Mozart Violin Cadenzas by Raymond Leppard 小提琴裝飾樂段 小提琴獨奏 朔特版

在指揮莫札特小提琴協奏曲的美妙歲月裡，我們與莫札特小提琴協奏曲有過許多美好的邂逅--大多是與梅紐因、奧伊斯特拉赫、斯特恩以及最近的林祖亮（吉米）等極具天賦的演奏家合作。然而，我也曾在演出中害怕那些快板的衝擊（我很高興地說，只有少數幾次），這些快板聽起來像是帕格尼尼的模仿，或者是屬於錯誤的世紀，大量的雙結束字元持續時間過長，冒險進入莫札特不會認可的調性。在與吉米多次合作演出後，他要求我們提供合適的快板，既能展示小提琴獨奏，又能對剛剛演奏的莫札特音樂進行評論。這些曲子奏效了，索尼公司要求我們錄製所有這些曲子，並歡迎海梅-拉雷多加入，錄製莫札特小提琴和管弦樂隊的所有其他曲目。因此，肖特公司邀請我們出版這些快板，這就是結果"

編者: Leppard, Raymond
校訂者: Lin, Cho-Liang
樂器: violin
出版社: Schott Music
原文簡介:
Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos – mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I’m pleased to say) when I’ve come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart’s music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart’s violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result.