Mireille's Tomb, For Galoubet, Piccolo Or Oboe, With Tambourine, Toneles 短笛 雙簧管

法國作曲家和指揮家亨利-托馬西（1901-1971 年）於 1959 年出版了《米雷耶之墓》。與他的其他作品一樣，為加魯貝管、短笛或雙簧管、手鼓、無音色小鼓或鋼琴而作的《米雷耶之墓》深受聽眾歡迎。 托馬西出生於馬賽，但他的父親和母親原籍科西嘉島的拉卡辛卡。儘管父母強迫他學習音樂，但托馬西的夢想是成為一名水手。夏天，他住在科西嘉的祖母家，在那裡他學會了傳統的科西嘉歌曲。然而，1921 年，他開始在巴黎音樂學院學習，並成為了一名出色的作曲家和指揮家。托馬西並沒有忘記他的科西嘉之路，他經常將夏天與祖母一起學習的歌曲主題融入自己的創作中。米雷耶之墓》是一部極不尋常的現代作品，不僅在配器方面，而且在使用不同的時號、複雜的節奏和一系列演奏方向方面都是如此。該作品在調性、節奏和結構等方面都有所創新。然而，這首適合高級器樂演奏家演奏的托馬西作品為合奏曲目提供了令人興奮的另一種選擇"

作曲家: Henri Tomasi
出版社: Alphonse Leduc

曲目:
Mireille's Tomb

原文簡介:
“French composer and conductor, Henri Tomasi (1901-1971) published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.”