Etudes and Caprices for Violin Solo Op. 35 Violin and Piano 小提琴 鋼琴 練習曲隨想曲 亨乐版

維也納人雅各-唐特被認為是十九世紀最重要的小提琴教育家之一，他撰寫的大量研究論文至今仍是小提琴教學文獻中不可或缺的經典之作。其中最重要的是他的 24 首 "Études et Caprices" 作品 35，這些作品創作於 1840 年至 1850 年之間。其中最重要的是他的 24 首 "Études et Caprices "作品 35，這些作品寫於 1840 年至 1849 年之間，由唐特在 1880 年出版的經過全面修訂的選集中以最終形式發行。這套非常高級的練習曲集（音樂學院水準）迅速獲得了巨大成功，以至於在二十世紀出現了無數新版本，其中大部分都是小提琴家卡爾-弗萊施（Carl Flesch）、馬克斯-羅斯塔爾（Max Rostal）或伊萬-加拉米安（Ivan Galamian）的大量改編版本。現在，G. Henle 出版社的Urtext 版本首次還原了原汁原味的原版，並附有唐特真實的指法和弓法建議，而且圖文並茂，折頁實用，令人印象深刻。世界級小提琴家和著名教學家安特耶-魏特哈斯（Antje Weithaas）擔任了這一版本的顧問，並對唐特的原始標記進行了精心補充"

作曲家: Jakob Dont
校訂者: Dominik Rahmer
樂器: Violin
出版社: Henle Urtext Edition
原文簡介:
The Viennese Jakob Dont is considered one of the most important violin pedagogues of the nineteenth century and wrote numerous studypieces that are indispensable classics of the pedagogical literature for the violin to this day. Among them are, foremost, his 24 “Études et Caprices” op. 35, which were written between 1840 and 1849 but issued in their definitive form by Dont in an overhauled anthology from 1880. This very advanced collection of etudes (conservatory level) was rapidly so successful that innumerable new, mostly heavily reworked editions appeared in the twentieth century from violinists such as Carl Flesch, Max Rostal, or Ivan Galamian. Now for the first time, G. Henle Publishers' Urtext edition restores access to the unadulterated original with Dont's authentic fingering and bowing suggestions, and in impressive graphic quality with practical fold-out pages. World-class violinist and prominent pedagogue Antje Weithaas acted as a consultant for this edition and carefully supplemented Donts original marking.