Adina Vocal Score based on the Critical Edition by Fabrizio Della Seta 聲樂總譜 聲樂

阿狄娜》於 1818 年受里斯本一位不知名人士的委託而創作，在 1826 年首演之前的數年中一直被擱置，直到 1963 年該歌劇複排之前，在里斯本的演出幾乎是唯一的記錄。本聲樂總譜基於法布裡齊奧-德拉-塞塔（Fabrizio Della Seta）編制的管弦樂總譜評論版，由佩薩羅的羅西尼基金會與 Casa Ricordi 合作出版。該版本首次重建了親筆簽名樂譜的結構，其中反映了至少五人的集體貢獻：羅西尼只創作了四首全新的樂曲，並重新使用了西吉斯蒙多的另外三首樂曲，其餘樂曲則依靠合作者和抄寫者完成。德拉-塞塔對這份基本檔（藏于羅西尼基金會）進行了詳細的研究，並對二手資料進行了翔實的評估，其中包括一份完整的手稿副本（藏于倫敦大英圖書館）、帶有羅西尼親筆干預的各種聲樂部分手稿（藏於布魯塞爾皇家音樂學院）、 以及 1855 年至 1859 年間由 Ricordi 出版的第一版聲樂樂譜，還揭示了為 1826 年那場歷史性演出在里斯本印刷的歌詞如何與親筆簽名樂譜的敘述性安排大相徑庭，並有大量刪減和修改（其中包括刪除了詠歎調 Alì，並增加了一個 Coro）。雖然這首 Coro 既非羅西尼本人所作，也與他最初的歌劇概念設計無關，但其音樂仍保留在第一聲樂譜中，因此作為附錄收錄在本版中"

作曲家: Gioacchino Rossini
校訂者: Fabrizio Della Seta
樂器: Vocal; Piano Accompaniment
出版社: Ricordi
原文簡介:
Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition.