Carae Rosae, Respirate RV 624 - Motet for Soprano, Strings & Basso Critical Edition Score 韋瓦第 經文歌 弦樂器 聲樂與器樂

這首為女高音、弦樂和低音提琴而作的動機曲是維瓦爾第唯一一首保存在義大利以外的作品。它被收錄在倫敦的兩份手稿中：一套是皇家音樂學院收藏的部分，另一份是大英圖書館收藏的樂譜。樂曲的結構是傳統的兩段詠歎調，中間是一段簡短的朗誦，之後是一段精彩的阿利路亞。資料來源的不完整性（第二部分顯然是從第一部分抄襲而來）是相當不尋常的。現有的樂譜包括聲樂部分、低音樂器部分和第一小提琴部分。不過，很明顯，最初至少有一個中間聲部（可能有兩個，與現存的所有其他維瓦爾第主題曲一致），因為低音聲部經常停頓，在這些情況下，第一小提琴聲部作為 "上 "聲部繼續演奏，而不是作為和聲的低音聲部。在重建過程中，編者添加了第二小提琴和中提琴的內部聲部。這項工作並不困難，因為許多段落在維瓦爾第的音樂中都能找到相似之處。這些獨立部分包括編者實現的連奏部分"

作曲家: Antonio Vivaldi
樂器: Basso Continuo; Soprano; String Ensemble
出版社: Ricordi
原文簡介:
This motet for soprano, strings and basso continuo, is the only one by Vivaldi to be preserved outside Italy. It is included in two manuscript collections in London: a set of parts in the Royal College of Music and a score in the British Library. The structure is the conventional one of two arias enclosing a short recitative and followed by a brilliant Alleluia. The incompleteness of the sources (the second evidently copied from the first) is of a rather unusual kind. The existing score comprises a vocal part, an instrumental bass and a first violin part. However, it is clear that there was originally at least one middle part (probably two, to match all the other surviving Vivaldi motets), since the bass part pauses frequently, and on these occasions the first violin part continues as an “upper” voice, not as a bass of the harmony. In the reconstruction, inner parts for second violin and viola have been added by the editor. The task was not difficult, since many passages find close parallels elsewhere in Vivaldi's music. The separate parts include a realization of the continuo by the editor.