Les FÛtes de l'Hymen et de l'Amour -Ballet heroique in a prologue and 3 acts- Ballet héroïque in a prologue and 3 acts 拉摩 芭蕾 開場白 芭蕾 開場白 騎熊士版

拉莫的 "海門與愛的節日 "長期以來被認為是二流作品，因為它的首演與政治事件有關。然而，這部芭蕾舞劇充滿了新穎的戲劇效果，預示著他後來的歌劇，如《紮伊斯》、《瑣羅亞斯特爾》和《波雷阿德斯》。拉莫與他的編劇卡胡薩克合作，力求將舞蹈、合唱和舞臺機械更緊密地融入主要情節中。他還嘗試了這部作品獨有的風格手段，其中最著名的無疑是尼羅河氾濫的場景（令人印象深刻的十聲部雙人合唱、獨唱和管弦樂）以及《阿魯埃裡斯》中的六重奏，這在他的作品中是絕無僅有的"

作曲家: Rameau, Jean-Philippe
改編者: Saint-Yves, François
校訂者: Soury, Thomas
樂器: voice with instruments 聲樂與器樂
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Boréades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruéris”, a scoring found nowhere else in his œuvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.

• Milestone of French Baroque opera in performance practice orientated vocal score

• With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition