Cantatas Study Score 貝多芬 清唱劇 亨乐版

今天，貝多芬的大合唱無疑是他鮮為人知的作品之一，但在當時，作為社會和政治場合的典型附帶作品，貝多芬的大合唱對作曲家來說並非無足輕重。儘管兩首凱撒大合唱 WoO 87 和 88 於 1790 年創作時貝多芬還在波恩，但在作曲家有生之年卻一直未被演奏過--直到一個世紀後，貝多芬的學者們才重新發現這兩首大合唱，並對其深厚的感情讚歎不已。相比之下，為 1814 年戰爭結束後的國家典禮而創作的大合唱《光榮時刻》在維也納首演時受到了公眾的熱烈歡迎，其中的讚美詩《我是歐洲，不再是一座城市》在今天也再次成為政治話題。這個實用的研究版提供了貝多芬全集的音樂文本，並輔以貝多芬學者恩斯特-赫特裡希（Ernst Herttrich）的精彩序言--也許這也是一個發現未知貝多芬的機會！

作曲家: Ludwig van Beethoven
校訂者: Ernst Herttrich
樂器: Chorus; Orchestra
出版社: Henle Urtext Edition
原文簡介:
Today, Beethoven's cantatas assuredly number among his lesser known compositions, but in their day were not insignificant for the composer as typical incidental works for social and political occasions. Though written in 1790 while Beethoven was still in Bonn, the two Kaiser cantatas, WoO 87 and 88, nevertheless remained unperformed during the composer's lifetime - not until a century later did Beethoven scholars rediscover them and marvel at their depth of feeling. In contrast, the cantata “The Glorious Moment,” written for a state ceremony upon the conclusion of the war in 1814, enjoyed a premiere in Vienna that was enthusiastically received by the public - and with its hymn “I Am Europe, No More a City” by all means achieves political topicality again today. This practical study edition offers the musical text of the Beethoven Complete Edition, supplemented by an excellent preface from Beethoven scholar Ernst Herttrich - perhaps an opportunity to discover unknown Beethoven as well!