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Acequia Madre 林德貝里.馬格努斯 豎笛 1把以上加鋼琴 博浩版

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曲家說:"《Acequia Madre》展示了我在創作時(2012 年)在音樂表現風格上的一種新方法:以旋律為重點構建作品。我通過我的一個儀式從其他創作藝術家那裡汲取靈感: 我把自己包圍在作曲家的樂譜中,這些作曲家出於某種原因在我腦海中留下了深刻印象,如伊尼斯-謝納基斯(Iannis Xenakis)、阿爾班-貝格斯(Alban Bergs)的《單簧管與鋼琴四重奏》(Four Pieces for clarinet and piano)、貝拉-巴托克(Béla Bartók)的《小提琴、單簧管與鋼琴對比》(Contrasts for violin, clarinet and piano),以及舒伯特(Schuberts)的《第15號絃樂四重奏》(String Quartet no 15)。征服技術難題是我在演奏原聲樂器時特別有成就感的一件事:我深知當今的電子設備可以戰勝作曲家最苛刻的技術挑戰,但我喜歡演奏者以高超的技藝與他們的樂器相遇,演奏出似乎超越物理界限的作品。 注:該作品的兩個版本(單簧管與鋼琴、中提琴與鋼琴)在程度上有所不同。因此,各鋼琴聲部不可互換"


作曲家: Lindberg, Magnus
樂器: clarinet in Bb and piano
出版社: Boosey & Hawkes
原文簡介:
The composer states:“Acequia Madre demonstrates an approach which was somewhat new to the style of my musical expression at the time of its composition [2012]: structuring a work with the focus on its melodic aspects. I drew inspiration from other creative artists through one of my ‘rituals’: I surrounded myself with the scores of composers who, for one reason or another, were on my mind at the time, like Iannis Xenakis, Alban Berg’s Four Pieces for clarinet and piano, and Contrasts for violin, clarinet and piano by Béla Bartók, plus Schubert’s haunting, final String Quartet no 15. Conquering technical difficulties is something I find particularly rewarding when playing acoustic instruments: fully aware that today’s electronics can triumph over a composer’s most demanding technical challenges, I love the idea of performers encountering their instruments with virtuosity … doing something that seems to defy physical boundaries.” Note: The two versions of the work (clarinet & piano, viola & piano) differ in extent. The respective piano parts are therefore not interchangeable.

頁數: 28
重量(g): 110
ISMN: 9790060128394
ISBN: 9781784542672

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