Overture (Suite) No. 2 BWV 1067 B minor 巴赫約翰‧瑟巴斯提安 序曲 小調 長笛加管弦樂團 歐伊倫堡版

從 17 世紀早期開始，直到約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）對這種形式產生興趣之前，包括羅森米勒（Rosenmüller）、費舍爾（Fischer）、法希（Fasch）和泰勒曼（Telemann）在內的多位著名德國作曲家都為管弦樂組曲或'Ouverture'的發展做出了貢獻，其名稱揭示了它的法國戲劇淵源。巴赫本人只有四首這樣的組曲流傳下來，這要歸功於 C.F.Penzel 的辛勤工作，他從 1751 年起就是湯瑪斯音樂學院的學生，他複製了在那裡找到的巴赫的 MSS。因此，這些組曲的創作日期和順序都無法確定。至於這首 D 大調組曲，最近的評論認為，它最初可能只為弦樂而作，其最終形式可追溯到 1731 年左右。彭澤爾的組曲副本包括由獨奏小提琴演奏的重要變奏曲（標有Violino Concertato），這些變奏曲收錄在附錄中。該樂譜是根據現存的樂譜資料新編輯的，其中包括成套的樂段（有些是巴赫的親筆簽名），抄寫員的樂譜保存在柏林國家圖書館 - Preußischer Kulturbestitz, Musikabteilung mit Mendelssohn-Archiv中。這一版本取代了之前由威廉-阿爾特曼（Wilhelm Altmann）編輯的歐倫堡微型樂譜"

作曲家: Bach, Johann Sebastian
編者: Newstone, Harry
樂器: flute, strings and basso continuo
出版社: Ernst Eulenburg & Co. GmbH

曲目:
Preface - Vorwort - . - I. (Grave)-(Allegro) - II. Rondeau (Allegro) - III. Sarabande - IV. Bourrée I. alternativement: - Bourrée II - V. Polonaise. Moderato - VI. Menuet (Allegretto) - VII. Badinerie (Allegro)

原文簡介:
From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.