Die Schuldigkeit des Ersten Gebots K. 35 莫札特 騎熊士版

這部作品可能是受西吉斯蒙德-克裡斯托夫-馮-施拉滕巴赫親王主教的委託，由三位薩爾茨堡作曲家創作： 莫札特（W. A. Mozart）（第一部分）、邁克爾-海頓（Michael Haydn）（第二部分）和安東-卡耶坦-阿德爾加瑟（Anton Cajetan Adlgasser）（第三部分）。只有第 1 部分的手稿流傳了下來。在這裡，莫札特大量借鑒了薩爾茨堡教堂音樂和學校戲劇的傳統，也許是以約翰-恩斯特-埃伯林（Johann Ernst Eberlin）甚至他的父親利奧波德（Leopold）為榜樣"

作曲家: Mozart, Wolfgang Amadeus
改編者: Müller, Karl-Heinz
校訂者: Giegling, Franz
樂器: voice with instruments 聲樂與器樂
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.

The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701–1785), town councillor and mayor of Salzburg .

Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.

The piano reduction, by K.-H. Müller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.

- Clear and straightforward appearance on the page

- Based on the Urtext from the New Mozart Edition

- Practical, easy-to-play piano reduction

- Bilingual preface (Ger./Eng.) with notes on the work’s history and performance practice