The Well Tempered Clavier BWV 846-869 Teil I Edited from the autograph and manuscript 巴赫約翰‧瑟巴斯提安 平均律 手稿 鋼琴獨奏 維也納原典版
除了與附點音符和裝飾音有關的各種無關緊要的修改之外，1997 年巴赫《全音域鋼琴協奏曲》的這一修訂本還對 B 小調前奏曲的音樂文本進行了出色的修正，而這一修正至今未被任何現代版本收錄。目前的 Wiener Urtext 版偏離了第 11 小節中似乎有誤的、巴赫本人從未修訂過的親筆簽名，而是採用了在音樂上更符合邏輯的早期版本，該版本得到了 J.Fr. Agricola 在與巴赫學習期間（約 1740 年）所作更正的支持"
作曲家: Bach, Johann Sebastian
編者: Dehnhard, Walther
校訂者: Kraus, Detlef
樂器: Piano
出版社: Wiener Urtext Edition
曲目:
Präludium 1 - Fuga 1 à 4 C major BWV 846 - Präludium 2 - Fuga 2 à 3 C minor BWV 847 -Präludium 3 - Fuga 3 à 3 C sharp major BWV 848 - Präludium 4 - Fuga 4 à 5 C sharp minorl BWV 849 - Präludium 5 - Fuga 5 à 4 D major BWV 850 - Präludium 6 - Fuga 6 à 3 D minorl BWV 851 - Präludium 7 - Fuga 7 à 3 E flat major BWV 852 - Präludium 8 - Fuga 8 à 3 E flat minor BWV 853 - Präludium 9 - Fuga 9 à 3 E major BWV 854 - Präludium 10 - Fuga 10 à 2 E minor BWV 855 - Präludium 11 - Fuga 11 à 3 F major BWV 856 - Präludium 12 - Fuga 12 à 4 F minor BWV 857 - Präludium 13 - Fuga 13 à 3 F sharp major BWV 858 - Präludium 14 - Fuga 14 à 4 F sharp minor BWV 859 - Präludium 15 - Fuga 15 à 3 G major BWV 860 - Präludium 16 - Fuga 16 à 4 G minor BWV 861 - Präludium 17 - Fuga 17 à 4 A flat major BWV 862 - Präludium 18 - Fuga 18 à 4 A flat minor BWV 863 - Präludium 19 - Fuga 19 à 3 A major BWV 864 - Präludium 20 - Fuga 20 à 4 A minor BWV 865 - Präludium 21 - Fuga 21 à 3 B flat major BWV 866 - Präludium 22 - Fuga 22 à 5 B flat minor BWV 867 - Präludium 23 - Fuga 23 à 4 B major BWV 868 - Präludium 24 - Fuga 24 à 4 B minor BWV 869
Apart from various insignificant emendations relating to accidentals and ornamentation, this 1997 revision of Bach's Welltempered Clavier contains a remarkable correction in the musical text of the B minor prelude which so far has not been included in any modern edition. The present Wiener Urtext Edition deviates from the autograph which seems erroneous in bar 11, and was never revised by Bach himself, and instead follows the musically more logical early version which is supported by a correction by J.Fr. Agricola dating from his studies with Bach (ca. 1740).