Sonatas for Piano and Violin - Volume III 莫札特 鋼琴 小提琴 奏鳴曲 小提琴(含鋼琴伴奏) 亨乐版

莫札特創作了如此多的室內樂作品（參見奏鳴曲和變奏曲），除了鋼琴和小提琴二重奏之外，沒有其他室內樂體裁了。他在奏鳴曲上花費了大量時間，探究每一個音色、每一個主題限制和組合。他還探索了將兩種樂器配對演奏的可能性，從而創造出純淨、永恆之美與戲劇性力量、優雅和情感深度相結合的音樂。本研究版再現了 HN 77、78 和 79 這三個藍色 Henle Urtext 演奏版或 HN 80《莫札特小提琴奏鳴曲全集》布面卷的完整和未經改動的樂譜文本"

作曲家: Wolfgang Amadeus Mozart
校訂者: Wolf-Dieter Seiffert
樂器: Piano; Violin
出版社: Henle Urtext Edition

曲目:
Mozart: Later Viennese Sonata B flat major KV 454
Mozart: Appendix: Later Viennese Sonata B flat major KV 570
Mozart: Later Viennese Sonata F major KV 547
Mozart: Later Viennese Sonata A major KV 526
Mozart: Later Viennese Sonata E flat major KV 481

原文簡介:
There is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.

Contrary to the earlier violin sonatas, which were issued in cyclical groups of four or six pieces, Mozart had all the sonatas in this volume printed as single works, perhaps a sign of the significance he assigned to them – especially to the first three. These three grandiose works all bear traits of Mozart's mature mastery. The Sonata K. 547, in turn, was designated by Mozart himself in his personal work catalogue as “little klavier sonata for beginners with a violin.” For the sake of completion and because of its popularity, the arrangement of the B flat major piano sonata K. 570 is reproduced in the Appendix, although it is in all likelihood a spurious work not written by Mozart.