42 Études ou caprices 克羅采．羅道夫 隨想曲 小提琴練習曲 朔特版
幾乎沒有一個小提琴家沒有接觸過部分甚至全部 42 首'克魯采練習曲'： 練習曲或隨想曲是標準曲目的一部分。羅多爾夫-克羅伊澤（Rodolphe Kreutzer，1766-1831 年）因貝多芬的同名小提琴奏鳴曲而被世人所遺忘。他閃電般的小提琴生涯使他進入了拿破崙的私人管弦樂隊，並以演奏家的身份橫跨歐洲，但一場事故結束了他的獨奏生涯。作為一名小提琴教師，他先是在貴族私人圈子中任教，後來又在後來的音樂學院任教，並為全面的教學方法和教學法奠定了基礎。為了開展教學活動，克羅伊策於 1796 年創作了 40 首練習曲或隨想曲（後來又增加了兩首）。本教材版本以第一版為基礎，包含原始的、偶爾會有驚人差異的音樂文本和原始指法，並添加了 "現代 "設置。儘管亨利克-維尼亞夫斯基曾承認：'它們比大多數小提琴家想像的要難得多'，但這些練習曲是所有小提琴學習中不可或缺的一部分"
作曲家: Kreutzer, Rodolphe
編者: Birtel, Wolfgang / Egelhof, Maria
校訂者: Egelhof, Maria / Oomens, Radboud
出版社: Schott Music
There is hardly a violinist who has not dealt with some or even all 42 'Kreutzer etudes' sometime or other: Études ou caprices form part of the standard repertoire. Rodolphe Kreutzer (1766-1831) has not least remained unforgotten because of Beethoven's violin sonata of the same name - a work which had never been played by the violin virtuoso himself and not even been appreciated by him. His lightning career as a violinist led him into Napoleon's private orchestra and as a virtuoso across Europe before an accident put an end to his solo career. As a violin teacher, he taught in private aristocratic circles, then at the later Conservatoire and laid the foundations for a comprehensive methodology and didactics. For his teaching activities, Kreutzer wrote his 40 Études ou caprices (two were later added by another) in 1796. The present urtext edition is based on the first edition and contains the original, occasionally surprisingly different musical text with the original fingering, with a 'modern' setting being added. Even if Henryk Wieniawski once admitted: 'They are much more difficult than most violinists think', these studies form an indispensable part of all violin studies.