Charlie Christian Selected Solos from the Father of Modern Jazz Guitar 獨奏 爵士音樂吉他
對許多人來說，爵士吉他的故事始于查理-克利斯蒂安。1939 年，23 歲的查理加入了本尼-古德曼六重奏樂隊（Bennie Goodman Sextet），該樂隊當時已是世界上最著名的爵士樂隊之一。在接下來短暫的兩年時間裡，查理重新定義了爵士吉他的角色，將其從節奏部分的角色擴展為與偉大號手齊名的主奏樂器。與此同時，他在哈萊姆著名的明頓爵士俱樂部與塞洛尼厄斯-蒙克（Thelonious Monk）、迪茲-吉萊斯皮（Dizzy Gillespie）、查理-派克（Charlie Parker）和肯尼-克拉克（Kenny Clarke）一起進行的深夜即興演奏，開創了被稱為貝波普（Bebop）的革命性新爵士樂。為了更好地理解查理-克利斯蒂安的即興演奏方法，本書為每首歌都提供了多個他的獨奏範例。通過比較和對比這些不同的獨奏--取自不同的備用曲目、不同的錄音過程和現場廣播--您不僅能更好地瞭解查理的核心概念，還能瞭解他是如何在這些概念的基礎上發展出各種想法的。每首歌都附有演奏注釋，其中包括錄音資訊（日期、地點、人員等）、作曲的領奏單，以及按時間順序排列的現場和錄音室演奏的轉錄--既有標準記譜法，也有製錶法。此外，我們還對他的即興演奏風格進行了全面分析，讓您瞭解需要注意的事項。我們還收錄了他的簡歷、對他的裝備的討論以及 30 多位爵士樂大師對他的讚譽。收錄多首獨奏曲：As Long as I Live * Benny's Bugle * Boy Meets Goy (Grand Slam) * Flying Home * Gone with What Wind * Good Enough to Keep (Air Mail Special) * Honeysuckle Rose * I've Found a New Baby * Rose Room * The Sheik of Araby"
作曲家: Charlie ChristianCompiled and Transcribed by Chip Henderson
樂器: Guitar
出版社: Alfred Music
風格: Jazz
原文簡介:
For many, the story of jazz guitar begins with Charlie Christian. In 1939, at 23 years old, Charlie joined the Bennie Goodman Sextet, already one of the most famous jazz bands in the world. Over the next two years of his all-too-brief life Charlie redefined the role of jazz guitar, expanding it from its role in the rhythm section to that of lead instrument on par with the great horn players. Simultaneously, his late-night jam sessions alongside Thelonious Monk, Dizzy Gillespie, Charlie Parker, and Kenny Clarke at Harlem's renowned Minton's jazz club led to a revolutionary new jazz called Bebop. To best understand Charlie Christian's approach to improvising, for each song this book provides multiple examples of his soloing. Comparing and contrasting these different solos---taken from alternate takes, various recording sessions, and live radio broadcasts---will give you a better sense of not only Charlie's core concepts, but also how he developed a variety of ideas out of them. Each song is presented with performance notes that include information about the recordings (date, place, personnel, etc.), a lead sheet for the composition, and transcriptions of the live and studio performances placed in chronological order---in both standard notation and tablature. In addition, there is a full analysis of his improvisation style to give you ideas on what to look out for. We've also included a bio, a discussion of his gear, and tributes from over 30 jazz greats. Featuring multiple solos from: As Long as I Live * Benny's Bugle * Boy Meets Goy (Grand Slam) * Flying Home * Gone with "What" Wind * Good Enough to Keep (Air Mail Special) * Honeysuckle Rose * I've Found a New Baby * Rose Room * The Sheik of Araby.