Sechs lyrische Stücke arrangiert für Klarinette und Klavier von Martin Christoph Redel 葛利格 豎笛 1把以上加鋼琴 柏特-柏克版

憑藉《鋼琴協奏曲》和《培爾-金特》，愛德華-格裡格在其有生之年以其特殊的音樂語言在整個歐洲贏得了作曲家的美譽。他在廣大音樂愛好者中享有盛譽，尤其是他的鋼琴獨奏曲《抒情小品》。格裡格對自己作品的改編很有同情心，但他也非常挑剔。當他自己為莫札特的鋼琴奏鳴曲創作第二部分時，他說他的改編曲聽起來非常好；事實上，好到他有理由希望莫札特不會在墳墓中死去： 單簧管是格裡格管弦樂作品中非常重要的樂器色彩，它能夠利用其寬廣而多變的音域，出色地描繪出樂曲的抒情內容

作曲家: Grieg, Edvard
校訂者: Redel, Martin Christoph
樂器: clarinet and piano
出版社: Bote & Bock
原文簡介:
With his Piano Concerto and Peer Gynt, Edvard Grieg had acquired a reputation as composer with a special musical language throughout Europe during his lifetime. His great fame among the wide music-loving population was ensured especially by his character pieces for piano, his Lyric Pieces. Grieg had a sympathetic ear for arrangements of his works but he was very critical. When he himself composed a second part of Mozart's Piano Sonatas, he stated that his arrangement sounded excellent; so good, in fact, that he had reason to hope that Mozart would not turn in his grave…Against this background, Martin Christoph Redel's arrangement of Six Lyric Pieces for clarinet and piano seems to be perfect: The clarinet, a very important instrumental colour in Grieg's orchestral works, is able to brilliantly portray the lyrical content of the pieces, using its wide and varied spectrum of sounds.The pieces, arranged for Wolfgang Meyer in 2007, can be played separately, selectively or even as a 15-minute cycle.