previous collections such as, for example, the Vienna Sonatinas of Mozart which acquired fame so quickly in the new Schott edition, the charming Spring Sonatina by Handrock, some melodious compositions of Theodor Kirchner, and as a contemporary work Gretchaninoff's Sonatina which has proved itself as a splendid display pieces for pupils' concerts.The collection is as far as possible arranged in order of difficulty, but as frequently different movements of a work demand different levels of technique, a completely logical sequence was not possible, particularly as the individual talent of the pupil plays an important part. In order to acquaint pupils with polyphonic music some easy pieces by Handel, Telemann, Krebs and Max Reger (Canons) have been included.