Works arranged for Organ 管風琴 騎熊士版

萊昂-波爾曼（Léon Boëllmann，1862-1897 年）是尼德邁爾音樂學院的學生，曾擔任巴黎聖-文森特-德-保羅教堂的首席管風琴師。他的創作繼承了聖桑、弗蘭克和吉古特的傳統，體現了 "美好時代 "優雅精緻的風格

作曲家: Boëllmann, Léon
校訂者: Schauerte-Maubouet, Helga
樂器: organ 管風琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Léon Boëllmann (1862–1897) was a student of Ecole Niedermeyer and held the position of Titular Organist at the Church of Saint-Vincent-de-Paul, Paris. Continuing in the tradition of Saint-Saëns, Franck and Gigout, his compositional output reflects the elegant and sophisticated domain of the “Belle Epoque”.

This new volume contains those of Boëllmann’s works that were transcribed for organ and harmonium by his contemporaries, as well as works by composers of the time which were arranged by Boëllmann. The edition includes a detailed foreword (Fr/Eng/Ger) with advice on performance practice and facsimile pages of the manuscript, as well as a critical commentary (Fr/Eng/Ger).

- First Urtext edition of the complete works of Léon Boëllmann in 7 volumes

- Reflects current scholarship; draws on newly discovered sources

- Detailed foreword and critical commentary (Fr/Eng/Ger)

- Catalogue of available sources as well as facsimile pages of the manuscript included

Contents

I. Works by Léon Boëllmann, arranged by composers of his time for organ and harmonium: “Fantaisie dialoguée” op. 35 (transcription by Gigout); “Ronde française” op. 37 (transcription by Choisnel); “Prière à Notre-Dame” op. 25 (transcription for harmonium by Gigout)

II. Works by composers of the time, arranged by Léon Boëllmann for organ:

Camille Saint-Saëns, “Marche du Synode”; Vincent d’Indy, “Sarabande”