Kol Nidrei op. 47 Adagio after Hebrew Melodies 布魯赫 晚禱 慢板 大提琴加鋼琴 朔特版
馬克斯-布魯赫(Max Bruch)的(首部)小提琴協奏曲大受歡迎,不僅讓他幾乎絕望--他在給出版商的信中寫道:'我再也聽不下去這首協奏曲了',而且還妨礙了作曲家的其他作品。正如《Kol Nidrei》中所顯示的那樣,"基於希伯來旋律 "的副歌作品47是最具表現力的浪漫主義獨奏作品之一。這首作品創作於 1881 年,充分體現了作曲家對民間歌曲的熱情,並以熱情洋溢的音調語言煥發出勃勃生機"
作曲家: Bruch, Max
編者: Kliegel, Maria
樂器: cello and orchestra
出版社: Schott Music
原文簡介:
The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the composer's remaining oeuvre. Wrongly, as is apparent in Kol Nidrei, the adagio 'based on Hebrew melodies', Op. 47, one of the most expressive Romantic solo works. Composed in 1881, it testifies to the composer's enthusiasm for folksongs and thrives on a passionate and warm tonal language.