Bravo! Clarinet More than 25 pieces for clarinet and piano 小品 鋼琴 豎笛 1把以上加鋼琴 博浩版
厭倦了千篇一律的編曲？想讓您的學生演奏一些簡單而有意義的曲目嗎？卡羅爾-巴拉特（Carol Barratt）創作了一些簡單的樂曲，這些樂曲具有創造性、成語性，演奏起來既簡單又有成就感，能讓學生從一開始就真正傾聽並進行音樂表演。 Bravo！雙簧管》中的曲目將帶領學生循序漸進地學習低年級的雙簧管。這些曲目主要由原創素材組成，也有一些改編曲--有的廣為人知，有的較為特別。這些曲目旨在鼓勵學生在有機會時進行表演，而不僅僅是演奏。樂器學習的早期階段往往是一個孤獨的過程。在可能的情況下，這些樂曲應與鍵盤伴奏一起演奏。聆聽鍵盤伴奏將有助於認識和欣賞不同的音樂風格，培養和聲感，而不僅僅是旋律。此外，與伴奏一起演奏還能培養學生在聆聽伴奏時保持自己聲部的能力。當然，這也很有趣！每個曲集都由一位著名演奏家針對樂器進行了嚴格編輯。該版本是英國皇家音樂學院教學大綱（1、2 級）的一部分"
作曲家: Barratt, Carol
編者: Campbell, David
樂器: Clarinet and Piano
出版社: Boosey & Hawkes
曲目:
Ballyhoo! (Barratt) - Barrel Blues (Barratt) - Beanfeast (Barratt) - English Jig (Barratt) - Ferryside (Barratt) - Fivepins (Barratt) - German Dance (Schubert) - Hampton Swing (Barratt) - Harvest Time (Barratt) - High Tide (Barratt) - Hopak (Barratt) - In our Village (Hungarian trad) - Jalapeno (Barratt) - La, ci darem la mano (Mozart) - Live Wire (Barratt) - Modal Lament (Barratt) - Moderato (Schmidt) - On the Wing (French Canadian trad) - Out-of-step March (Barratt) - Polka (Kabalevsky) - Rise and Shine! (Czerny) - Round Square Dance (Barratt) - Russian Dance (Kabalevsky) - Secret Garden (Barratt) - Serenade (Barratt) - Shortcake - walk (Barratt) - Sowing Marjoram (Hungarian trad) - Suis mon conducteur (Beyer) - The Night Visiting Song (Scottish trad) - Wimbledon Waltz (Barratt)
Tired of the same old arrangements? Want to give your pupils something simple yet rewarding to play? Carol Barratt creates easy pieces that are creative, idiomatic, simple yet rewarding to play and that will really get pupils listening and performing musically, right from the beginning. The pieces in Bravo! Clarinet take the student progressively through the early grades. They consist mainly of original material, with a few arrangements too - some well-known, some more unusual. These pieces are intended to encourage the student to perform - rather than merely play - whenever the opportunities arise. All too often, the early stages of learning an instrument can be a solitary process. Wherever possible, these pieces should be played with their keyboard accompaniments. Hearing the keyboard parts will lead to an awareness and appreciation of different musical styles and a sense of harmony, not just melody. In addition, playing with an accompaniment develops the pupil's ability to maintain his or her own part while listening to another. And of course, it's fun! Each collection is scrupulously edited for the instrument by a leading performer. The edition is part of the ABRSM syllabus (grade 1,2).