Après un rêve op. 7/1 佛瑞 夢後 大提琴加鋼琴 朔特版

穎的形式、精選的調式、奇特的音色、完全出乎意料的節奏"，卡米耶-聖桑如此稱讚一位年輕同事的處女作，並接著說："最重要的是整部作品的魅力，它讓廣大普通聽眾將最令人驚訝的聽覺感受視為完全自然的東西。加布裡埃爾-福雷（Gabriel Fauré，1845-1924 年）的《第一小提琴奏鳴曲》的確是一部非凡的作品，同時也為 19 世紀末 20 世紀初法國最重要的作曲家之一的創作開闢了道路： 他尤其以歌曲和鋼琴曲贏得了聽眾的心。19 世紀 70 年代，福雷創作了三首歌曲，這三首曲子原本並不是一個整體，但後來被編入了第 7 號作品。第一首歌是《Après un rêve》，這是一首浪漫、令人陶醉的歌曲，與孟德爾松的《無言歌》一樣，非常適合用伴奏獨奏樂器譜曲

作曲家: Fauré, Gabriel
校訂者: Birtel, Wolfgang
樂器: cello and piano
出版社: Schott Music
原文簡介:
Novelty of form, selected modulations, strange tone colours, the use of completely unexpected rhythms', this is how Camille Saint-Saëns praised the debut work of a young colleague and continued: 'Above everything is a charm that surrounds the whole work and makes the mass of average listeners accept the most surprising audacities as something entirely natural.' The First Violin Sonata by Gabriel Fauré (1845 1924) was, indeed, an extraordinary composition which, at the same time, opened the way for the oeuvre of one of the most important French composers in the late 19th century and early 20th century: It was particularly with songs and piano music that he could win the heart of the audience. In the 1870s Fauré wrote three songs which were originally not meant to be a unity, but were later assembled under opus number 7. The first song is 'Après un rêve', a romantic, rapturous song which, like a 'Song Without Words' by Mendelssohn, is perfect for making music with an accompanied solo instrument.