Tema Variato M.S. 82 Critical Edition Solo Violin 帕格尼尼 小提琴 小提琴

帕格尼尼的小提琴獨奏曲《Tema variato》（M.S. 82）是作曲家青年時期的作品，創作於 18 世紀末至 19 世紀初，在這一時期創作了小提琴與吉他協奏曲《Carmagnola con variazioni》（M.S. 1）、遺作《大協奏曲》（E 小調協奏曲 M.S. 75）和小提琴《Inno patriottico》（M.S. 81）等作品。這首曲子由一個主題和七個變奏組成，展示了明顯的技藝性音樂創作，其中的許多技術性姿態似乎是 Capricci 作品 1 的前奏（快速的琶音通過）。作品 1 的前奏（快速琶音段落、大跳躍、雙停頓等），以及對 "organetto "和 "flagioletto"（使用簡單或雙重和聲）等不尋常效果的探索。無論是從其歷史意義還是音樂品質來看，《變奏曲》都是一部具有重要意義的作品，其變奏曲的編排經過深思熟慮，每一個變奏曲都有其獨特之處。本評論版以熱那亞市政府歷史檔案館保存的手稿（1793 毫秒）為基礎，並與 1999 年蘇維尼-澤博尼版本進行了對比

作曲家: Nicolo Paganini
樂器: Violin
出版社: Ricordi
原文簡介:
Paganini's Tema variato for solo violin (M.S. 82) is a work dating from the composer's juvenile period, written between the end of the eighteenth century and the beginning of the nineteenth, a period in which works such as his Carmagnola con variazioni (M.S. 1) for violin and guitar, the posthumous “Grande concerto” (E minor concerto M.S. 75), and Inno patriottico for violin (M.S. 81) were composed. Organised as a theme followed by seven variations, the piece showcases a decidedly virtuosic musical writing, with numerous technical gestures that seem to prelude the Capricci op. 1 (rapid arpeggiated passages, wide leaps, double stops, etc.) together with a search for unusual effects, such as “organetto” and “flagioletto” (the use of simple or double harmonics). The Tema variato is a significant work both in terms of its historical-instrumental importance and its musical quality, where the carefully thought-out organization of the variations, each with its own distinctive character, is evident. This critical edition is based on the manuscript kept in the Historical Archives of the Municipality of Genoa (ms. 1793) compared with the 1999 Suvini Zerboni edition.