Capriccio In cor più non mi sento M.S. 44 Violin Solo 帕格尼尼 隨想曲 小提琴

帕格尼尼為小提琴獨奏創作的隨想曲《In cor più non mi sento》（M.S. 44）是一部幾乎無人知曉其原始形式的作品。第一樂章（安魂曲）是根據派塞羅主題的變奏曲（用兩根五線譜記譜，以區分弓法和撥弦效果）；而第二樂章（快板）則是演奏者的變奏曲。與卡爾-古爾（Carl Guhr）為尼科洛-帕格尼尼（Nicolo Paganini）的單人中提琴創作的題為 "Nel cor più non mi sento "主題的引子與變奏曲的版本相比，這首曲子的名氣要小得多。古爾的版本沒有現存的原始資料，但已多次出版。它比最初的隨想曲要長得多，變化也更多，後者通常被認為是長篇作品的 "初稿"。古爾的版本在很多方面都蓋過了帕格尼尼的版本，以至於後者作品的原創性及其作為獨立作品的完整性沒有得到足夠的重視"

作曲家: Nicolo Paganini
校訂者: Italo Vescovo
樂器: Violin
出版社: Ricordi
原文簡介:
Paganini's Capriccio “In cor più non mi sento” M.S. 44 for solo violin is a work that is practically unknown in its original form consisting of two movements, respectively Andante and Presto. The first (Andante) is a variation based on Paisello's theme (notated on two staffs to differentiate the bowed and pizzicato effects); while the second (Presto) is a virtuosic variation. It is much less famous than Carl Guhr's version, entitled Introduction et Variations sur le Thème “Nel cor più non mi sento” pour le violon seul de Nicolo Paganini which he included in his “treatise.” Guhr's version, for which we have no surviving original source, has been published repeatedly. It is much longer and has got many more variations than the original Capriccio, the latter often considered a kind of “first sketch” of the longer work. Guhr's version has, in many ways, overshadowed Paganini's, so that the originality of the latter's composition and its integrity as a self-standing piece have not been sufficiently appreciated.

The present critical edition is based upon an autograph manuscript found in the Berlin Staatsbibliothek. It is compared to both the Zimmermann edition (1960), rather unreliable from a philological point of view; and the “Tema” and “Settima variazione” (which “correspond” to the two movements of the Capriccio) from B. Schott's Söhne (1829) edition.