Stabat Mater op. 58 (10 movement version) 德弗札克 聖母悼歌 樂章 騎熊士版

這首為獨唱、合唱和管弦樂隊而作的神聖大合唱是為了表達德沃夏克在女兒約瑟法去世（1875 年 9 月）後所感受到的痛苦而創作的。1877 年夏天，德沃夏克的另外兩個孩子相繼夭折，命運再次給了他沉重的打擊。德沃夏克對雅克波內-達-托迪（Jacopone da Todi）創作的中世紀《受難曲》的音樂改編是復活節慶祝活動不可或缺的一部分，也經常在音樂會舞臺上演奏。這首大合唱由十個獨立的部分組成，其中只有週邊的兩個部分在主題上有關聯，是一首樸實、真摯、在相當程度上現實，但也是寬宏大量的反映了從折磨和痛苦的深淵到充滿同情的祈禱的喜悅慰藉的情感歷程。再加上其純粹的音樂特質，使其成為世界曲目中最引人注目、最成功的靈性作品之一。該曲目是第一部《安東寧-德沃夏克作品評論全集》的一部分。鋼琴縮寫本由卡雷爾-索爾克（Karel Solc）編輯，以批判版樂譜為基礎"

作曲家: Dvorák, Antonín
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
The sacred cantata for solos, choir and orchestra was written as an expression of the pain Dvorak felt after the death of his daughter Josefa (September 1875). He returned to the final stylisation of the work after fate dealt him another heavy blow when, in the summer of 1877, two of his other children died in quick succession. Dvorak's musical setting of the medieval Passion text by Jacopone da Todi is an integral part of the Easter festivities and it is also performed regularly on the concert platform. Arranged in ten independent parts, of which only the two outer parts are thematically related, this cantata is an unadorned, sincere, to a considerable extent realistic, but also magnanimous reflection of the emotional journey from the depths of torment and suffering to the joyful solace of compassionate prayer. This, together with its purely musical qualities, renders it one of the most compelling and most successful spiritual works in the world repertoire. This title is part of the first Complete Critical Edition of Works by Antonin Dvorak. The piano reduction was edited by Karel Solc and is based on the critical edition of the score.