Easy Concert Pieces Band 1 16 Pieces from 5 Centuries 音樂會小品 小品 長笛加鋼琴 朔特版
簡易音樂會曲目 "系列精選了從文藝復興、巴羅克和古典時期到現代的長笛和鋼琴簡易音樂會曲目。為便於在音樂學校、比賽或考試中選擇演奏和試奏曲目，這些曲目已按音樂和技術難度排序：第 1 卷（ED 22925）收錄了非常簡單至簡單的曲目，音域達兩個八度。這些旋律一般如歌，直觀明瞭，需要簡單的呼吸技巧。第 2 卷（ED 22926）收錄了旋律明顯活潑的簡單至中級樂曲。隨著音域和動態範圍的擴大，音準變得越來越重要。節奏包括附點音符、切分音和簡單裝飾音的引入，這也要求相應的精確度。第 3 冊（ED 22927）要求長笛的全部音域。除了對手指技巧的要求越來越高外，現在的主要重點是富有想像力的樂句，例如，使用更廣泛的動態、音色、發音和敏捷的樂句，始終與鋼琴積極對話
編者: Albrecht, Stefan / Koppelkamm-Martini, Gerda
樂器: flute and piano
出版社: Schott Music
曲目:
P. Attaignant: Gaillarde - G. Mainerio: Tedesca - M. Praetorius: Dance - Anonymus: Shepherd's Hey - A. Krieger: Minuet - J. Fischer: Bourrée - J.P. Eisel: Paisanne - J. Clarke: Prince of Denmark's March - J. Krieger: Bourrée - A. Vivaldi: Allegro from: Spring - A. Vivaldi: Largo from: Winter - Anonymus: Greensleeves to a Ground - J.A. Hasse: Bourrée - J. Haydn: Andante - J. Hook: Allegretto - M. Schönmehl: Walking by the Sea
The Easy Concert Pieces series presents a varied selection of easy concert pieces for flute and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty:Volume 1 (ED 22925) contains very easy to easy pieces with a range of notes up to two octaves. These generally song-like and intuitively straightforward melodies require simple breathing techniques. Phrasing is supported throughout by clear and straightforward piano accompaniments.Volume 2 (ED 22926) contains easy to intermediate pieces with distinctly livelier melodies. With an extended range of notes and dynamic shading, intonation becomes increasingly important. Rhythms include dotted notes, syncopations and the introduction of simple ornaments, which also call for corresponding precision.Volume 3 (ED 22927) requires the full range of notes on the flute. Besides increasing demands on finger technique, now the main focus is on imaginative phrasing, using, for example, a wider range of dynamics, tone colours, articulation and agogic phrasing, always set in active dialogue with the piano.All the pieces are included on the accompanying CD, as full version and play-along version (piano accompaniment).