In 27 Pieces The Hilary Hahn Encores 小品 小提琴加鋼琴 博浩版

籌備多年的《希拉蕊-哈恩音樂會》收錄了 27 位作曲家為 2013 年同名 CD 創作的 27 首作品。該出版物由希拉蕊-哈恩精心編輯。哈恩女士寫道："我對這一體裁的未來以及作曲家可能希望如何重新定義這一形式很感興趣。當我想像著一套新穎的最喜愛的微型樂曲，以當今作曲家的作品為藍本時，一個委託創作的想法就在我腦海中萌生了。26 位不同年齡和國籍的作曲家同意按照規定的準則為該專案創作作品。我給了他們兩個參數：每首曲子應在五分鐘以內，並且為原聲小提琴和鋼琴而作。 第二十七首作品來自一次比賽，有四百多件作品參賽，哈恩女士通過盲審程式對這些作品進行了審查，最終選出了一首作品。"每一首安可曲都是新鮮的，擺脫了傳統的詮釋方式，每首曲子都使用了不同的語言。我最初的創作過程充滿了嘗試和錯誤。我對技巧和樂句進行分解，直到從最基本的層面上理解它們。很多時候，我被逼到了極限。然而，隨著音樂逐漸形成自己的風格，這些作品蛻變成了輝煌、有力、閃爍、美麗的藝術品。其中包括作曲家的傳記和每位作曲家對其安可曲的評論"

編者: Hahn, Hilary
樂器: violin and piano
出版社: Boosey & Hawkes

曲目:
Franghiz Ali-Zadeh: Impulse - Somei Satoh: Bifü (Breeze) - Du Yun: When a Tiger Meets a Rosa Rugosa - David Lang: light moving - Bun-Ching Lam: Solitude d'automne - Paul Moravec: Blue Fiddle - Antón García Abril: Tercer Suspiro (Third Sigh) - Avner Dorman: Memory Games - David Del Tredici: Farewell - Mason Bates: Ford's Farm - Einojuhani Rautavaara: Whispering - Gillian Whitehead: Törua - Richard Barrett: shade - Jennifer Higdon: Echo Dash - Christos Hatzis: Coming To - Jeff Myers: The Angry Birds of Kauai - Mark-Anthony Turnage: Hilary's Hoedown - Valentin Silvestrov: Two Pieces - Kala Ramnath: Aalap and Tarana - Lera Auerbach: Speak, Memory - Tina Davidson: Blue Curve of the Earth - Elliott Sharp: Storm of the Eye - Michiru Oshima: Memories - James Newton Howard: 133...At Least - Nico Muhly: Two Voices - Søren Nils Eichberg: Levitation - Max Richter: Mercy

原文簡介:
Years in preparation, The Hilary Hahn Encores presents the 27 works from 27 composers written for the 2013 CD of the same title. The publication has been closely edited by Hilary Hahn.Ms. Hahn writes, “I was intrigued by the future of the genre and how composers might wish to redefine the form. When I pictured a novel set of favorite miniatures catching on – pieces crafted by today's minds – the idea of a commissioned-encores project planted itself in my head.”Twenty-six composers of various ages and nationalities agreed to create pieces for the project, following the guidelines set forth. “I gave them two parameters: each piece should be under five minutes and for acoustic violin and piano.” The twenty-seventh work came from a competition, with more than four hundred entries which were reviewed by Ms. Hahn through a blind process before one piece was chosen.“Every one of these encores was fresh, free of interpretive tradition, and each spoke a different language. My initial process was full of trial and error. I broke down techniques and phrases until I understood them on the most fundamental levels. Often, I was pushed well past my limits. As the music came into its own, however, the pieces metamorphosed into brilliant, powerful, scintillating, beautiful works of art. They compelled me to discover new layers of expression.”Included are composer biographies and commentary from each composer about her or his encore.