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Andante spianato and Grande Polonaise brillante op. 22 Edited from the sources, Fingerings and Notes on Interpretation by Christian Ubber 蕭邦 行板 大波蘭舞曲 音符詮釋 鋼琴獨奏 維也納原典版

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蕭邦《波羅乃茲輝煌舞曲作品 22》的起源可以追溯到他在華沙的青年時代,以及他作為演奏家第一次旅行的歲月。這首作品被設計為與樂隊合作的音樂會曲目,在蕭邦的波羅乃茲舞曲中佔有特殊地位。不過,按照傳統,這部作品一直作為極富感染力的獨奏曲來演奏。由於沒有親筆簽名存世,因此採用了不同的初版印刷本作為資料來源。比較表明,英文初版本一定是以蕭邦的親筆手稿為基礎的。因此,本新版對這一英文版的評價比以往更高。因此,一般被視為最重要資料來源的法文定本中存在的大量差異和遺漏得以澄清和補充。釋義注釋不僅解釋了相對罕見的 "spianato "一詞,還介紹了蕭邦演奏顫音和附點音符的方式以及蕭邦的rubato速度。為此,我們對作曲家身邊的資料進行了評估,如他的學生卡羅爾-米庫利的留言"


作曲家: Chopin, Frédérice
校訂者: Ubber, Christian
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
The genesis of Chopin's Polonaise brillante Op. 22 leads back to his youth in Warsaw and the years of his first trips as a virtuoso. Designed as a concert piece with orchestra, it takes up a special position among the polonaise compositions of Chopin. However, by tradition, the work has always been performed as an extremely effective solo piece. Since no autograph has survived, the various first prints are used as sources. Comparisons show that the English first edition must have been based on the autograph manuscript of Chopin. The present new edition therefore rates this English edition more highly than usual. Thus, numerous discrepancies and omissions in the French definitive edition which generally is regarded as the most important source can be clarified and complemented. The notes on interpretation not only explain the relatively rare term 'spianato' but also provide information on Chopin's way of playing trills and appoggiaturas as well as on Chopin's tempo rubato. For that, sources from the vicinity of the composer, such as messages from his pupil Karol Mikuli, are evaluated.

頁數: 48
重量(g): 200
ISMN: 9790500572978
ISBN: 9783850556729
UPC: 800522002328

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