Six Recorder Sonatas For Alto Recorder Performance Score with Figured Basso Part, No Realisation 韓德爾 中音直笛 奏鳴曲

18 世紀初，木笛作為業餘愛好者的獨奏樂器大受歡迎。亨德爾的六首直笛奏鳴曲很可能是在 1725/26 年為宮廷公主們的音樂娛樂和培訓而創作的。其中只有四首在不久後出版，因此也得到了更廣泛的聽眾；另外兩首則是在 20 世紀首次發現的直笛奏鳴曲。這些作品旋律優美，節奏明快，木笛部分相對容易掌握，是為木笛創作的最優美的作品之一。由於低音線條寬廣，數位繁多，連奏樂器的演奏者必須具備相當的演奏技巧。在烏爾裡希-謝德爾 (Ullrich Scheideler) 的烏爾裡希-謝德爾版本的樂譜中，他提供了一個適中的連奏曲；另外提供的演奏樂譜（HN 1574）中有低音提琴部分，為高級音樂家提供了即興發揮的空間"

作曲家: Georg Frideric Handel
樂器: Recorder
出版社: G. Henle Verlag
原文簡介:
At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel's six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition, Ullrich Scheideler provides a moderate continuo realisation; the additionally available performance score (HN 1574) with figured basso part offers the advanced musician latitude for his/her own improvisation.