Suite D minor op. 16bis Orchesterfassung 聖桑斯 組曲小調 大提琴加鋼琴 朔特版

卡米耶-聖桑在創作《A 小調第一協奏曲》作品 33 時，創造了大提琴文學的'經典'。但這位法國音樂家還為這種樂器創作了其他獨奏作品：第二協奏曲、兩首奏鳴曲、《動物狂歡節》中的《天鵝》以及《鋼琴伴奏組曲》作品 16。這部作品首演於 1866 年 4 月 27 日，可能是在不久前創作的，它是作曲家在研究傳統，特別是巴羅克組曲形式的基礎上，融入浪漫主義調性語言而創作的。多年後（1919 年），作曲家還推出了一個用管弦樂伴奏而非鋼琴伴奏的版本，在這個版本中，他替換了第 3 和第 5 樂章，並修改了第四樂章的結尾。本版本包含管弦樂版本的文本： 這首五樂章組曲以令人聯想起巴赫的前奏曲開始，隨後是悅耳的小夜曲、風格化的加沃特舞曲和感傷的浪漫曲，最後是熱情洋溢的塔蘭泰拉舞曲，以精湛的技藝結束了全曲。這首熱情洋溢、旋律優美的《組曲》是大提琴曲目的寶貴補充，既適用於教學，也適用於音樂會

作曲家: Saint-Saëns, Camille
編者: Kliegel, Maria
樂器: cello and orchestra
出版社: Schott Music

曲目:
Prelude - Sérénade - Gavotte - Romance - Tarentelle

原文簡介:
When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second concerto, two sonatas, the 'Swan' from 'The Carnival of the Animals' as well as a 'Suite with Piano Accompaniment' Op. 16. Premiered on 27 April 1866 and probably written shortly before, the work is based on the composer's study of tradition, especially of the form of the Baroque suite, integrated in a Romantic tonal language. Many years later (1919) the composer also presented a version with orchestral instead of piano accompaniment, and for this version he replaced movements 3 and 5 and changed the ending of the fourth movement. The present edition contains the text of the orchestral version: The five-movement suite begins with a prélude reminiscent of Bach which is followed by a pleasant serenade, a stylized gavotte and a sentimental romance before a passionate tarantella puts a virtuoso end to the piece. The enthusiastic, melodic 'Suite' is a valuable addition to the cello repertoire, suitable for both tuition and concert purposes.