Sonata op. 17 貝多芬 奏鳴曲 大提琴加鋼琴 維也納原典版

貝多芬最初為圓號和鋼琴創作了作品 17 奏鳴曲。這首曲子是為著名的圓號演奏家約翰-文澤爾-施蒂希（Johann Wenzel Stich）而作，他自稱喬瓦尼-蓬托（Giovanni Punto）。蓬托極大地拓展了自然號的演奏技巧。因此，貝多芬根據這位元音樂大師的獨特演奏技巧，為他量身打造了獨奏部分。蓬托曾多次演奏這部作品，但由於其難度之大，當時其他圓號演奏家仍無法演奏。這可能也是這部作品在世界首演一年後才出版圓號或大提琴版本的原因。據認為，可以相當肯定的是，這種改編可以追溯到貝多芬本人。卡爾-切爾尼（Carl Czerny）已將這首奏鳴曲列為貝多芬最初的大提琴奏鳴曲之一，並按時間順序列為第 3 號。與維也納出版商 Tranquillo Mollo 的 1801 年版一樣，Wiener Urtext 版也為圓號或大提琴和鋼琴出版了這首奏鳴曲。這首圓號奏鳴曲在創作之初非常難演奏，但奇怪的是，這首大提琴奏鳴曲卻是貝多芬大提琴奏鳴曲中最簡單的一首。正因如此，這首作品越來越受到大提琴演奏家的青睞，被認為是貝多芬作品中最容易演奏的大提琴和鋼琴曲。因此，這部作品現在也作為單獨版本收錄在 Wiener Urtext Edition 系列中"

作曲家: Beethoven, Ludwig van
編者: Wiesenfeldt, Christiane
校訂者: Ubber, Christian
樂器: horn or cello and piano
出版社: Wiener Urtext Edition
原文簡介:
Originally, Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly, Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists, however, it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for horn or violoncello one year after the world premiere already. It is deemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo, the Wiener Urtext Edition publishes the sonata for horn or violoncello and piano. Whereas the horn sonata was very difficult to play at the time of creation, the arrangement for violoncello, curiously enough, is one of the easiest among Beethoven's cello sonatas. For this reason, the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently, the work is now available in the Wiener Urtext Edition series as separate edition as well.