Shulamith Danses sacrées 大提琴加鋼琴 朔特版

歌 "或 "所羅門之歌 "是《聖經》中最神秘的文本之一。如果說所羅門的性格本身就令人費解，那麼'新娘'的性格就更加令人費解了。聖奧古斯丁和許多其他訓詁學家將這場感官的絢麗焰火視為靈魂與上帝神秘結合的寓言，而其他人則認為這是阿拉伯的婚禮儀式，或者從崇拜和神話的角度來看，是古老神祗伊什塔爾和塔木茲的結合。聖約翰福音》將瑪利亞-抹大拉與基督復活相提並論。保羅-塞蘭（Paul Celan）的詩歌《死亡賦格》（Death Fugue）中有一種最新的詮釋，其中蘇拉米斯體現了猶太受害者的原型。所有這些神秘的方面都融入了 "Danse sacrée "的形式中，其中舞蹈的身體性似乎與存在的內容相矛盾。這是一部令人印象深刻的大提琴和鋼琴作品"

作曲家: Schneider, Enjott
樂器: cello and organ
出版社: Schott Music

曲目:
I I am black, yet comely - II The dance of Mahanaim Turn around, Shulamith - III Love is strong as Death

原文簡介:
The 'Song of Songs' or 'Song of Solomon' addressed to Sulamith and ascribed to Solomon is one of the most mysterious texts of the Bible. If the character of Solomon itself is enigmatic, the character of the 'bride' is even more enigmatic. Saint Augustine and many other exegetes regarded this brilliant fireworks of the senses as an allegory of the mystic union of the soul with God while others recognized Arabian wedding rites or, in terms of cult and mythology, the union of the old deities Ishtar and Tammuz. The Gospel according to St. John draws many parallels to Maria Magdalena and the resurrection of Christ. One of the latest interpretations can be found in Paul Celan's poem 'Death Fugue' in which Sulamith embodies the prototype of the Jewish victim. All these mysterious facets are incorporated in the form of the 'Danse sacrée' in which the physicality of dancing seems to be contradictory to an existential content. An impressive composition for violoncello and piano.