Fantasy D minor KV 397 Urtext 莫札特 幻想曲小調 歌詞 鋼琴獨奏 維也納原典版

這一新版本表明，莫札特的這首膾炙人口的作品是他在維也納時期的成熟之作，這與之前的假設相反，而且傳統的結尾與原始版本並不一致。眾所周知的結尾小節當然也包括在這一版本中，但事實上這並不是莫札特本人所寫，而很可能是奧古斯特-埃伯哈德-繆勒所寫，他因此將這首曲子塑造成了獨立的作品。然而，莫札特的手稿版本（如第一版所記載）提前十小節在一個屬七和絃上結束，為進一步發展留出了餘地，因此可以想像《幻想曲》最初是作為 D 大調奏鳴曲（事實上是另一首晚期奏鳴曲 K 576）的引子而寫的。有了這些資訊，該版本為演奏這首廣為人知的作品增添了全新的維度"

作曲家: Mozart, Wolfgang Amadeus
編者: Leisinger, Ulrich
校訂者: Kann, Hans
樂器: piano
出版社: Wiener Urtext Edition

曲目:
Sonate B-Dur KV 281 - Sonate G-Dur KV 283 - Sonate F-Dur KV 280 - Sonate D-Dur KV 311 - Sonate D-Dur KV 284 - Sonate C-Dur KV 279 - Sonate a-Moll KV 310 - Sonate Es-Dur KV 282 - Sonate C-Dur KV 309

原文簡介:
This new edition indicates that Mozart’s popular composition is a mature work dating from his time in Vienna, contrary to previous assumptions, and that the traditional ending does not correspond to the original version. The well-known closing bars, which have of course been included in this edition, were not in fact written by Mozart himself, but probably by August Eberhard Müller, who thereby shaped the piece to stand on its own. Mozart’s manuscript version however, as documented in the first edition, ends ten bars earlier on a dominant seventh chord, leaving the way open for further development and making it conceivable that the Fantasie was originally written as an introduction to a sonata in D major (to another of the late sonatas, K 576, in fact). With this information, the edition adds a totally new dimension to the performance of this widely known piece.