Polonaise A flat Major op. 53 Edited from the sources by Christian Ubber 蕭邦 波蘭舞曲 大調 鋼琴獨奏 維也納原典版

A大調波羅乃茲舞曲作品53被認為是蕭邦波羅乃茲舞曲中的巔峰之作，因中間部分獨特的八度音程而被稱為 "八度波羅乃茲舞曲"。按照當時的慣例，這部作品分別以德文、英文和法文初版的形式出版。此外，還有一份親筆簽名作為德文初版的雕版。蕭邦學生的一些個人副本偶爾會包含作曲家的條目，從而提供更多資訊，例如原始指法。遺憾的是，所有三個初版本都包含不同的、並不總是可靠的文本。Wiener Urtext Edition 的新版本在很大程度上以親筆簽名本和經過精心修訂的德文初版本為基礎，但也考慮了法文初版本的一些變體，給人一種最後手版本的印象。序言和批註中詳細解釋了有關來源和傳承的問題。在釋義注釋中，對包含與演奏實踐有關的特定內容的變體進行了評論"

作曲家: Chopin, Frédérice
編者: Ubber, Christian
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
Regarded as the highlight among Chopin's polonaises, the great Polonaise in A flat major Op. 53 has also become known as 'octave polonaise' because of the distinctive octave passages in the middle section. As was customary at that time, the work was published in a German, English and French first edition each. There also exists an autograph which served as an engraver's copy for the German first edition. Some personal copies of Chopin pupils occasionally contain entries of the composer, thus providing additional information, e.g. original fingerings. Unfortunately, all three first editions contain a different, not always reliable text. The new edition of Wiener Urtext Edition is based substantially on the autograph and the – to a large extent – carefully revised German first edition, yet also takes some variants of the French first edition into account which give the impression of a last-hand version. The problems with regard to the sources and transmission are explained in detail in the preface and the critical notes. Variants containing a specific component with regard to the performance practice are commented on in the notes on interpretation.