{"title":"雙簧管大專AB組","description":"","products":[{"product_id":"six-metamorphoses-after-ovid-op-49-bh2200008","title":"Six Metamorphoses after Ovid op. 49     ","description":"\u003cb\u003eComposer: \u003c\/b\u003eBritten, Benjamin\u003cbr\u003e\u003cb\u003eInstrument: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9B%99%E7%B0%A7%E7%AE%A1%E7%8D%A8%E5%A5%8F\"\u003eOboe\u003c\/a\u003e\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/boosey-hawkes-%E5%8D%9A%E6%B5%A9\"\u003eBoosey \u0026amp; Hawkes\u003c\/a\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eSong List: \u003c\/b\u003e\u003cbr\u003ePan (who played upon the reed pipe which was Syrinx, his beloved) - Phaeton (who rode upon the chariot of the sun for one day and was hurled into the river Padus by a thunderbolt) - Niobe (who, lamenting the death of her fourteen children, was turned into a mountain) - Bacchus (at whose feasts is heard the noise of gaggling women's tattling tongues and shouting out of boys) - Narcissus (who fell in love with his own image and became a flower) - Arethusa (who, flying from the love of Alpheus the river got, was turned into a fountain)\u003cbr\u003e\u003c\/p\u003e\u003cb\u003eDescription: \u003c\/b\u003e\u003cbr\u003eThe edition is part of the Trinity syllabus 2007 (grades 7 \u0026amp; 8)The edition is part of the ABRSM Summer syllabus 2006 (grade 8)\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003ePages: \u003c\/b\u003e10\u003cbr\u003e\u003cb\u003eWeight(g): \u003c\/b\u003e70\u003cbr\u003e\u003cb\u003eISMN: \u003c\/b\u003e9790060015274\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e73999184815\u003cbr\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":40046635516080,"sku":"bh2200008","price":1020.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/BH_2200008-Britten_5B648_5D.jpg?v=1625773024"},{"product_id":"fantaisie-pastorale-pour-hautbois-et-piano-0148180963","title":"Fantaisie Pastorale pour Hautbois et Piano for Oboe and Piano     ","description":"\u003cb\u003eComposer: \u003c\/b\u003eEugène Bozza\u003cbr\u003e\u003cb\u003eInstrument: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%9B%99%E7%B0%A7%E7%AE%A1%E7%8D%A8%E5%A5%8F\"\u003eOboe\u003c\/a\u003e\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/alphonse-leduc\"\u003eAlphonse Leduc\u003c\/a\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eSong List: \u003c\/b\u003e\u003cbr\u003eFantaisie Pastorale\u003c\/p\u003e\u003cbr\u003e\u003cb\u003eDescription: \u003c\/b\u003e\u003cbr\u003eExploiting the oboe to its full potential, \u003ci\u003eFantaisie Pastorale\u003c\/i\u003e is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages, this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the oboe's possibilities. The piece begins with an emotional, characterised cadenza, portraying the pastoral title. However, the tempo gradually increases through the piece, evoking the fantasy aspect, climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's \u003ci\u003eFantaisie Pastorale for Oboe and Piano\u003c\/i\u003e is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the oboe repertoire.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003ePages: \u003c\/b\u003e7\u003cbr\u003e\u003cb\u003eWeight(g): \u003c\/b\u003e65.205\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680878313\u003cbr\u003e","brand":"Alphonse Leduc","offers":[{"title":"Default Title","offer_id":40204123275440,"sku":"48180963-al19878","price":1080.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/48180963.jpg?v=1628360511"},{"product_id":"12-fantasias-for-flute-solo-twv-40-2-13-0151480556","title":"12 Fantasias for Flute Solo TWV 40:2-13     ","description":"\u003cb\u003eComposer: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B3%B0%E5%8B%92%E6%9B%BC\"\u003eGeorg Philipp Telemann\u003c\/a\u003e\u003cbr\u003e\u003cb\u003eEditor: \u003c\/b\u003eMarion Beyer\u003cbr\u003e\u003cb\u003eInstrument: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%95%B7%E7%AC%9B%E7%8D%A8%E5%A5%8F\"\u003eFlute\u003c\/a\u003e\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003cb\u003eDescription: \u003c\/b\u003e\u003cbr\u003eAside from the Partita in A minor by Johann Sebastian Bach (HN 457) and the Sonata in a minor by his son Carl Philipp Emanuel (HN 555), it was also mainly Telemann's 12 Fantasias that enriched the solo flute repertoire in the first half of the 18th century. Telemann's cycle evidently had a great influence on the flautist's world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This edition is based on Telemann's print, which is also reproduced as a facsimile in the edition. The flute expert Rachel Brown has provided commentary with details regarding performance practice.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003ePages: \u003c\/b\u003e52\u003cbr\u003e\u003cb\u003eWeight(g): \u003c\/b\u003e215.46\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680021498\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205012664496,"sku":"51480556-hn556","price":1050.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480556.jpg?v=1654294056"}],"url":"https:\/\/hsiaoya.com\/en\/collections\/%e9%9b%99%e7%b0%a7%e7%ae%a1%e5%a4%a7%e5%b0%88ab%e7%b5%84\/%e6%a8%82%e5%99%a8instruments_flute-%e9%95%b7%e7%ac%9b.oembed","provider":"小雅音樂","version":"1.0","type":"link"}